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      • Art of Crow

        ART OF CROW is a brand that specializes in creating, featuring and publishing the Art of Books by the artist and writer CROW, and his curator and publisher Susanne M. Matz. The books are precious editions of prose or lyrics illustrated by artworks of paintings and photographic art. Titles are available as limited hardcover-editions, eBooks, and Audiobooks, designed by combining the spoken word and music. Order at artofcrow@outlook.com

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        John et Yoni

        by Mike Carmel

        John et Yoni - Deux frères jumeaux - deux religions - deux nations - une seule âme !Mike Carmel A la suite d'une relation illicite passionnée entre une jeune étudiante en psychologie et son professeur marié, en 1979, deux frères jumeaux, John et Yoni, sont involontairement séparés lors du premier mois de leur vie et sont élevés dans deux différentes familles adoptives. John grandit en Angleterre à Liverpool, dans la foi romaine catholique. Yoni est élevé à Raanana, en Israël, dans la confession juive.A l'âge de 21 ans, ils se rencontrent pour la première fois. Ils sont tous deux très croyants, chacun dans ses propres convictions religieuses, et il s'ensuit un processus intéressant de découverte mutuelle, alors que leurs voies culturelles différentes se rencontrent. Ce qui suit est une histoire captivante, stimulante, amusante, qui soulève des questions et occasionnellement des conflits, et souvent débouche sur le bizarre. Alors, l'un d'eux perd tragiquement la vie, victime d'un attentat suicidaire à la bombe, et son frère jumeau reste, pour endurer le difficile processus de remise en question de sa propre identité, se retrouvant de nouveau seul au monde. Mike Carmel est né en 1956 à Liverpool et étudia l'économie à la Liverpool University et à la Brunel University, à Londres. Bien que l'auteur fût élevé dans la foi anglicane, il décida, en 1980, de se convertir au judaïsme. Il conserva désormais un profond respect pour les deux religions.Travaillant dans le secteur de la Hi Tech, Mike vit en Israël depuis 25 ans. Il a servi dans l'armée israélienne comme infirmier et il a aussi rempli diverses fonctions dans l'éducation dans les deux pays. Mike s'est marié avec une israélienne en 1981 et ils ont trois enfants. Sa fille, à laquelle le livre est dédié, a été gravement blessée pendant son service militaire par un terroriste suicidaire en 2003.

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        October 2017

        Not Our Day to Die

        by Michael Sullivan

        It was work for Mike Sullivan–a flying job like the ones he'd done most of his life in many parts of the world–ferrying people, medicine, crops, supplies and almost anything else you can think of among the isolated jungle villages of Guatemala. Life in the farming co-ops there was simple, peaceful, and good, based on bedrocks of family, community, and faith.Then the repression began. A failed attempt at a coup had led to continued fighting between rebels and government, though in areas far from the almost-utopian Ixcan region. U.S. military and CIA intervention helped defeat the insurgency, but the social inequalities that had led to the movement remained, and the revolution went underground. The Guatemalan army, searching everywhere for those who opposed it, increased its control over the isolated jungle area. Co-op directors, teachers, catechists, and then anyone suspected of being one of or assisting the guerrillas was selectively "disappeared." The army turned to a scorched-earth policy, killing animals, burning crops, uprooting fruit trees, destroying towns, massacring their people. Throughout the Ixcan, those who survived fled. Some returned to their original mountain villages, others crossed the border into Mexico, and a third group survived for sixteen years hiding in the jungle–men, women, and children. Primeval growth took over the land as the war with the guerrilla movement raged on to encompass the entire nation.When finally peace accords were signed, the people of the Ixcan returned. Homes were rebuilt, land reclaimed, the area thrived again. But sixteen years were lost, along with countless lives. For Mike Sullivan, who had returned there when his help was needed, the story of those years–of how the people of the Ixcan survived, and of the many who didn't–was one that had to be told. In three visits, he conducted the interviews that form this book, talking with the villagers he'd known long before. At first, they spoke hesitantly, then with the flood force of vivid memory, telling of their first arrival at the Ixcan, the lives they'd made, and the years of the repression and worse. Their stories are gripping, fascinating, painful–but most of all, deeply human as we witness their struggle to survive and feel the force of the simple values that ultimately carried them through to a new and better life.

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        Lifestyle, Sport & Leisure
        August 2016

        Culture in Manchester

        Institutions and urban change since 1850

        by Janet Wolff, Mike Savage

        This book brings together studies of cultural institutions in Manchester from 1850 to the present day, giving an unprecedented account of the city's cultural evolution. These bring to light the remarkable range of Manchester's contribution to modern cultural life, including the role of art education, popular theatre, religion, pleasure gardens, clubs and societies. The chapters show the resilience and creativity of Manchester's cultural institutions since 1850, challenging any simple narrative of urban decline following the erosion of Lancashire's industrial base, at the same time illustrating the range of activities across the social classes. This book will appeal to everyone interested in the cultural life of the city of Manchester, including cultural historians, sociologists and urban geographers, as well as general readers with interests in the city. It is written by leading international authorities, including Viv Gardner, Stephen Milner, Mike Savage, Bill Williams and Janet Wolff.

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        The Arts
        January 2012

        Mike Leigh

        by Tony Whitehead

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        Children's & YA
        September 2006

        Mike und ich und Max Ernst

        Eine ungewöhnliche Liebesgeschichte

        by Michaelis, Antonia

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        Humanities & Social Sciences
        May 2016

        Spacing Ireland

        by Denis Linehan, Caroline Crowley

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        The Arts
        June 2021

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

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        The Arts
        January 2019

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

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