Our work is made out of curiosity and discovery, used to levity and fun. An unpredictable and uninterrupted process that, in our case, has lasted for over 40 years. 40 years of encounters, bandying between art and books, in search of new languages, contaminations, free experimentation.
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ALTAIR 4 Multimedia was established in 1986 byAlessandro Furlan, Pietro Galifi and Stefano Moretti, who conceived the studio as an actual workshop where various technological and artistic disciplines would interact in a coordinated and rewarding dialogue.The members of the Altair4 creative team come from diverse backgrounds and experience in computer animation, graphic arts, design and broadcast production.The ongoing dialogue between past and present characterizes all Altair4 productions and its innovative and multi-faceted approach to creating computer products where advanced technological tools and artistic and cultural processes are joined.
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STOP TELLING STORIES. START SELLING THEM! The world is rightly obsessed with the incredible power of a good story. Unfortunately too many of us take that to mean that it is our own story that's important. It's not. The magic happens not when we tell our customers the story of our past, but when we sell them a new story of their future. One in which we play a part. As a salesperson (and make no mistake, you are a salesperson) you have two jobs. Job No. 2 of the storyseller is to help your clients and customers slay their dragon. Job No. 1 of the storyseller is to help them see their dragon. You are in the dragon hunting business, but dragon hunting ain’t easy – there’s work to be done. In this short and highly practical book, renowned speaker Richard Mulholland shares with you how to use powerful stories to change minds, drive sales, and solve problems. Here Be Dragons isn’t just a how-to book, it is far more a why-to, and mostly a what-to-do book.
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Der Spin-off zur Bestsellerserie „Chroniken der Unterwelt“ - Action, Romantik, Spannung pur! Ohne Erinnerungen muss Simon, Clarys irdischer Freund, herausfinden, wer er eigentlich ist. Hat er das Zeug zum Helden und Dämonenjäger? Oder ist er doch der bleiche Comic-Fan, der nicht einmal die Kraft hat, eine Waffe der Nephilim richtig in der Hand zu führen? Seine Schattenjäger-Freunde Clary und Jace sind die einzigen, die alles über Simons Vergangenheit wissen. Und was sie erzählen, kann er kaum glauben: Simon hat als treuer Freund die Schattenjäger mehr als einmal aus tödlicher Gefahr gerettet. Jetzt muss er um Isabelle kämpfen, an deren Liebe er sich nicht erinnern kann, obwohl es in seinem Bauch kribbelt, wann immer Simon an sie denkt. War er wirklich mit diesem heldenhaften Mädchen zusammen - und wenn ja: Wie hat er das nur angestellt? 10 romantische und actionreiche Geschichten rund um die beliebten Heldengestalten Jace, Clary und Simon aus der Bestseller-Reihe „Chroniken der Unterwelt“. Von Kultautorin Cassandra Clare. Zu jeder Geschichte gibt es einen illustrativen Comic-Strip von Cassandra Jean. Dieser Band enthält die Episoden: Cassandra Clare/ Maureen Johnson, Legenden der Schattenjäger-Akademie (1): Willkommen in der Schattenjäger-Akademie Cassandra Clare/ Robin Wasserman, Legenden der Schattenjäger-Akademie (2): Der verschollene Herondale Cassandra Clare/ Maureen Johnson, Legenden der Schattenjäger-Akademie (3): Der Teufel von Whitechapel Cassandra Clare/ Sarah Rees Brennan, Legenden der Schattenjäger-Akademie (4): Nichts als Schatten Cassandra Clare/ Robin Wasserman, Legenden der Schattenjäger-Akademie (5): Das Böse, das wir lieben Cassandra Clare/ Robin Wasserman, Legenden der Schattenjäger-Akademie (6): Könige, Fürsten, so bleich Cassandra Clare/ Sarah Rees Brennan, Legenden der Schattenjäger-Akademie (7): Bittere Wahrheit Cassandra Clare/ Sarah Rees Brennan, Legenden der Schattenjäger-Akademie (8):Die Feuerprobe Cassandra Clare/Sarah Rees Brennan, Legenden der Schattenjäger-Akademie (9): Zu endloser Nacht geboren Cassandra Clare/ Robin Wasserman, Legenden der Schattenjäger-Akademie (10): Die Wiederkehr der Engel
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An annotated edition of an important Jacobean comedy, which is currently receiving greater attention from critics and on stage because the leading character is based on a famous personality of the time, Moll Cutpurse. The history of Moll Cutpurse and its subsequent influence on the women's movement and feminist concerns make this book relevant to women's study courses and this is edition incorporates variant readings found in only one copy of the quarto. ;
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Ein Regisseur will mit vier Schauspielern eine Szene proben. Es ist nicht irgendeine, sondern jene Passage aus dem Johannes-Evangelium, die als Magdalena am Grab bekannt ist. Sie proben in einem leerstehenden Haus am Mulholland Drive in Hollywood. Die kurze Szene, die so einfach und eindeutig scheint, wird immer wieder durchgespielt, denn bei jedem Durchgang verliert sie mehr und mehr an vertrauter Kontur: Spiel und Wirklichkeit durchdringen sich auf fast gespenstische Weise. Alles hängt offenbar an einer Wendung, die erforderlich wäre, damit das Geschichten ganz verständlich würde – an einem Satz, den der Bibeltext jedoch ausspart, als solle hier ein Geheimnis immer neu entdeckt werden.
