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The ArtsNovember 2009Portraiture and social identity in eighteenth-century Rome
by Sabrina Eliasson
Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves. Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use. ;
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July 2007Adorno-Portraits
Erinnerungen von Zeitgenossen
by Stefan Müller-Doohm
Viele seiner Freunde und Wegbegleiter haben das Schulkind, den Studenten und späteren Professor, den Institutsdirektor und Musikliebhaber in schriftlichen Erinnerungsportraits festgehalten, die für diese Sammlung geschrieben wurden. Die Autorinnen und Autoren, die durchaus verschiedenen Generationen angehören, haben jeweils aus ihrer Erfahrungsperspektive Portraits von Adorno entworfen, Charakterisierungen von Aspekten seiner Person versucht, eigenwillige Reflexionen seines Werks und seiner Wirkung angestellt.
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The ArtsOctober 2013Placing faces
The portrait and the English country house in the long eighteenth century
by Gill Perry, Kate Retford, Jordan Vibert
This book explores the rich but understudied relationship between English country houses and the portraits they contain. It features essays by well-known scholars such as Alison Yarrington, Gill Perry, Kate Retford, Harriet Guest, Emma Barker and Desmond Shawe-Taylor. Works discussed include grand portraits, intimate pastels and imposing sculptures. Moving between residences as diverse as Stowe, Althorp Park, the Vache, Chatsworth, Knole and Windsor Castle, it unpicks the significance of various spaces - the closet, the gallery, the library - and the ways in which portraiture interacted with those environments. It explores questions around gender, investigating narratives of family and kinship in portraits of women as wives and daughters, but also as mistresses and celebrities. It also interrogates representations of military heroes in order to explore the wider, complex ties between these families, their houses, and imperial conflict. This book will be essential reading for all those interested in eighteenth-century studies, especially for those studying portraiture and country houses. ;
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Picture books, activity books & early learning materialJuan O’Gorman. Un autorretrato pintándose (Juan O'Gorman. An selfportrait paiting itself)
by Juan O'Gorman, Manuel Marín
Who is it that is painted? Who is it that sees what is painted? They can be the artist and his portrait, the viewer and the person portrayed.
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Picture booksJune 2020Isidorous’Fabulous Plot
Permaculture along Pangalanas Canal
by Ravaloson Johary/Mary-des-Ailes
In Madagascar, on the Pangalanas Canal, Mr. Isidore cultivates his plot in symbiosis with the forest. Through the portraits of ten plants that can be found on site, we set off to discover this original permaculture experience.
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Humanities & Social Sciences2013Painted history of Ukraine
by Kapranov Brothers
It's a well-known short narration of the history of Ukraine starting from archaeological cultures going all the way to the declaration of independence in 1991, accompanied by comics, maps and portraits of prominent figures.
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The ArtsJanuary 2013The face of the city
Civic portraiture and civic identity in early modern England
by Robert Tittler, Peter Lake, Anthony Milton, Jason Peacey, Alexandra Gajda
Our conventional understanding of English portraiture from the age of Holbein and Henry VIII on to Reubens, VanDyck and Charles I clings to the mainstream images of royalty and aristocracy and to the succession of known practitioners of 'Renaissance' portraiture. In almost every respect, the 'civic' portraits examined here stand in sharp contrast to these traditional narratives. Depicting mayors and aldermen, livery company masters, school and college heads, they were meant to be read as statements about the civic leaders and civic institutions rather than about the sitters in their own right. Displayed in civic premises rather than country homes, exemplifying civic rather than personal virtues, and usually commissioned by institutions rather than their sitters, they have yet to be considered as a type of their own, or in their appropriate social and political context. This fascinating work will appeal to both art historians and historians of early modern Britain. ;
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Literature & Literary Studies2020The Wormwood. Selected essays
by Oksana Zabuzhko
This volume contains the most important essays by Oksana Zabuzhko written in the last two decades, devoted to figures and events that the author considers culturally significant for today's era of the crisis of humanism. "Feminine", "masculine" and "collective", all these "portraits" are united by the author's deeply personal experience of ongoing history in which she inscribes her characters — and thus reveals in it what, at least, seems to be catastrophic, a previously invisible life-affirming meaning.
