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Crimson Dragon Publishing
Crimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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Humanities & Social SciencesAugust 2012French crime fiction and the Second World War
by Claire Gorrara, Bertrand Taithe, Penny Summerfield, Peter Gatrell, Max Jones, Ana Carden-Coyne
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The ArtsJanuary 2019Spanish cinema 1973–2010
Auteurism, politics, landscape and memory
by Maria M. Delgado, Robin Fiddian
This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.
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November 2017The Secret of La Rosa
by Donald Willerton
It was just a short cross-country ski outing over the Christmas break for Mogi Franklin and his sister, Jennifer–until they find themselves suddenly caught in a vicious blizzard. Near collapse, they ski into a mysterious valley with an ancient hacienda, a busy Spanish family, and a village with no electricity, no plumbing, no cars, no phones, and definitely no Walmart.A vacation that began a few days earlier helping his Granddad clean and decorate for a huge family celebration had now become a mind-boggling mystery. And young Mogi's anguish trying to come to terms with his grandmother's death from cancer the previous Christmas turns to fear and danger when he is accused of stealing a religious icon the town prizes above all others–and which holds the key to solving an ancient legend of missing Spanish gold.It's the latest book of the exciting Mogi Franklin Mysteries–shadowy figures, secret societies, a town like no other. Is this all reality or illusion? Mogi must find the answers, even as he struggles with the memory of his grandmother's death and the mysteries of faith it brought him which he now must answer as well.
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Literature & Literary StudiesMay 2023Suicide and the Gothic
by William Hughes, Andrew Smith
Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.
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Family & home stories (Children's/YA)October 2017Mexique
El nombre del barco
by María José Ferrada, Ana Penyas
On May of 1937, during the Spanish Civil War, 456 sons and daughters of republican fighters took the transatlantic boat Mexique, that set sail in Bordeau to arrive in Mexico. Previsions were that they would stay there three or four months, but the Republican defeat and the beginning of the Second World War changed that brief exile into a definitive one. This books tells the story not only of those children, but also about the ship, being aware that we do not know how many boats try to cross our oceans every day, moving human beings that have full rights to a proper way of living and not to stand over a land that tears apart below their feet.
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Film theory & criticismOctober 2013The child in Spanish cinema
by Sarah Wright
In this, the first full-length treatment of the child in Spanish cinema, Sarah Wright explores the ways that the cinematic child comes to represent 'prosthetic memory'. The central theme of the child and the monster is used to examine the relationship of the self to the past, and to cinema. Concentrating on films from the 1950s to the present day, the book explores religious films, musicals, 'art-house horror', science-fiction, social realism and fantasy. It includes reference to Erice's The Spirit of The Beehive, del Toro's Pan's Labyrinth, Mañas's El Bola and the Marisol films. The book also draws on a century of filmmaking in Spain and intersects with recent revelations concerning the horrors of the Spanish past. The child is a potent motif for the loss of historical memory and for its recuperation through cinema. This book is suitable for scholars and undergraduates working in the areas of Spanish cinema, Spanish cultural studies and cinema studies.
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October 2023Stunde um Stunde
Thriller | Die Suche nach ihrer verschwundenen Tochter wurde auf Eis gelegt – jetzt machen sie der Polizei die Hölle heiß …
by Candice Fox, Thomas Wörtche, Andrea O’Brien
Die junge Tilly Delaney ist vor zwei Jahren auf mysteriöse Weise verschwunden. Die Polizei von Los Angeles hat ihren Fall inzwischen längst zu den Akten gelegt und stuft sie als ertrunken ein. Aus Verzweiflung über die Untätigkeit des LAPD dringen ihre Eltern, Ryan und Elsie Delaney, in das forensische Labor der Strafverfolgungsbehörden ein und stellen ein Ultimatum: Findet endlich unsere Tochter, oder wir werden Stunde um Stunde alle Beweise für andere ungeklärte Fälle vernichten. Detective Charlie Hoskins ist seit fünf Jahren undercover in einer mörderischen Motorradgang tätig. Als seine Tarnung auffliegt, hat er keine andere Wahl, als Tilly selbst zu finden, oder er verliert alles, wofür er gearbeitet hat, sollte das Labor brennen. Lynette Lamb war Polizeibeamtin ‒ bis gestern, als sie vor ihrem ersten Einsatz in Los Angeles gefeuert wurde. Herauszufinden, was mit Tilly passiert ist, ist ihre einzige Chance, wieder in den Beruf einzusteigen, auf den sie sich ihr ganzes Leben lang vorbereitet hat. Hoskins und Lamb müssen sich zusammentun, um diesen cold case zu lösen, und sie müssen schnell handeln ‒ bevor die Situation völlig außer Kontrolle gerät.
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June 2021Best of Lem
by Stanisław Lem, Jan-Erik Strasser
Stanisław Lem gilt vielen als der Science-Fiction-Autor schlechthin. Und doch ist hier noch ein ganzer literarischer Kosmos zu entdecken: Lem der Philosoph, der streitlustige Kritiker, Erfinder neuer Genres, Sprachkünstler und Romancier von Weltrang. Best of Lem versammelt Erzählungen und Kostproben sowohl der berühmten, vielfach verfilmten und millionenfach gelesenen und geliebten Bücher als auch unbekanntere, aber ebenso aufregende Glanzlichter aus den 50 Jahren Lem‘schen Schaffens. Nicht nur Fans von Philip K. Dick, Ursula K. Le Guin oder Cixin Liu kommen dabei voll auf ihre Kosten. Angesichts einer Gegenwart, die mehr und mehr von Künstlicher Intelligenz und menschlicher Dummheit geprägt zu sein scheint, ist der große Misanthrop und Utopist Lem zu seinem 100. Geburtstag unbedingt wieder neu zu lesen.