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Now available in paperback, this pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions?
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g on for a wild ride! The craziest “coalition” in history is out to destroy ISIS!Forty years ago, Don Tommy Aiello was the most feared mafia leader in the United States. Each week, he counted the number of bodies he was responsible for killing. Each week, he counted the number of women he had slept with. But that was forty years ago. Today, he counts the number of pills he takes and the pennies left over from his small Social Security check so he might buy a cheap set of dentures – not covered by Medicare. Life is pretty awful. Twenty miles away, Pedro Sanchez, twenty, has already done two of his three strikes in prison. He can’t find a job. His seventeen-year-old girlfriend has just told him she’s pregnant. Life is pretty awful.Sister Maureen Richards is about to be dumped from her position as head of a prestigious private girls’ school. And FBI middle-manager Dennis O’Brien, 63, knows he’s on the way out the door. But he’s got an idea, which he shares with Ezra Caen, the hero of Gerstl’s Assassin. Five thousand miles away, a group of malcontents calling themselves the Islamic State (ISIS) is stirring up a worldwide bag of problems. Boots on the ground can’t stop them, aircraft in the air have no effect. The U.S. is spending $14 million a day and going nowhere.What if 15 “retired” Mafia Dons under the leadership of Sister Maureen are tasked with destroying ISIS? In exchange, their criminal records will be erased, and each will get $75,000 tax free a year for the rest of their lives. Their “army” will consist of young Hispanics who aren’t going anywhere except to the bottom … they’ll be given a four-year free college education and guaranteed government employment. Of course, the good, moral U.S. of A. can’t be seen to have a hand in this, so it will all be funded through La Società di Religione – the Vatican Bank.Hugo N. Gerstl, international bestselling author, steps into a wacky world that only his imagination could devise. Beneath the outrageous hilarity lies a much more serious message – how seniors we’ve put out to pasture, and those who are socially disadvantaged, become “invisible” in our world. As this splendidly entertaining novel makes clear, “Old age and treachery will defeat youth and vigor every time.” Published By Pangæa Publishing Group, 2019. 252 pages – 23 cm x 15 cm
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Managing Religious Tourism provides a global view of the tools and resources used in demand and supply management, in the context of pilgrimage and religious tourism. With a focus on toolkits and best practices, the book reinforces the quality of service provision and offers a reflection on consumers' perspectives and what drives their purchasing decisions with regards to a variety of destinations. These central themes are complemented by an understanding of management responses to consumer behaviour and mobility, accessibility, individualism and tourism for both sacred and secular purposes. The book also examines the ways in which networks, partnerships and the conceptual stakeholder approach can be employed by religious tourism suppliers working with destination management organisations. The text promotes sustainable development and a triple bottom line focus, with all chapters supporting policy for framing development. Key features include: - Global perspective on tools as well as management approaches and techniques. - Emphasis on sustainability in connecting sacred and secular consumers. - Focus on promoting learning and development within this important tourism sector.
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This is the first single volume edition of A Trick to Catch the Old One for many decades. This edition presents a thoroughly reconsidered text based on collation of all known copies of the 1608 quarto (including material unnoticed by earlier editors). Textual analysis draws on detailed internal investigation and the printer's wider practice to propose that relatively improvisational procedures and a paper quota governed A Trick's printing operations. Discovery of an overlooked record revises the date of court performance to 1 January 1607, with implications for the play's early history. Critical discussion freshly examines the play's multi-layered ironic texture in relation to such issues as the status of women, marriage's relation to prostitution and vice versa, and the contemporary marriage market. And the Courtesan receives special attention in the context of this overarching ironic scheme. An extensive stage history explores original staging and documents revivals to 2011. The commentary is the most wide-ranging and comprehensive of all modern editions. ;
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