Colmena Editores
Colmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
View Rights PortalColmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
View Rights PortalCOLUMN is a rights boutique agency for acclaimed writers with an added significance for "book to film" adapted literature and vice versa.
View Rights PortalJohn Devine würde am liebsten abhauen. Raus aus Kilcody, dem irischen Provinznest, weg von seiner ewig besorgten, kettenrauchenden Mutter Lily, die ihn mit morbiden Bibelsprüchen erzieht. Doch dann tritt Jamey Corboy in sein Leben, ein Jahr älter, mehr Stil als ganz Kilcody zusammen, Rimbaud in der Manteltasche und gute Beziehungen zu finsteren lokalen Gangstern. Mit einem Mal ist Johns Leben voller Möglichkeiten – und voller Abgründe. Ich, John kombiniert einen hypnotischen Erzählstrom mit der unheimlichen Stimmung eines Tim-Burton-Films. - Coming of Age in der märchenhaften Atmosphäre der irischen Landschaft - Lesereise von Peter Murphy in Deutschland - „So erfrischend und originell, so aufwühlend und mutig! Ein absolut wunderbares Buch.“ Colm Tóibín
What can literature teach us about resilience in the face of climate change and planetary-scale vulnerability? In “Weak Planet, Resilient Networks,” Wai Chee Dimock proposes a way forward by showing how writers have met past hazards with experiments in non-paralysis, and how their works still inspire readers to “find their strength.” Dimock looks for hope not in heroic resistance but in the unspectacular and inconclusive. Focusing on tenuous networks among authors and unstable phenomena such as genre, she shows that literature’s durability is at once weak but vital. Dimock’s literary history pays special attention to low-grade, low-threshold phenomena that, in not being developed to their fullest or most forceful extent, have often been overlooked. Along the way, she considers Louise Erdrich’s and Sherman Alexie’s reclamation of Mary Rowlandson; elaborations of Moby-Dick in works by C. L. R. James, Frank Stella, and Amitav Ghosh; weak forms of Irishness in Colm Tóibín, Oscar Wilde, and W. B. Yeats, and the appearance of an atmospheric Islam in works by Henri Matisse, James Joyce, Ezra Pound, and Langston Hughes. Joining conversations in environmental humanities, disability studies, and several other fields, “Weak Planet, Resilient Networks” offers a new literary history along with new ways to think about our collective future.