More than 1,000 titles of books by Zhejiang Publishing United Group have been traded with over 100 foreign publishing houses including Bertelsmann, Pearson, Hachette, Larousse, Gallimard, MacMillan, Random, DK, Shogakukan Inc., Kodansha Inc., Simon & Schuster and other world-famous university publishing houses such as Oxford, Cambridge, Harvard, Princeton, Stanford.
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"Above Living" is a novel by Yan Zhen. The author uses meticulous meticulous brushwork to describe college life and academic ecology one by one. From the examination and employment of doctoral students, to the work and life of college teachers, the distribution of papers and page fees, academic seminars, awards, application for topics, competition for administrative positions, and even the application and acquisition of students' election cadres, examinations, and grants Wait, there are so many stories about corruption in colleges and universities, which are rarely encountered by readers outside colleges. He even wrote about the real situation of another type of intellectuals, represented by "I", who have conscience and pursuit, but have no choice but to survive in the real environment. Although these people have also succumbed to reality, they still have a trace of longing for the independent personality of Chinese traditional intellectuals deep in their hearts. The special feature of "Above Living" is that it has a detailed description of the academic ecology and "survival" ecology of colleges and universities, which is of pioneering significance, and is happy to see by people who care about education and knowledge communities. Moreover, this novel is written with great meaning, with the height of literature and the height of thinking.
"Because of a Woman" is a full-length novel. The heroine Liu Yiyi, like all intellectual women, yearns for love and pursues independence, but after graduating from university, she was brutally encircled and suppressed by men, money and desire. She rushed from the left to the right and couldn't break through. She looked around at a loss and went to sink. The one who should love realizes that it is even more of a dead end. In the end, he succumbed to fate and walked into a dull marriage. She has never used her feet to stand firmly on the ground, allowing her love to last forever with a certain spiritual connotation, she just wove a beautiful dream floating and dizzy, counting on someone to help her To achieve the highest happiness in her life. In the face of every reality, because she was a woman, she repeatedly chose to compromise and choose temporary satisfaction, losing to the weakest part of human nature. The author conducts a detailed anatomy of this common story. Liu Yiyi's plight represents the true plight of some intellectual women. The novel deeply embodies the author's sense of anxiety.
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"The Canglang Water" is a full-length novel. The protagonist Chi Dawei is a rural college student with no background. He spent eight years of college life in the atmosphere of strong idealism in the early 1980s. After graduation, he entered the Provincial Department of Health as the first master's degree. In this small health hall, Chi Dawei experienced a mental journey from confrontation to retreat to surrender. This journey allowed him to become a hard-hearted and capable workplace man from a simple youth full of edges and corners with a mission. This whole process of transformation is long and painful. In the scorching cold and warm human world, in the turbulent workplace stage, in the bizarre world, how persistent a fresh person persists, persists to the point of breaking his blood. How can a kind and persistent young man hesitate, hesitate, doubt and suffer when faced with the great contrast between his humble soul and the huge and mysterious worldly power.
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"Once in the End of the World" is a novel with realistic themes. It vividly described the inner pain and embarrassment of a generation of overseas students. At the same time, it describes the struggle of a group of Chinese in a foreign land. The protagonist of the book, Gao Liwei, a graduate student in history, went to Canada because of his girlfriend. He wanted to take root, but found that Canada he was fascinated by dealt with this pious outsider with a kind of unchanging indifference. No matter how hard he tried, he They all feel that they are an outsider who can only stand outside the door of this paradise, confused and helpless. Under such circumstances, his insistence on his masculine personality caused his relationship with Lin Siwen to deteriorate day by day, and in the end he could only break up. After the breakup, Gao Liwei was still sad. He worked hard, thrifty and thrifty, in order to accumulate enough 50,000 yuan as soon as possible to leave this "paradise on earth" that he considered almost impossible to integrate into his entire life. The story description in this book inherits the author's consistent fine writing style. Whether writing about the protagonist dealing with work troubles or dealing with emotional entanglements, they all show deep ideological connotation and meticulous artistic style. The psychological activities of the heroes and heroines in the whole process are vividly expressed in delicate language.
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This novel presents the image of some contemporary Chinese intellectuals represented by Nie Zhiyuan who, instead of being pushed around by convention, tries to live beyond mediocrity and to pursue truth. Rather than being worldly or sophisticated, these people are serious about everything and hold on to the moral bottom-line of intellectuals by distancing themselves from the stink of money. They have independent intellectual personality with the determination to model after such great historical figures as Cao Xueqin. They broaden their academic perspective, construct their own framework of learning, and try their best to find the value and meaning of living above life. Of course, this novel also depicts the corruption of knowledge brought on by connections and circles, the distortion of personality brought on by money and power … and the perplexity, struggle, compromise and adherence of people with lofty ideals like Nie Zhiyuan.
