Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel Was wir machen Das Internet sollte Zugang zu Wissen organisieren und ist ein Werkzeug zum Austausch von Ideen, Visionen und Lösungen. – Suug Productions kreiert Projekte mit Sinn – und dem Anspruch, die Welt durch neue und ungewöhnliche Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel zu einem etwas reizvolleren Ort zu machen.
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Prometheus Publishers is a Dutch publisher that publishes a wide variety of quality fiction and non-fiction titles. Prometheus’s catalogue balances established talents with new voices that we introduce into the literary market. Amongst our fiction authors are renowned Dutch-language authors such as Connie Palmen, Griet Op de Beeck, Tom Lanoye, Tim Krabbé, and Esther Verhoef. Prometheus also publishes the Dutch translations of great international voices like Umberto Eco, Sandro Veronesi, Margaret Atwood, and Zadie Smith. Our non-fiction catalogue is filled with experts from across the scientific spectrum. Ranging from history to psychology and from physics to literary studies, Prometheus offers exciting new insights into a wide range of disciplines. Prometheus also publishes a philosophical series with musings on subjects that are relevant to our society today.
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The third book in the mole series, How to Understand a Goat by Taras and Mariana Prokhasko, will please both children and adults who still remember what it is like to be a child. Only children can write letters to St. Nicholas, sincerely believing that they can ask for anything and get everything they want — from some tangerines to a flying ship. This ship, poetically named Metaphor, will take you together with Purry, Crawly and their friends on a sea journey. You can settle on an island and learn how to understand even... a goat.
Who Will Make the Snow', the book written by Taras Prokhasko and illustated by Mariana Prokhasko will delight readers with its fast-paced simplicity and timelessness. Following the adventures of a family of Moles from the Beech Tree Forest, readers will learn about their rich day-to-day life, the birth of their two newborns, and their adoption of a young rabbit, who brings new experiences for them all. This book will provide questions to discuss and answers to seek, and will likely become an essential book both at home and in classroom libraries.
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After the elder members of the mole family leave for the grape yard, Crawly, Purry, and Martina the rabbit find themselves on their own. They eat sweets and have fun, and they explore their neighborhood and make new friends with little wild boars. They even become detectives trying to investigate where the sea has gone , though not the real sea, but the one painted on a picture. Thus intrigue is interwoven into the typically quiet life of the Beech Tree Forest and the story accelerates its pace, offering new challenges and delights for its readers.
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Taras Prokhasko wrote a series of sketches about the future that was a long time ago, and about everything that already is, but not knowing how long it will be. In particular, about such simple things as balconies and curtains, light and stones, swings and toilets, walking through the city and shooting a film in the Carpathian mountains, the formula of happiness and the influence factor, Babinton (mispronunciation of badminton) and Selbsferstendlich, and other such things. He also writes about the fact that you need to sleep carefully, eat breakfast - in your own way, and look - by shifting the vision. Yes, but that's not the main point. Because the main point here is the type of story in which reflections become elements of the plot and appear not as written after the fact, but spoken at the moment of their birth. And therefore, these are not sketches or essays, but stories in the strictest sense of the word.
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Taras Prokhasko's book attempts to explain, above all to himself, what is going on beyond oneself. It is a kind of para-essays and para-journalism. Whereas there are few topics that would really interest the author, since one has to repeat the things that seem important in many ways and on the daily basis, the title is "Odnoi I Toi Samoi", i.e. – The Same Thing Ever..."This book was in the long list of the BBC Ukraine Book of the Year 2013 Award.
