Blink is focused on the world of commercial adult non-fiction. With an emphasis on the official and authorised, Blink's titles seek to explore the vibrant world of popular culture and share the stories of household names and up-and-coming voices.
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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The character of the novel “My Date with the Light” was born with a rare disease that gradually eliminates her sense of sight. From an early age, she realized that she was in a struggle with time and loss. Who said that this little girl in that remote village between its harsh mountains and deep valleys will one day be able to turn her date with darkness into a date with light, insight, and hope? She left her village in search of scientific horizons and dreamy expanses. Twenty years later, she decided to return to her hometown, believing in her role in assisting the children of her village. In her cabin, between the night silence and train whistles, she begins to tell her life story so we can learn about the details of her childhood, her handicap, her family, her village that languishes in poverty and destitution... To witness how she was finally able to make her way towards achieving her dream with rare courage, and touch the light of success, despite losing sight. Age Range: 9-12 years
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Disability and the Victorians brings together in one collection a range of topics, perspectives and experiences from the Victorian era that present a unique overview of the development and impact of attitudes and interventions towards those with impairments during this time. The collection also considers how the legacies of these actions can be seen to have continued throughout the twentieth century right up to the present day. Subjects addressed include deafness, blindness, language delay, substance dependency, imperialism and the representation of disabled characters in popular fiction. These varied topics illustrate how common themes can be found in how Victorian philanthropists and administrators responded to those under their care. Often character, morality and the chance to be restored to productivity and usefulness overrode medical need and this both influenced and reflected wider societal views of impairment and inability.
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"Hidden in his horn he guards the secret of the jungle”. This might be as well the beginning of a novel, but it's an inspired riddle about wild animals. The illustrations in high varnish of this edition highlight the different skin textures of each animal and invites the reader to discover a new way of reading in a tactile and playful way.
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Keys, handkerchiefs, coins, three flowers from last spring, a bird. Boys and girls are expert observers and that is why they know that a mother’s purse fits everything. A book in Braille that reminds its readers that when observations are mixed with imagination, the most everyday objects are capable of coming to poetic life.
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Die zwölfjährige Caspia muss den gesamten Sommer mit ihren Eltern in Brooklyn verbringen. Dabei hasst sie Großstädte, allen voran New York. Zu viele Menschen, zu laut, zu schmutzig. In dem Kinderzimmer des Apartments, das die Familie gemietet hat, steht eine Kommode, in der Caspia Briefe von einem blinden Mädchen entdeckt, das an der Seite ihres Botaniker-Vaters in den 50er und 60er Jahren die Welt bereiste und Pflanzen auf ihre ganz eigene Art beschrieb. Jeder Brief wird mit einem Pflanzenrätsel eröffnet. Und so macht Caspia sich auf die Suche, um die Rätsel zu lösen, und kommt dabei den unterschiedlichsten Pflanzen auf die Spur: Rose, Zimt, Löwenzahn, Bambus und vielen weiteren. Ganz nebenbei lernt sie die Orte und Menschen in ihrer neuen Nachbarschaft kennen ... und schlägt nach und nach Wurzeln an einem Ort, von dem sie es nie vermutet hätte. Auf den Spuren der Natur: Lerne die Kraft der Pflanzen kennen Wer hätte gedacht, dass eine Metropole wie New York doch so grün ist? Tauche ein in die Natur und begib dich auf eine Entdeckungsreise durch Brooklyn. Zusammen mit Caspia versteckte Oasen finden: Geheimnisvolle Briefe und knifflige Rätsel sorgen für aufregenden Lesespaß. Ein sommerliches Abenteuer über neue Freundschaften und eine gemeinsame Leidenschaft. Denn Caspia zeigt uns: Natur verbindet. Bestsellerautorin Cornelia Funke und Pflanzenexpertin Tammi Hartung nehmen uns mit auf eine Reise in die magische Welt der Pflanzen. Auch zum Nachmachen und Recherchieren: Mit Rezepten und der Pflanzenübersicht selbst auf Forschungsreise gehen und das grüne Königreich erleben. Empfohlen von Stiftung Lesen.
