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        Agriculture & related industries
        June 1998

        Smallholder Cash Crop Production Under Market Liberation

        A New Institutional Economics Perspective

        by Edited by Andrew Dorward, Jonathan Kydd, Colin Poulton

        ‘Pro poor’ economic growth is widely recognised as an important means for reducing poverty in developing countries. With the majority of the world’s poor living in rural areas, agricultural intensification, with higher land and labour productivity from increased integration in input and output markets, is one way to expand income and livelihood opportunities for rural people. This book uses a new institutional economics perspective to review the effects of market liberalisation on service provision to smallholder farmers. In many parts of the world, particularly in Sub-saharan Africa, the private sector has failed to fill the gaps left by the collapse of state supported input and credit supply systems. Using case studies from Ghana, Tanzania and Pakistan, the book investigates the difficulties facing the private sector in supplying inputs and credit and the conditions required for sustainable private sector investment to the benefit of rural people. The analysis has important lessons for donor and government policy makers and for companies wishing to make commercial investments. It is invaluable for researchers, academics and development agencies concerned with rural and agricultural economics and development.

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        April 2016

        Cash Club

        Roman

        by Berkeley, Ben

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        July 1998

        Recht und Praxis des konzernweiten Cash Managements.

        Ein Beitrag zur Konzernfinanzierung. Konzern, Konzernrecht und Konzernfinanzierung, Teil VIII. Hrsg. von Walther Hadding / Uwe H. Schneider.

        by Hormuth, Mark W. / Herausgegeben von Hadding, Walther; Herausgegeben von Schneider, Uwe H.

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        January 1976

        Bank Credit, Money and Inflation in Open Economies.

        Proceedings of the Conference on Bank Credit, Money and Inflation in Open Economies held in Leuven on September 15 - 16, 1974.

        by Herausgegeben von Fratianni, Michele; Herausgegeben von Tavernier, Karel

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        Humanities & Social Sciences
        June 2010

        The Material Renaissance

        None

        by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman

        Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;

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        Literature & Literary Studies
        June 1981

        El coronel no tiene quien le escriba

        by Gabriel Garcia Marquez, Giovanni Pontiero

        Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension. The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences. The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America. Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary. ;

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        November 2011

        The Honest Man's Fortune

        by Grace Ioppolo

        This edition of The Honest Man's Fortune, a play co-written by John Fletcher, Nathan Field, and Philip Massinger for the Lady Elizabeth's Men in 1613 and revived for the King's Men in 1625, is the first diplomatic edition of one of the most remarkable dramatic manuscripts of the early modern period. Almost uniquely, the fair-copy manuscript records the entire process of the circular transmission of the text from authors to censor to bookkeeper to actors to playhouse, as well as the types of revision each required. In the hand of Edward Knight, the King's Men's book-keeper, this manuscript's title-page notes that it was '/Plaide In the yeare 1613/' and contains one of the few surviving complete licences by Master of the Revels Sir Henry Herbert who states, 'This Play. Being an olde One and the Originall Lost was reallowd by mee. This: 8 febru. 1624 [i.e., 1625]'. In fact, Herbert accepted as payment for the new licence a printed edition of Sir Philip Sidney's /Arcadia/. More excitingly, the many cuts, deletions, and marginal and interlinear additions and revisions as well as the names of three actors in its stage directions show us two transmissions of this text: the first in 1613, when it was composed and licensed and then adjusted by the authors, and the second in 1625, when it went through almost the same process for revival. With a full discussion of the manuscript's material properties, provenance, transcription history, and the play's composition and performance history, this new edition of /The Honest Man's Fortune/ puts the play where it belongs: at the centre of the canon of Jacobean drama. ;

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