Greenlight Press was launched in November 2012. We are the home of numerous Book Series (Sci-Fi, Fantasy and Crime), lots of them Award-Winners. On the German market, our series are published as E-Book, Print and Audio Books
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Founded in 1984, Chelsea Green Publishing is recognized as a leading publisher of books on the politics and practice of sustainable living, publishing authors who bring in-depth, practical knowledge to life, and give readers hands-on information related to organic farming and gardening, ecology and the environment, healthy food, sustainable economics, progressive politics, and, most recently, integrative health and wellness. Chelsea Green has offices in Vermont and London and become 100% employee owned in 2020.
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— By the expert in ethical business — Once you have finished this, you will never fall for green financial lies again — Global Ethic Institute (Weltethos- Institut) network And suddenly every bank is sustainable. This truly necessary "debate book" explains in a wellfounded way what green-washing means in the financial sector, and why banks, insurance companies, asset managers, stockbrokers and other financial players clothe themselves in their allegedly so green-and-friendly cloak. It provides an easy-to-understand explanation of the various forms of greenwashing, how we can recognise the different "varieties" and – above all – how we can avoid them. This is also important because the entire financial and capital system is an important part of a sustainable future – and this can only succeed if it is honest, transparent and impact-orientated.
More and more companies are becoming sustainable. More and more products are being produced sustainably. But things that are called climate-neutral or sustainable today often are not. Then there are the catchy phrases like 'electric mobility belongs to the future' or 'there's enough food on the planet for everyone'. These statements are not true, and are referred to in science as 'frames'. This book provides a guide that enables us to free ourselves from these ecological frames, to see through them. Because only a policy that understands the connections is able to develop perspectives. Numerous experts uncover the biggest lies about the future in this book, refute them and explain what we need to change. Because we can lie to ourselves, but we cannot lie to nature.
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Why do multinational mining corporations use participation to undermine resistance? Do the struggles of local communities, activists and NGOs matter on a global scale? Why are there so many different global standards in mining? This book develops a new critical political economy approach to studying extractive accumulation, drawing on three detailed Indonesian cases to explain how participatory mechanisms continuously reshape and are reshaped by community-corporate conflict. Findings highlight feedback between local social relations, conflict, transnational activism, crises of legitimacy and global governance. The author argues that corporate social responsibility, community development, 'gender-mainstreaming' and environmental monitoring are neither simple outcomes of corporate ethics nor mere greenwashing strategies. Rather, participation is a mechanism to undermine resistance and create social relations amenable to extractive accumulation.
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T for Tessa – Secret Business (Vol. 3) Fast fashion with a clear conscience? - Tessa and the Fashion MafiaChaos Queen Tessa's comfortable life has finally come to an end since she became a secret agent (by mistake) of the internationally operating secret service R.I.N.G. Now she's out to put a stop to the masterminds of organized crime.Cool, stylish, and exciting, T for Tessa combines classic chick-lit elements with trendy agent plotting. In each volume, there is a new thrilling case to keep readers on their toes.What happens in Volume 3:Tessa joins the school newspaper because she wants to prove to her crush Timo, the editor-in-chief, that she is a damn cool eighth grader. Wouldn't it be laughable if Tessa didn't make a top investigative journalist with her newly acquired agent skills? She wants to research how well recycling clothes works: Customers can return their used clothing, and stores like Fashionista refurbish the clothes and donate them to neighborhood projects. With the help of a GPS tracker sewn into a used sweater, they track the sweater to the Suez Canal ... but this does not fit the promises of Fashionista at all. The problem of old clothes imports seems to be even bigger than Tessa suspects. And then Tessa and the Girl Group receive a tip that calls for RING's intervention ...• Chick-lit with trendy agent plot in international settings: Charlie's Angels meets Austin Powers• Exciting and humorous entertainment for readers aged 11 and up, unmistakably humorous and entertaining à la Frauke Scheunemann• Special topic: fast fashion & greenwashing, narrated with coolness, humor and a touch of romance
‘Athletes first’ is a slogan the International Olympic Committee often touts, but the reality is very different, as preeminent Olympics expert Jules Boykoff shows in this book. While the world’s attention is riveted by the triumphs and tribulations on their screens, there is much that goes on behind the scenes that is deeply troubling: athletes are increasingly voicing concerns over physical, mental and sexual abuse, and they are collectively expressing grievances around equity and human rights. Outside the stadiums, problems range from the democratic deficit and corruption surrounding the awarding of the Games, to displacement of people and gentrification of neighbourhoods to make way for Olympic venues, to the environmental damage that Olympic construction inflicts and then tries to greenwash away. Boykoff tells us that radical steps are required if the Games are to be fixed and only then will they be truly ‘athletes first’.