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"A Forbidden City tells half of Chinese history." This book takes the six hundred year history of the Forbidden City as a clue, tells stories built around the Forbidden City, and represents stories of the emperors, generals and ministers of state, the concubines, even the bodyguards, eunuchs, imperial doctors, and other people on the historical stage of the Forbidden City. There are not only well-known historical events but also secret histories of the palace, with more than 500 historical figures vividly interpreting the vicissitudes of life in the book. The famous historian Yan Chongnian, with his unique vision, selects the most representative historical stories and integrates the events of the changeable Forbidden City of six hundred years into the book. He uses popular and witty diction, combined with his life experience of more than eighty years, to make serious history no longer boring and difficult to understand, so that official history can also be lively and interesting. This is a popularizing history book suitable for readers of all ages. They can better understand the Forbidden City in the palace world built by Yan Chongnian, appreciate the splendid history of Chinese civilization, and develop new insights into life.
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Yan family instructions is an influential work of Yan Zhitui, a famous scholar in the northern and Southern Dynasties. It is a systematic and complete family education textbook. It is the author's experience summary about setting up oneself, running a family, dealing with affairs and learning. It has a great influence on the history of family education in traditional China and enjoys the reputation of "ancient and modern family motto, as the ancestor". The purpose of Yan Zhitui's writing this book is to systematically sort out his life experience and experience and pass it on to future generations, hoping to rectify the style of the family and help future generations.
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Written and illustrated by Pang Yan, a modern Chinese artist, the book takes us on a magic tour through the history of China, showing in detail over a hundred precious artifacts. Through their colors, shapes and textures, we reconnect with the past, and reach out to the people long gone.
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Meishan Wushu is the national intangible cultural heritage in China. This book focusing on Meishan Wushu is divided into five chapters. Chapter 1 is general introduction. Chpater 2 introduces 3 kinds of Meishan Wushu. Chapter 3 shows Meishan martial arts tactics in detail. Chapter 4 presents wushu routines in an all-round way. Chapter 5 tells martial arts lovers how to learn Meishan Wushu on their own. The author, Yan Xizheng, has studied Meishan Wushu for more than 50 years and spent 10 years writing this book, which promotes China's traditional culture and shows the essence of Chinese martial arts Meishan Wushu.
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Yan Cheng is a master of Yunnan cuisine. He has inherited the essence of Yunnan cooking and is also a modern innovator in the culinary field. The book begins with the development of Yunnan cuisine and its ingredients, showcasing Yan's influence in the industry. Through his career experiences, readers can see his dedication to the evolution and preservation of Yunnan cuisine, appreciating the craftsmanship and vitality he brings to Chinese culinary arts. The book includes numerous classic recipes, personally crafted by the master himself, with detailed steps and beautiful illustrations that highlight his true expertise.
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In seinem großen historischen Epos inszeniert Mo Yan eine farbenprächtige Pekingoper aus der deutschen Kolonialgeschichte seines Heimatlands. Vor der Kulisse einer untergehenden Epoche treten fünf Figuren auf die Bühne der Geschichte und kämpfen für das, was sie bewahren wollen, und für die, die sie lieben. Viel Neues geschieht im China des Jahres 1899: Von überall her drängen fremde Menschen in das zuvor verschlossene Reich. Sie bringen etwa die Eisenbahn, die bei der Provinzstadt Gaomi über die Gräber der Ahnen verlaufen soll. Vieles geht aber auch zu Ende in diesen letzten Tagen des Jahrhunderts: Das Kaiserreich liegt in Agonie, ebenso wie Sun Bing, der Opernsänger und Anführer des Aufstands gegen die Trasse und deren Erbauer. Um seinen Ungehorsam zu ahnden, bündelt die Staatsmacht all ihre Kräfte und verordnet ein letztes Mal die Sandelholzstrafe, die grausamste und zugleich kunstvollste der überkommenen Foltermethoden. Leib und Leben nicht allein des Opfers, sondern auch seiner Tochter, ihres Ehemanns, ja selbst des Henkers und des Richters stehen mit diesem Urteilsspruch auf dem Richtplatz der Geschichte. In einem der bedeutendsten chinesischen Romane der jüngsten Zeit spielt Mo Yan virtuos das Spiel der Masken, Perspektiven und Kontraste. Gewalt und Poesie, Empathie und schwarzer Humor, Derbheit und Feinsinn, die Fülle des westlichen Romans und die Eleganz der chinesischen Oper gehen in seiner bilderreichen und suggestiven Sprache Hand in Hand.
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The sudden new type of coronavirus pneumonia has caused tensions in the whole society. Schools and kindergartens have postponed the opening of school, and children are locked at home and cannot go out. This will have a huge impact on children's psychology and even trauma. Dr. Yan Hu, a well-known expert on children's psychological painting, suggests that parents use the form of children's psychological painting to help children communicate with their parents, understand relevant knowledge, relieve stress, regulate emotions, and cultivate a healthy personality. This book is well-documented and suitable for parents and children aged 3-9. This book is very practical. Children can pick up the paintbrush and express themselves under the guidance of this book.