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Mariana Pineda Lorcas großes Frühwerk von 1925 ist seit je eine Herausforderung für Regisseure, die neben dem Kammerton die große Bühne, das »theatralische« Sujet suchen.Granada 1831: Die spanische Freiheitskämpferin und Volksheldin Mariana Pineda verschwört sich mit den Liberalen gegen die Gewaltherrschaft von Fernando VII. und verhilft ihrem Geliebten, einem Revolutionär, zur Flucht aus dem Gefängnis. Bald wird sie vom Strafrichter Pedrosa bedrängt: gerichtlich wie sexuell. Mariana stirbt als Märtyrerin.Lorca sucht nicht die historische Heldin, sondern eine dramatische Frauengestalt, in der der zeitlose Konflikt zwischen Leidenschaft und Pflicht, Macht und Ohnmacht zum Ausbruch kommt. Und er gibt ihr eine Sprache starker, eindringlicher neuer Bildhaftigkeit. Mariana ist die erste und stärkste von Lorcas eindrucksvollen Frauenfiguren: eine Julia ohne Romeo, eine der großen Bühnenrollen des modernen Theaters. Sobald fünf Jahre vergehen Lorcas »unmögliche Komödie« aus dem Herzen des Traums ist ein Spiel um Zeit, Liebe und Tod, eine erotisch-philosophische Betrachtung des Daseins – totales Theater, so wie Lorca es sich immer zum Ziel gesetzt hat.Fünf Jahre will der junge Held warten, ehe er seine Verlobte heiratet. Die geht auf eine Reise, flieht mit einem anderen, und er flüchtet in die Liebe zu einer anderen Frau. Das Spiel kehrt sich um, das Ende ist der Tod.So bekannt die Konstellation, so außergewöhnlich und überraschend die poetische Umsetzung. Mit der Freiheit des Dichters, der unsere Vorstellung von Zeit und Kausalität aufhebt, findet Lorca auf den Grund der Gefühle. Die Liebe und ihr Scheitern, das Leben im Traum und der Traum vom Leben: in keinem anderen Stück ist die Person Lorcas so präsent. 1931, auf den Tag genau fünf Jahre vor seiner Ermordung, hat er es vollendet; eine bittere Ahnung vielleicht. Ein Glücksfall für das Theater ist sein Stück ganz bestimmt.
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Ein dramatisches Zeitalter auf wenigen Seiten zu besichtigen, dazu bedarf es der minimalistischen Kunst eines großen Autors. Taras Prochasko verwandelt ein Familienepos, das Hunderte Geschichten birgt, in lauter erzählerische Extrakte, die eine versunkene Welt und ihre Bewohner heraufbeschwören und zum Gegenstand der Meditiation machen. Diese Welt heißt Stanislau und liegt im Karpatenvorland, einem Winkel des Habsburger Reichs. Nach zwei Weltkriegen ist dort nichts mehr wie zuvor. Nur der Enkel Taras wohnt noch immer im Haus seines tschechischen Großvaters an der Hauptstraße. Nicht nur ihre verworrenen Lebensläufe ruft er auf, sondern auch die vielen Dinge, die es einmal gab: »Manchmal, wenn ich nichts mache und nichts sage, scheint es mir, daß genau dies das allerrealste Ich ist. Eine Sammlung chaotischer, unnützer Dinge.«
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The tiny shimyshinees is a manifestation of children’s cultural heritage that fuse legend, games, and dance. Its origins are on the Island of Margarita –Venezuela– and thanks to school this piece of oral tradition spread throughout the country. According to the legend, The tiny shimyshinees is form by a group of elves that appear during full moon nights and gather on the beach to sing and play. Their song is so sweet that they can attract fish to the seashore. Over time, The tiny shimyshinees became a kind of theatrical troupe that roamed the streets of towns in popular festivals. Mariana Massarani’s illustrations capture the colors and culture of the Caribbean and give such a local piece an absolutely universal tone. With a naive style and with PVA paint, Massarani makes some colorful and very funny images and gives us perfect settings for the story that takes place: a group of children prepares their presentation on the shore of a crystalline sea and this is how image after image we see the coastal town, the costumes of the characters and part of their Caribbean culture. It is impossible to read this book without wanting to go to the beach!
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The most delicious soup and other stories brings together five stories that take place in the village of Villa Verde, the place where all the characters live and interact. The stories are apparently very simple, yet they offer readers a delicate literary experience woven from references, ways of naming the world, images, and experiences typical of young children. This book, moreover, shares many elements with comics. In fact, we could see it as a comic for very young children, where the author, Mariana Ruiz Johnson, has used nib and Indian ink and digital color to provide readers with images in warm colors and a very rich illustration work with thousands of details for the delight of readers.
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Each chapter is a careful and unhurried reading of one of Shevchenko's famous works with a profound and witty commentary by Volodymyr Dibrova. The author is a translator, literary critic, and lecturer at Harvard University and teaches Ukrainian language and literature to students from all over the world. In this collection of essays, avoiding simplification and total idealization, he "translates" some realities, contexts and reflects on the sources of the writer's poetic influence. This book is aimed at allowing you to look at the famous texts "with a fresh eye", and after rereading them, to find your own Shevchenko and to better understand yourself as Ukrainians. Interesting, fascinating, and dynamic essays about literary texts and their influence on culture and society.
