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Female script (nv shu), as the unique female character, is a special kind of syllabic character. To protect, inherit, and promote female script, this book systematically introduces the origins, characteristics, along with sounds, shapes, and meanings of female script, with a breif standard word list attached. The book can serve as a primer for people who are interested in and study female script.
Set in a post-apocalyptic Philippines, Naermyth tells of a world plagued by the monsters of myth and legends who have stepped out of their storybook shadows to assume world dominion. They are the Naermyth (a word play on “never myth”) and have forced the human race close to extinction and fodder for the growing supremacy of these creatures. Among the survivors is Aegis, a seasoned soldier, and her story takes a dark turn when she rescues a stranger with mysterious abilities. Clearly, he is not human, and saving him triggers a series of revelations that challenges the meanings of monstrosity, heroism and family.
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This is a short story collection written by one of the best female Chinese writers Chi Li, who chooses five of her representative stories that happens in Wuhan city. The author is famous for her description of ordinary Chinese citizens from female perspective. Her works have been favored by many readers in and out of China.
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This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.
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Ella Arcangel: Magic of Earth and Blood follows the adventures of the titular hero, a 12 year old “mambabarang” living in the slums of Barangay Masikap. Ella has to walk the tightrope of helping her impoverished community deal with the supernatural, assisting the dispossessed spirits and elementals deal with the humans who are sharing their space, and fending off her own lack of resources. She won’t just battle supernatural monsters, but monsters with a badge and a uniform as she is caught in the middle of the unjust drug war.
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Only the Doctor Knows: Select Edition is a revised version of Only the Doctor Knows series, written by a gynecologist Zhang Yu. The series have won many important book prizes in China. This revised version includes all the important moments of pregnancy, labor, and parenting. From innocent girl to wife and mother, a woman’s role changes with special female physiology. Woman’s health brings harmony to a family. This book tells interesting stories of female from different age who see the doctor, providing necessary female health knowledge.
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Lust, a mortal sin? These times are over. In today's public perception, it is more likely for a boring sex life to be categorised as that. In statistical terms, people have never had as little sex with each other as they do today. And yet tips for a good sex life are to be found on every (digital) corner. Sex has mutated into a lifestyle product, and terms like 'fuckability' and 'MILF' trip lightly off our tongues. Henriette Hell takes a closer look at the thing about sex. She traces the history and genesis of 'sexual liberation', and sheds light on the 'cheating gene' and the #metoo debate. The author asks (and answers) the question of whether sex is becoming more and more antisocial and what actually still turns us on today. In doing so, she focuses on the former mortal sin of lust, which is inseparably linked to the systematic suppression of female lust (and its liberation).
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This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
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This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition. The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry. ;
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This book collects reprehensive short poems of modern Chinese poet Zhai Yongming. This female poet is well-known for her elegant language, exquisite skill, imagination, and especially her deep exploration of modern women’s inner world. Her poems are also influential among international poetry field.
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This book marks an important new intervention into a vibrant area of scholarship, creating a dialogue between the histories of imperialism and of women and gender. By engaging critically with both traditional British imperial history and colonial discourse analysis, the essays demonstrate how feminist historians can play a central role in creating new histories of British imperialism. Chronologically, the focus is on the late eighteenth to early twentieth centuries, while geographically the essays range from the Caribbean to Australia and span India, Africa, Ireland and Britain itself. Topics explored include the question of female agency in imperial contexts, the relationships between feminism and nationalism, and questions of sexuality, masculinity and imperial power.
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Herminie and Fanny Pereire were sisters-in-law, married to the eminent Jewish bankers and Saint-Simonian socialists Emile and Isaac. They were also mother and daughter. This book, a companion to the author's acclaimed Emile and Isaac Pereire (2015), sheds new light on elite Jewish families in nineteenth-century France. Drawing on the family archives, it traces the Pereires across a century of major social and political change, from the Napoleonic period to the cusp of the First World War, revealing the active role they played as bourgeois women both within and outside the family. It offers insights into Jewish assimilation, embourgeoisement and gender relations, through the lens of one of the most fascinating families of the century.
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This book is about true rebels: late 19th and early 20th century Ukrainian female writers. They find their own voices in literature and start to defend theis own space, both private and public. 12 stories of life and work of Marko Vovchok, Lesia Ukrainka, Olha Kobylianska, Iryna Vilde, Sophia Yablonska and others.
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Heavenly Girl (Tian Nü) is based on a legendary story in The Classic of Mountains and Seas·Da Huang Bei Jing as a starting point. It describes the difficult journey of the Nü Ba out of the desert to find her identity after having exhausted her powers in aid to her father Huang Di at the war with Chi You. She became the Drought Godness then as drought emerged wherever she went. With the first-person narrative, the main body of the story describes the loneliness and the curiosity of the life of the goddess with her destructive ability. At the same time, the narratives about the protagonist from different persons are presented, offering a different perspective. The work is immense, exquisite in structure, full of characters and strong in originality and artistry.
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Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
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Aadya looks just like her mother (Aai)—same little nose, same delicate ears, same big eyes, and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before Aadya learns her next Math lesson. The long-awaited return shocks Aadya because now her mother looks completely unlike her. She wonders if Aai will ever greet her with her usual, cheery, ‘Hello! Mini-me.’ Or will Aadya have to take matters into her own hands just to hear that again?With lyrical prose and a tender touch, Aai and I is an empowering story of the bond between a mother and a daughter, and of the little one finding her own identity as she finds herself no longer 'looking' the same as her mother. Mamta Nainy captures with elan Aadya’s innocence, impatience, and dilemma, and Sanket Pethkar’s vibrant, gorgeous artwork brings to life a typical Indian household in the state of Maharashtra.
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The monastery at Siani was famous throughout the academic world for its library. The monks of medieval days routinely obtained ancient, crumbling manuscripts and recopied them. Among them, hidden in a wall in the cellar, the following parchment was found and faithfully recopied in the practiced hand of the Sianian monks several centuries after its original writing. Hugo N. Gerstl, nationally famous American trial lawyer, world traveler and author of the bestselling historical novels: AGAINST ALL ODDS: The Magnificent Trio That Built Israel's Air Force; SCRIBE: The Only Female Pope; AMAZING GRACE: The Outstanding Tale of Grace O'Malley, The Notorious Pirate Woman; LEGACY: A Turkish Saga; and the gripping, breath-holding thrillers ASSASSIN & MISFIRE, which so far have been translated into Portuguese, Czech, and Turkish. as well as THE POLITICS OF HATE – A Piercing Insight into American Politics. Hugo Gerstl lives in Carmel, California with his wife Lorraine, a writer and teacher. Together they have raised five children, now grown. Published By Pangæa Publishing Group 560 pages – 23 cm x 15 cm
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Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.
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Once upon a time, there was a poor young man who lived alone. One day, he picked up a snail on the riverside and took it home. Since then, he could see a table of hot meal as long as he came back home. He was surprised to find that all these were cooked by a girl, who was changed out from the snail. It turned out that the girl was a goddess, who wanted to thank the young man for saving her life.