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Painting and Psychological Development for 2-6 Years Old Children mainly introduces the link among children’s sensitive period, temperament type and children’s painting. It provides detailed education analysis and suggestion strategy through the specific presentation of numerous painting cases. It hopes to help parents interpret children’s painting in a more direct and targeted way in an effort to help them understand children’s psychological status, and as a result to improve the healthy development of children’s personal quality. Painting and Psychological Development for 6-9 Years Old Children mainly narrates that we can not only evaluate children’s personal qualities, emotions, family relations, interpersonal relations and others, more importantly, we can also apply it into the education process of children’s growth. Painting and Psychological Development for 9-12 Years Old Children mainly tells that children in this age group are more mature with a gradually stronger self-consciousness and distinctive features presented in painting. Through this book, one cannot only understand how the self-consciousness and logical thought develop for 9-12 years old children. More importantly, one can understand children’s psychological and emotional status. For the emotional problems such as pressure, anxiety, and rebellion or behavioral problems that are likely to occur in this age group, the author, Dr Yan Hu proposed effective solutions in the book.
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On the wedding night of Emperor Guangxu (1871-1908), whose queen was secretly eating wood...... Imperial Consort Zhen in her blooming age started her mysterious life in the Forbidden City......
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The title comes from a Borges interview, in which Borges planned to write a short story entitled Wake Me Up At 9 AM but he didn’t write it at last. A Yi borrowed this title. In A Yi’s story, looped in the night of his birthday, Hong Yang asks his wife Jin Yan to wake him up at nine AM the next morning, but he doesn’t wake up any longer. The book recalls how Hong Yang, an illiteracy who has been simply considered as an outlaw, becomes well known in the town by taking advantage of his violence and necessary schemes, with the narrative of a hurried and perfunctory funeral. Love, belief, brotherhood and affection have nothing to do with him. The novel makes a scroll-type portrayal of the vanishing village and people living in the village by virtue of him.
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Das zentrale Motiv der Reise verbindet diese Trilogie: Wohin die Figuren auch gehen, sie sind in einem Transitzustand, in Umbruchssituationen, auf der Flucht und auf der Suche nach den Bedingungen für eine freie Gesellschaft. Eine kurze Chronik des künftigen China erzählt eine Bewegung gegen den Strom: Alle fliehen vor dem Krieg in den Süden des Landes, während »Der Außenstehende« die Rückreise antritt ins Zentrum der Katastrophe, um sich mit seiner verdrängten traumatischen Geschichte zu konfrontieren. Eine posthumane Geschichte beginnt mit einem Soldaten, der vom Homeoffice aus feindliche Gebiete bombardiert. Als sein Sohn ohne Gesäß geboren wird, reist er an den Kriegsort und versucht Verantwortung für die eigene Schuld zu übernehmen. Überall im Universum Klang ist der philosophischste Teil der Trilogie. Er spielt im All und auf einem noch unbekannten Planeten. Die Erde wird von einem schwarzen Loch geschluckt. Ein Mann versucht seine Geliebte wiederzufinden, die dabei in einen anderen Bewusstseinszustand transformiert wurde. Pat To Yans Szenarien sind bevölkert von mythologisch inspirierten und allegorischen Figuren, zwischen Mensch und Tier, zwischen Mensch und Androide. Sie bewegen sich stets in parallel existierenden Bewusstseinsebenen und Timelines. Seine vom magischen Realismus beeinflusste Schreibweise erzählt vom Sterben, Leben und Überleben in politisch repressiven Systemen. »Wenn du über die Grausamkeit der Realität schreiben willst, darf es nicht realistisch sein.« Das unheimliche Mädchen aus Teil 1, Eine kurze Chronik des künftigen China
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This series introduces hundreds of Chinese traditional handicraft which started from Jiangsu province. It focuses on reorganizing and expressing the traditional handicraft in this area, and will be very helpful for understanding their origin and development.
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Imaginary plots and humorous dialogue enable children to think about the meaning of dreams. The work includes a group of little characters in an amusement park. They have their own small dreams, which make them happy and joyful. Only the park manager’s steps can make them quiet again.
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Imaginary plots and humorous dialogue enable children to think about the meaning of dreams. The work includes a group of little characters in an amusement park. They have their own small dreams, which make them happy and joyful. Only the park manager’s steps can make them quiet again.
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Imaginary plots and humorous dialogue enable children to think about the meaning of dreams. The work includes a group of little characters in an amusement park. They have their own small dreams, which make them happy and joyful. Only the park manager’s steps can make them quiet again.