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The ArtsMay 2016Representations of Renaissance monarchy
Francis I and the image-makers
by Lisa Mansfield
Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture. Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France. ;
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2021Our Democracy in Danger
Hatred and attacks against volunteers,journalists and politicians
by Sabine Leutheusser-Schnarrenberger,Gunna Wendt
We experience in our online world as well as in our ‘real lives’ an increase in slander and abuse, intimidation, hatred and even physical violence against individuals who are committed to our society. If such attacks discourage people from getting involved, this endangers our democracy that depends on participation. Lawyer Sabine Leutheusser-Schnarrenberger and the writer Gunna Wendt interviewed ten committed volunteers about the causes, circumstances and consequences of hatred and violence. These visceral portraits provide a telling insight into the dangers, while showing that we can and must counter the degradation of political rhetoric with composure, respect and tolerance – and with effective measures to protect those at risk.
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Humanities & Social Sciences2019Frontier Identity: Odesa in 20th century
by Yaroslav Polishchuk
Flipping through the pages of the cultural history of Odesa in the 20th century, the author of the book analyses the frontier identity that developed in this peculiar city. In the first part of the book, the general processes that determined the cultural face of Odesa are analysed, in the second, portraits of prominent artists are presented - Volodymyr Zhabotynskyi, Petro Leshchenko, Mykhailo Zhuk, Boris Necherda, Boris Khersonskyi. Each of them in their own way embodied the image of the beach and sea city in its changing identity and constant charm. And if the above personalities are forgotten today, then we have a good opportunity to get to know and appreciate them more deeply, at the same time rethinking the phenomenon of Odesa in the 20th century.
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Love Amateurs
by Aleksandar Prokopiev
Anti-hero, and a would-be lover whose longing turns him into a buffoon: Prokopiev’s book is, surprisingly, a very English type. Heir to Shakespeare’s Bottom, Henry Fielding’s trickster Tom Jones, and even Kingsley Amis’s Lucky Jim, he could also share a pint or two with the deprecating genii loci of today’s British poetry: Alan Brownjohn’s Ludbrooke, Christopher Reid’s Mr Mouth or one of Hugo Williams’s frank self-portraits. But Peeper also belongs to the wider family of “the little man”, struggling under a weight of circumstance he has no notion how to negotiate. Living among, without managing to live by, conventions, the Peeper is a descendent of that wry Everyman who has suffered and been compromised since mediaeval times. He is a Good Soldier Svejk, a Charlie Chaplin, more than he is a Humbert Humbert or an Alexander Portnoy.
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The ArtsDecember 2010Chantal Akerman
by Marion Schmid, Diana Holmes, Robert Ingram
Chantal Akerman is widely acclaimed as one of the most original and important directors working in Europe today. A towering figure in women's and feminist film-making, she has produced a diverse and intensely personal body of work ranging from minimalist portraits of the everyday to exuberant romantic comedies, and from documentaries and musicals to installation art. This book traces the director's career at the crossroads between experimental and mainstream cinema, contextualising her work within the American avant-garde of the 1970s, European anti-naturalism, feminism and the post-modern aesthetics. While offering an in-depth analysis of her multi-faceted film style, it also stresses the social and ethical dimension of her work, especially as regards her representation of marginal groups and her exploration of exilic and diasporic identities. Particular attention is given to the inscription of the Holocaust and of Jewish memory in her films. ;
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Humanities & Social SciencesApril 2010Orangism in the Dutch Republic in word and image, 1650–75
by Jill Stern, Joseph Bergin, Penny Roberts, Bill Naphy
This remarkable study represents a completely original presentation of the language and imagery used by the Orangists in the critical period in the mid-seventeenth century Netherlands as they sought the restoration of the stadholderate in the person of the young prince William III. Stern argues that the Orangists had no desire for the prince to become a monarch, rather that they viewed the stadholderate as an essential component of the Dutch constitution, the Union of Utrecht, and fulfilling a key role as defender of the rights and privileges of the citizenry against an overwheening urban oligarchy. Source material is drawn not only from books and political pamphlets but also from contemporary drama, poetry, portraits, prints, and medals. This enables the author to examine the imagery used by the supporters of the House of Orange, in particular the symbols of rebirth and regeneration which were deployed to propagate the restoration of the stadholderate in the person of William III. ;
