EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
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View Rights PortalAny reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. A hundred years later, a massive earthquake broke the box of the imprisoned aliens, and the aliens escaped! They raided the Antarctic research station and ransacked the Golden State to worship the Golden City, making a large number of vicious incidents. Their next goal is the country that the children have built—the brave city of the capital of Papa, and a new battle is about to start. Can the young heroes of Papa State resist the invasion of aliens and save the earth?
In this book, Mr. Yongxin Zhu selects to interpret the celebrated dictums of Montessori which are related to family education. Some of the celebrated dictums point out the importance of children education, some of them reveal the laws of children’s development, and more of them care how to educate children better. This book is of significance to the development of Chinese family education.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. Aliens have invaded Earth! This is a group of aliens from the ghost planet who cannot be killed. How to do? In this critical situation, the brave primary school student Dididi, the intelligent Dr. Guima, the wise Witch Gurit, the Hiroshima atomic bomb victim Shuiyunjingzi gathered together to form the "Save the Earth Four" group. A fierce battle with the aliens started ...
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. The "Dragon" super space warship crossed the universe wormhole. It took only a few minutes to reach the distant space of 1400 light years from the earth. A series of challenges are waiting for the "Dragon" teenagers, steel planet, cosmic disease, cosmic whales, elf kingdom, thunder kingdom, lightning country, illusion planet, nebula storm... Can they pass over all these challenges one after the one other?
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. The "Dragon" spacecraft successfully passed through the nebula storm but fell into the singularity of the universe; having finally left the black hole but met the space pirates... After all the hardships, the "Dragon" teenagers finally reached the crystal star, but immeidately faced a terrible locust crisis. Can they successfully get the magic instrument to romve the planet pollution? The 100-day deadline is coming soon. Can they still return to Earth? Even if they could return to the earth, how could they defeat and expel the alien villains that invaded Earth?
Three Pieces of Young Ginger is a novel about growing up. It tells stories of three boys of the same age, Xijia Kangrui, a fan of animals, Wan Juan, who enjoys fantasying, and Meng Da, a football fan. Like three pieces of spicy young ginger, they express their dissatisfaction with life, taste their respective sadness, and grow up in the way they like. Though look alike, when you get closer, you realize they are as different as you can never find one identical piece of ginger. Three Pieces of Young Ginger is one of the typical growing up fiction books of Chang Xin'gang, reflecting the realistic home-school life of contemporary children. Through these painful, hopeful growing up stories, the author conveys his profound thought on the education system and family relationship and calls for more spaces for children to express, to make choices, and to try and fail.
Yang Peng's alien series original science fiction works. The book continues Yang Peng's consistent style of creation—incredible imagination, extraordinary exaggeration, unrepeatable comedy, bizarre plots, sci-fi elements, relaxing, humorous, and thrilling fun. At the same time, courage, integrity, kindness, unity, patriotism, and environmental protection are integrated into the delightful storytelling. The theme is positive, setting a good example for the children. The evil aliens were sucked into the black hole, but broke through the white hole and got out of the captivity of the crystal box. In 3199, they took the snow comet to the solar system again, and started the first shot of attacking humans on Mars. Then they launched a horrible "smashing bomb" to the earth. As a result, the earth's pollution is raging. Earth was at stake! The 15-year-old CEO Yang Jian, super-powered girl Murong Xue, little doctor Jiligulu and their peers, sailed the super space battleship "Dragon" to the distant crystal star for help, and once again encountered the enemy fleet on the edge of the solar system at a ratio of 1 against 53. Can they win?
This is a history book written by the father to the children. The knowledge is all in the story, which enables the children to understand the history of China completely from their interests. The book is divided into dynasties, vivid and interesting, accurate and complete knowledge, rational and clean. There is no preaching, no political flavor, no indoctrination of any so-called educational significance, so that children can feel the beauty of history and learn to think independently in funny and fun. It is suitable for 7-12 years old pupils to read, more suitable for parents to read to their children.
This is a book about geography written by my father to my children. All the knowledge is in the story, which enables my children to understand China's geography completely from their interests. The book is narrated in different provinces with vivid content, professional knowledge and vivid writing. It's full of stories and anecdotes, but it covers a complete knowledge of geography. There's no knowledge to memorize. It also allows children to fully appreciate the local conditions and customs of different regions. It is suitable for 7-12-year-old primary school students to read, more suitable for parents to read to their children, and also loved by many adult readers.
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
Who is the devil of Bermuda Triangle? Is Sanxingdui a masterpiece of alien? What's the matter with UFO falling into the water? Did aliens really take the earth people? Why did Maya civilization disappear from the world? Children are always full of curiosity and fantasy about some unknown things. Based on the children's interests, pop dad selects from many fields the unsolved mysteries that children are interested in, are concerned by children, have thinking value, and shows them one by one with unthinkable stories from the aspects of geography, history, UFO, etc. Wonderful stories leave children more space to think and imagine.
Marcus Hammerschmitt schreibt Science-fiction-Erzählungen, die technologische Phantasie, psychologische Einsicht, Lust am gedanklichen Experiment und poetische Erfindungskraft vereinen. Wie Herbert W. Franke oder Peter Schattschneider basiert er seine Geschichten auf einer soliden Grundlage, entwickelt seine Szenarios und Fabeln spielerisch, verknüpft sie aber dramatisch mit den größeren Problemen von Ökologie einerseits und den Zweifeln und inneren Konflikten des einzelnen andererseits.