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The ArtsJanuary 2019The war that won't die
The Spanish Civil War in cinema
by David Archibald
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
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The ArtsJune 2021The war that won't die
The Spanish Civil War in cinema
by David Archibald
The war that won't die charts the changing nature of cinematic depictions of the Spanish Civil War. In 1936, a significant number of artists, filmmakers and writers - from George Orwell and Pablo Picasso to Joris Ivens and Joan Miró - rallied to support the country's democratically-elected Republican government. The arts have played an important role in shaping popular understandings of the Spanish Civil War and this book examines the specific role cinema has played in this process. The book's focus is on fictional feature films produced within Spain and beyond its borders between the 1940s and the early years of the twenty-first century - including Hollywood blockbusters, East European films, the work of the avant garde in Paris and films produced under Franco's censorial dictatorship. The book will appeal to scholars and students of Film, Media and Hispanic Studies, but also to historians and, indeed, anyone interested in why the Spanish Civil War remains such a contested political topic.
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Children's & YAMy Life as Lotta. My/ Your Lotta Best Friends Forever book. For you and your BFF.
by Alice Pantermüller/Daniela Kohl
Hooray! I’m really happy that I’ve got a brilliant best friend like Cheyenne. I can simply tell her anything and everything, and the two of us have wonderful adventures together. Best of all, though, is that we have no secrets from one another. But it’s better if nobody else gets to know about them – especially the silly Lamb girls. Have you also got a brilliant best friend like Cheyenne? If you have, you can both write down or draw all your secrets, adventures and even wishes or jokes here. This is a book that’s only for you!
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April 1996The Best of H. P. Lovecraft
by H. P. Lovecraft, Rudolf Hermstein, H. C. Artmann
Mit seinem Cthulu-Mythos wollte H. P. Lovecraft eine Atmosphäre kosmischen Grauens schaffen, die Archaisches mit den modernen Erkenntnissen der Wissenschaft verbindet und unserer Zeit angemessen ist. Die Angst hielt er für das älteste und stärkste Gefühl, mit dem er in seinen Erzählungen gerne spielte. Die besten Erzählungen von H. P. Lovecraft sind in diesem Rand zusammengefaßt.
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The ArtsNovember 2006Spanish visual culture
Cinema, television, internet
by Paul Julian Smith, Susan Williams
This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;
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Literature & Literary StudiesAugust 2003'Other' Spanish theatres
Erasure and inscription on the twentieth-century Spanish stage
by Maria M. Delgado
'Other' Spanish theatres challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In questioning the primacy of the dramatist, this pioneering study offers a new interpretation of a nation's theatrical culture that has been viewed primarily through the prisms of a select number of playwrights. Accordingly many of the conclusions reached are new ones, and the case, for acknowledging the wide influence of Spanish practitioners on theatre in Europe and the Americas is made in persuasive terms. Through a bold documentation and interrogation of key productions and their reception both at home and abroad, 'Other' Spanish theatres focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain. In a broad and detailed study Delgado selects six case studies which map out alternative readings of a nation's theatrical innovation through the twentieth century: muse and mentor to Federico Garcia Lorca, Margarita Xirgu; theatrical innovator and influence on Orson Welles, Enrique Rambal; tragedienne Maria Casares feted by George Craig Camus, Genet and Cocteau; actress, producer and director Nuria Espert; international director Lluis Pasqual and Catalan performance company La Cubana. ;
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Business, Economics & LawOctober 1999The Spanish Armada
by Martin Parker
At the end of July 1588, Philip II's Armada of 130 ships set sail against England. Within a month they were condemned to defeat. The authors spent 13 years reassessing the profusion of untapped documents, diaries and private papers lying forgotten in Spanish and Dutch archives. This material has been augmented by underwater discoveries from the Armada wrecks. ;
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Literature & Literary StudiesFebruary 2009Beyond The Spanish Tragedy
A study of the works of Thomas Kyd
by Lukas Erne, Paul Edmondson, Martin White
Kyd is arguably Shakespeare's most important tragic predecessor. Brilliantly fusing the drama of the academic and popular traditions, Thomas Kyd's plays are of central importance for understanding how the drama of Shakespeare and his contemporaries came about. Called 'an extraordinary dramatic . genius' by T.S. Eliot, Thomas Kyd invented the revenge tragedy genre that culminated in Shakespeare's Hamlet some twelve years later. In this study, The Spanish Tragedy - the most popular of all plays on the English Renaissance stage - receives the extensive scholarly and critical treatment it deserves, including a full reception and modern stage history. Yet as Erne shows, Thomas Kyd is much more than the author of a single masterpiece. Don Horatio (partly extant in The First Part of Hieronimo), the lost early Hamlet, Soliman and Perseda, and Cornelia all belong to what emerges in this work as a coherent dramatic oeuvre. This groundbreaking study is now in paperback. ;
