Mercis Publishing bv is the publisher and world-wide rights holder for Dick Bruna’s books, including Miffy. Mercis Publishing has published the Dutch version of the Dick Bruna books since 1995 and coordinates the publication of all Dick Bruna books in other countries. Dick Bruna’s books have been translated into more than 50 languages. The list includes picture books, board books, bath books, novelty books and colouring & activity titles.
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Successful San Francisco attorney Will Muñoz has heard of the brutal former Chilean dictator Augusto Pinochet, of course, but it's not until he receives his mother's suicide letter that he has any inkling Pinochet may have had his father, Chilean writer Ricardo Muñoz, assassinated thirty years earlier.Her suspicions spur Will on to a quest to discover the truth about his father's death–and about the psychological forces that have driven his mother to her fatal decision. His journey takes him deep into unexpected darkness linking his current step-father, the CIA, drug-experimentation programs, and a conspiracy of domestic terrorism. The Pinochet Plot is not just a story of a man seeking inner peace; it is also a story of sinister history doomed to repeat itself.
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This book selects events from 40 different conflicts. It vividly explains the heroic spirit of the People’s Army, and shows the tenacity of the blood and courage of these soldiers. This entire book is groundbreaking and cutting-edge. It’s an ingenious conception, with in-depth commentary, lively language, and boasts both graphics and text – it is well suited to the tastes of young readers. This book is worthy of the troops, extendable to the youth, acts as an assistance to middle-school children who are beginning their Patriotism studies, pays homage to Revolutionary heroes, and even acts as an educational reader to the battles of the past.
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This book selects events from 40 different conflicts. It vividly explains the heroic spirit of the People’s Army, and shows the tenacity of the blood and courage of these soldiers. This entire book is groundbreaking and cutting-edge. It’s an ingenious conception, with in-depth commentary, lively language, and boasts both graphics and text – it is well suited to the tastes of young readers. This book is worthy of the troops, extendable to the youth, acts as an assistance to middle-school children who are beginning their Patriotism studies, pays homage to Revolutionary heroes, and even acts as an educational reader to the battles of the past.
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Responsible for the death of hundreds of Jews and members of the resistance, including Jean Moulin, SS Klaus Barbie escaped justice and a double death sentence at the end of World War II. He exchanged his native Germany for South America, where he applied the same methods and even organized the coup d'état of the dictator Hugo Banzer. A true mercenary, nicknamed the Butcher of Lyon, he was finally identified and hunted down until 1987, the fateful year of his trial and conviction, unprecedented in France: life imprisonment for crimes against humanity.
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This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;
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What kind of mindset do you really need to succeed as a Helicopter Pilot in Afghanistan? Kate Munari really wanted to fly helicopters, and she really wanted to go into a combat zone. What it took to get her there, how she coped with everything from enrolment, to pilot training courses, preparation for deployment to one of the most dangerous places in the world, for anyone to be in 2008. Three successful tours of Afghanistan was the highlight of a 17 year career as a helicopter pilot for Kate, and she shares her stories to inspire anyone wanting to know more about the mindsets she employed during that time, and for her life in general. It’s a riviting tale of determination, courage, and ambition. Her personal stories include insights into: 12 hours per day transporting troop in Helmand Province while being shot at. Advanced training and formation flying that will leave you breathless. Flying under extreme pressure in various parts of the world. Enounters with Royalty, Tribal Chief's, and Interrogators. This book is perfectly targeted at Leaders who are either in business or running teams of any size in any industry, based on Kate's development and insights as a military person. It is also ideally targeted at young women - 15-30 years of age who want to be inspired to either join up, punch well above their weight in any career path, and navigate a journey into what's truly possible for women any where in the world, in any industry based on a resilience and capability focused mindset. As a full time presenter, Kate speaks to audiences throughout Australia and New Zealand about her perspectives on leadership borne out of her experiences both in the Navy and as a civilian. Her book is due for release in 2024.
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According to Tom Gallagher, Romania's predatory rulers, the heirs of the sinister communist dictator Ceausescu, have inflicted a humiliating defeat on the European Union. He argues convincingly that Brussels was tricked into offering full membership to this Balkan country in return for substantial reforms which its rulers now refuse to carry out. This book unmasks the failure of the EU to match its visionary promises of transforming Romania with the shabby reality. Benefiting from access to internal reports and leading figures involved in a decade of negotiations, it shows how Eurocrats were outwitted by unscrupulous local politicians who turned the EU's multi-level decision-making processes into a laughing-stock. The EU's famous 'soft power' turned out to be a mirage, as it was unable to summon up the willpower to insist that this key Balkan state embraced its standards of behaviour in the political and economic realms. The book unravels policy failures in the areas of justice, administrative and agricultural reform and shows how Romania moved backwards politically during the years of negotiations. ;
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Andrukhovych’s hero, rock musician Joseph Rotsky, supported the revolution in his home country by being a "barricade pianist". Forced into exile, he earns his living playing salon music. In a Swiss hotel he is forced to perform for his country’s dictator. He throws an egg at him, accidentally killing him. After his release from prison, Rotsky retreats to the Carpathian Mountains, where he is soon found by secret service agents and other sinister characters who are out to get him. His escape takes him as far as Greece – with his raven Edgar and his lover Animé as his faithful companions. He ends up on a prison island on the prime meridian, where he hosts his own radio programme: "Radio Night" – his own label that allows him to broadcast music, poetry and good stories into a darkening world. Yurii Andrukhovych’s long awaited new novel, a revolutionary saga, biographical burlesque and agent thriller set against the backdrop of the immediate present – Andrukhovych pulls out all the artistic stops to counter the fears and real threats with the sovereignty of imagination. Radio Night received great acclaim from readers and critics alike.
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