Do you know what your IT systems cost your business in electricity? Organisationsare not always aware of how much of their electricity bill goes on data storage. This is because the amount of money they are spending on the electricity for IT systems is often hidden inside the bigger electricity bill. Many businesses have already been confronted with the heavy operational costs associated with increased data storage. So unless you keep track of the problem, your business may be pouring money down the drain without you even realising it. If you care at all about growth, this is a form of waste you cannot afford. Moreover, a sudden rise in electricity prices may even push your company into making disruptive, short-term cuts. Brand equity Heavy use of electricity also has a negative impact on the environment. Generating electricity usually requires the burning of fossil fuels, which releases carbon dioxide into the atmosphere. In today’s business climate, environmental irresponsibility results in bad publicity, and leads to awkward questions from both customers and investors. Getting to grips with energy consumption is one way for you to protect your company’s reputation. What gets measured gets done This book’s message has nothing to do with greenwash. It is intended for people who are looking for hard, practical advice on how to fix a problem. Green IT needs to establish baseline data so that progress can be effectively tracked, and metrics are essential for that. Taking Green IT seriously also means coming up with a plan and making sure it gets delivered. So it is vital to treat Green IT as a process. You need to make the CIO responsible for the energy consumption of the data centre, and allow him to do what it takes to drive costs down. To retain momentum, your Green IT strategy also needs the support of top management. Meanwhile, lower down the hierarchy, employees need to know that Green IT is not just a fad, but something your company is treating as a real priority.
Foreword by Francois-Henri Pinault “A timely exploration of luxury post-pandemic, valuable reading for anyone in the business.” SUZY MENKES, Editor, Vogue International In Future Luxe: What’s Ahead for the Business of Luxury, Erwan Rambourg identifies the major forces and emerging trends that are set to reshape luxury over the next decade. The expansion of Chinese consumption and the boost in women’s spending power around the world will fuel continued growth in the industry—but even more importantly, fundamental changes are on the horizon. The younger generation is entering the luxury market, bringing new values and demands that will redefine the very meaning of luxury. The sector should expand in the realms of travel, health, leisure, even cannabis. For brands to resonate with these younger consumers they will have to develop substance beyond a high- quality product or a desirable logo. Greenwashing won’t cut it—brands will need to take seriously issues like diversity, sustainability, and ethical production. To ensure his portrait of the industry has the depth and nuance of real-world experience, Rambourg interviews several CEOs from the largest groups and brands, including Kering, Cartier, PuMA, and Moncler, in addition to drawing on his own observations from over two decades in luxury. Future Luxe is engaging, wise, and deeply informed, a vital read for those new to the industry as well as veterans planning for continued success. Author: Erwan Rambourg has been a top-ranked analyst covering the luxury and sporting goods sectors for fifteen years. After eight years as a Marketing Manager in the luxury industry, notably for LVMH and Richemont, he is now a Managing Director and Global Head of Consumer & Retail equity research. He regularly contributes to the Wall Street Journal, the Financial Times, CNBC, and Bloomberg, and has guest lectured at top universities in the U.S., Europe, and Asia. He is the author of The Bling Dynasty: Why The Reign of Chinese Luxury Shoppers Has Only Just Begun (2014). Rambourg lives in New York City with his wife and three children.
An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner. The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this “fictive art” (LaFarge’s term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork’s central narrative. This dissimulation is temporary, with a clear “tell” often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.