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History of art & design styles: c 1800 to c 1900June 2011The Wanderers and Critical Realism in Nineteenth Century Russian Painting
Critical realism in nineteenth-century Russia
by David Jackson
The rise of critical realism in nineteenth-century Russia culminated in 1870 with the formation of the Wanderers, Russia's first independent artistic society. Through depictions of the harsh lives of the peasantry, the fate of political activists, Russian history, landscapes, and portraits of the nation's cultural elite, such as Tolstoy and Dostoevsky, the society became synonymous with dissident sentiments. Yet its members were far from being purveyors of anti-Tsarist propaganda and their canvases reflect also a warm humanity and a fierce pride for such nationalistic themes as Russian myth and legend. Through close readings of single canvases, investigations of major themes and a multi-disciplinary integration of the Wanderers within Russian society, this book gives the first comprehensive analysis of the crucial cultural role played by one of the most successful and genuinely popular schools of art, the legacy of which comprises a fascinating panorama of life and thought in pre-revolutionary Russia.
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The ArtsJanuary 2016Face: shape and angle
Helen Muspratt, photographer
by Jessica Sutcliffe
Born into a civil service family in India in 1907, Helen Muspratt was a lifelong communist, a member of the Cambridge intellectual milieu of the 1930s, and a working mother at a time when such a role was unusual for women of her class. She was also a pioneering photographer, creating an extraordinary body of work in many different styles and genres. In partnership with Lettice Ramsey she made portraits of many notable figures of the 1930s in the fields of science and culture. Her experimental photography, using techniques such as solarisation and multiple exposure, bears comparison with the innovations of Man Ray and Lee Miller. This book reproduces some of Helen Muspratt's most important photographic images, including documentary records of the Soviet Union and the Welsh valleys. The accompanying text by Jessica Sutcliffe is an intimate and revealing memoir of her mother that offers a fascinating insight into her life, work and politics. ;
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The Dawn of Xuefeng Mountain
by Zhang Xiongwen
This book is reportage, with more than 200,000 words, divided into 10 chapters and more than 30 subsections. The beginning of the article cuts into the relevant cultural backgrounds of Qu Yuan and Xupu, and then unfolds the picture scroll. From the beginning to the end, it insists on looking at the big picture and writing in detail. It reproduces the experience of a large group of entrepreneurs under the Hunan Xuefeng Mountain Ecological Cultural Tourism Co. Distinctive image and mental journey: They insist on cultural self-confidence, exert their creative spirit, insist on taking the benefit of the people as the starting point in case of trouble, and build Yifangqianshandi into a well-known ecological and cultural tourism area. "Dawn of Xuefeng Mountain-Documentary of Xuefeng Mountain Tourism Poverty Alleviation Model" depicts such a group of portraits that keep up with the times and strive for progress. Acura is such a group of poverty alleviation and entrepreneurial heroes.
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NursingOn Female Territory
Portraits of Male Care Workers
by Sabine Meisel / Edita Truninger
The book portrays men between the ages of 23 and 65, who work in caring professions in different areas, such as nursing homes, acute care clinics, home care, outpatient care and psychiatry, providing readers with an insight into their biographies. The protagonists recount in a candid way what motivated their career choice. Did they become aware of it through their environment or through personal experience? Which barriers did they have to overcome in the process of choosing a career? What do they think of their role as an exotic species in female-dominated teams? At which point did they begin to question the prevailing norms of gender identities?And what did that do for their own idea of masculinity? These portraits are enriched by five personal essays written by representatives from the Swiss healthcare sector who have been in the caring profession for a long time.
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