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This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria & Albert Museum, London. The collection uses newly accessible family archives to explore the intensely complex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond.
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Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
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Although there are numerous books available today about nonduality, only Blind Spot addresses the critical distinctions that exist between the conventional approaches to spirituality―indeed, to life itself―and the nondual approaches. The book explores how these same distinctions also play out in the sciences.
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Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.
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Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks. ;
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The earthworm Yakyv got out of his hole in a good mood and crawled around to find his dinner. But on the way he came across a snail, some woodlice, a butterfly and a stag beetle, all crying. Yakyv got angry because he could not understand why they were crying. But soon, Yakyv himself was brought to tears. The book Yakyv and the Wet Evening will help the child understand why we sometimes cry and that crying is nothing to be ahsamed of. The book offers exercises at the end that help children make sense of their own emotions and understand the feelings of others. From 3 to 5 years, 1532 words. Rightsholders: Ivan Fedechko; ivan.fedechko@starlev.com.ua
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This book critically examines the long established tradition of adapting classic novels to film or TV screen.. An emerging area of interest - the relationship between film and literature and the way cinema and television have translated classic novels into moving pictures from the 30s to the 90s.. A wide-ranging but focused collection that is bang up to date and free of media jargon that looks at both the film and the book.. Includes discussion of: The English Patient, Pride and Prejudice and Middlemarch, Pickwick Papers, Dracula, Dickens, Conrad, Hardy and Waugh. ;
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Mom and Dad completely lose the plot the day the Wifi stops working in the house. In a role reversal of sorts, it's up to little Shivi to get her bored and tantrum-throwing parents to see that there is a perfectly wonderful life to be enjoyed beyond their screen-craze. Mithila Ananth’s zany, whimsical digital illustrations with a minimal neat colour palette and a touch of quiet humour throw into sharp focus Richa Jha’s funny story done as a second-person narrative. Together, they draw the reader right into the centre of this book’s relatable universe.
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"Die Bilanz eines Lebens ziehen – was heißt das? Verluste verbuchen, Momente des Glücks festhalten? Juan Goytisolo, der wohl radikalste spanische Schriftsteller der Gegenwart und unerbittliche Beobachter auch seiner selbst, geht einen anderen Weg. Er erzählt. Und erkundet die Strecke, die vor ihm liegt.Nach dem Tod seiner Frau und Gefährtin fühlt ein Mann das Nichts auf sich einstürzen. Ihm ist, als mache er sich auf einen langen Weg mit immer leichterem Gepäck. Die Dinge, die ihnen so viel bedeuteten, vermeintliche Gewißheiten, mühsam erworbene Kenntnisse, alles stößt er ab. Wo die Erinnerungen verblassen, verblaßt auch der Schmerz. Doch unter dem Ansturm von Verlust und Sinnlosigkeit erfährt er zugleich, daß erlebte Schönheit nicht im Strudel des Lebens verschwindet. Was läßt ihm die Zeit, dieser blinde Reiter? Was erwartet ihn hinter dem letzten Vorhang, dessen Sinnbild ihm die verschneite Bergkette am Horizont ist, dort, wo die Wüste beginnt?Vom Ankommen an einer Wegkreuzung erzählt Goytisolo in seinem autobiographisch gefärbten und, wie er sagt, letzten Roman; davon, was es bedeutet, wenn die Zukunft der Erinnerung an Vergangenes weicht und der Blick dennoch nach vorne geht. Ein Text voller einprägsamer Bilder, der Fragen stellt, denen sich niemand entziehen kann."
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In spring of 1933 the famine in Machukhy came to its climax. The first case of cannibalism, lynch law, malnutrition-related mental disorders. The village lives in degradation. People are desperate, and they lose their humanity, they are ready to eat everything to survive. And here are two stranger women, two victims of their time, two opposite sides of the great darkness, called hunger, are at arm's length… Young Yavdokha, madness-like insight — and Solya, the holy blindness. One is killed by hunger — the other one is saved. One is promised to have eternal night — the other one is given hope for a happy renewal. And they do not know yet that they go towards each other. They go in order eventually to hug one another and to build a fragile bridge over the insatiable anthill of their torturers…
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This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition. The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry. ;