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Mariana Savka's rhymes from the collection Does a Baboon Have a Granny? have amused more than a generation, and her heroes became favorites of little ones and their parents. In this book you will meet a family of donkeys and hippos, a stubborn billy goat, a little mouse that did not want to sleep, cheerful frogs and mischievous owls, a master beaver and, of course, a little baboon! Funny, cute, childish poetry, which was humorously illustrated by Oleh Petrenko-Zanevskiy, will give magical moments of family reading. From 3 to 6 years, 990 words. Rightsholders: Ivan Fedechko, ivan.fedechko@starlev.com.ua
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When reading this book, Taras Shevchenko's admirers will sincerely empathise with the poet, make unexpected biographical discoveries and enjoy his art and his quirky sense of humour. Non-fans, whose dislike for the Ukrainian genius stems from the Soviet rendering which still dominates the school curricula, have a chance to see a different Shevchenko. The book shows the great poet in situations that destroy his stereotypical image that was cultivated over the years. Last but not least, a thoughtful reader will be able to see that Russia in the times of Nikolas I is not too different from today's Russia and that the challenges Ukrainians faced in the mid-19th century repeat in the 21st century.
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There might be many swimmers for sure who, after training so much during the day (“50 meters of Front Crawl, 50 meters of Back and 50 meters of Butterfly”) at night they dream about being fish. But during those same nights, when the moon illuminates the oceans, will fish dream about being swimmers? The authors of this book use humor and poetry to show us that a page can be a deep sea or an Olympic-size swimming pool, depending on the eyes with which it is looked at.
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For centuries, illustrious doctors have tried to find the ultimate weapon against disease: from hot stew to injections, trying even injections of hot stew. As tasty as they are useless. But not everything is lost. In this fantastic and incredible encyclopedia, if you read carefully, you will be able to find cures and remedies against new and unsuspected diseases. We prescribe you to read it carefully, preferably with a scarf on and with a bowl of stew broth. Just in case, get a scarf for the chicken as well, before you cook it.
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Our forests are shrinking every year due to fires forestry. Trees and all life that inhabits them, from tiny microorganisms to families of birds and animals are destroyed by flames that in most cases, are caused by we, humans.
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Of course, the fate of the artist was formed in a certain way because he realized his vocation - to be a poet. On the other hand, he lived his life as a professional artist. After graduating from the St. Petersburg Academy of Arts, T. Shevchenko worked as an artist in the Temporary Commission for the consideration of ancient acts (Kyiv Archaeographic Commission), applied for the position of drawing teacher at the University of St. Volodymyr in Kyiv. And when his plans were broken by arrest, then in exile, despite the strict imperial ban on writing and drawing, the artist was able to work in his specialty, although not officially. Shevchenko devoted the last years of his life to the development of etching, having received the title of academician in engraving. The publication consists of two parts. The first is devoted to the works of the artist, made in graphic techniques, as well as sepia and watercolor. Given the fact that there are few oil paintings in the artist's works, we singled them out in the second part, trying to break stereotypes about their perception. Each section of the first part is devoted to a separate genre, which was addressed by T. Shevchenko. The largest of the sections are divided into thematic headings, which allows you to see the works of the artist from a new, perhaps unexpected, angle. In turn, the commentary to each work contains a brief history of creation (places, circumstances, relationships, etc.) and artistic characteristics that reveal the performing skills of the author. In addition, an important addition is the part of the commentary "Interesting" and quotes from the novels, Diary, correspondence of the artist, memoirs of his contemporaries. You can start your acquaintance with the publication from any section or even heading. Traveling through Shevchenko's paintings on separate routes you will have a complete rich journey through the original world of the artist.
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Humans are very fickle. On the deep psychological level, they are constantly reborn into the new surrounding circumstances, and trying to adapt to them. Some people are not thinking about the past or future at all, while others throw themselves into the whirlpool of scenarios, creating a lot of pain for themselves and others. When we think about probable and improbable scenarios of our life events, we technically create our own endless number of avatars. We duplicate ourselves. Why are some people cautious, some aggressive and some are completely resistant to the novelties? Why do we think we are complete, yet we constantly change? Why we sometimes marvel at something that is not available and finding it hard to appreciate our own talents and the talents of others? The book tries to find some answers to the questions of human mind. The book is devoted to the formation of a human personality, which cannot do without its own transformation, the experience of the Other and the Stranger, the bifurcation and maintenance of the unity of its self and many other aspects.
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The book explores the place and role of the Cossacks and nobility of Ukraine-Rus’ as well as the Cossack state (Hetmanate) in the European-Ottoman wars. The book’s author depicted the long period of confrontation between the Christian and Islamic civilizations in the late Middle Ages and the early modern period, important for the world historical process. The reader's attention is drawn not only to the military actions of the Cossacks against the Ottoman Empire, whose elite unit was the Janissary Corps, but also to the illustration of the peaceful relations of Ukraine with the Ottomans and Girays during the years 1500-1700.
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