Lorenza Estandia Literary Agency
The Catalogue has 114 titles, picture books, illustrated stories and novels poetry, plays, series, and non-fiction, and by readers age from 0 to 18+ years.
View Rights PortalThe Catalogue has 114 titles, picture books, illustrated stories and novels poetry, plays, series, and non-fiction, and by readers age from 0 to 18+ years.
View Rights PortalSpirits of the Coast brings together the work of marine biologists, Indigenous knowledge keepers, poets, artists and storytellers, united by their enchantment with the orca. A literary and visual journey through past and possibility, this book illustrates how the enigmatic orca has shaped us as much as our actions have impacted its species, and provokes the reader to imagine the shape of our shared future.
An Old Song Ending is set in the period 1970 to 2000, and is about Dr Ranald Macdonald, an aristocratic scholar of the Gaelic language, and folklore collector, who has an estate on a Hebridean island and spends most of his time transcribing the hundreds of tape recordings he has made of Gaelic singers and storytellers. His wife Rosemary, a Canadian, is an artist who is collaborating with him on an illustrated book on the history, flora and fauna of the estate, called Leabhar nan Ros (The Book of the Peninsula). The Macdonalds have no children, and Dr Macdonald and Rosemary undertake the long journey to Tierra del Fuego, ‘The Land of Fire,’ in search of an heir, since an ancestor, who had been studying for the priesthood in Spain, left the seminary in mysterious circumstances and went to work on a Tierra del Fuego estancia for Alexander MacLennan, an actual historical figure known as the ‘Red Pig’ who massacred the Ona Indians because they interfered with sheep farming. An Old Song Ending deals with the paranormal, which features so prominently in the songs and stories which Dr Macdonald has collected. But there is a more modern and sinister theme in that the heir he locates becomes involved with a woman who professes to have paranormal powers. The novel is also about the loss of status of the landed class.
As part of its Human Rights Implementation Project, the United States Institute of Peace held a symposium on Capitol Hill last fall. It focused primarily on how the United States’s traditional commitment to advancing human rights and democracy fits into the new order created by the war on terrorism. Speakers included President Jimmy Carter; Ambassador Max M. Kampelman; Professor Shibley Telhami, University of Maryland; Morton Halperin, senior fellow, Council on Foreign Relations; Andrew Natsios, administrator, U.S. Agency for International Development; Stephen J. Solarz, senior counselor, APCO Worldwide; Lorne Craner, assistant secretary of state for democracy, human rights, and labor; Elliott Abrams, senior director for democracy, human rights, and international operations, National Security Council; Professor John Norton Moore, University of Virginia; John Kamm, executive director, Dui Hua Foundation; William Clatanoff, assistant U.S. trade representative for labor; Holly Burkhalter, advocacy director, Physicians for Human Rights; and Marc Leland, president, Marc Leland & Associates. Also featured were Congressmen Tom Lantos and Frank Wolf, co-directors of the Congressional Human Rights Caucus. This report was prepared by Kathy Ward under the direction of Debra Liang-Fenton, program officer in the Institute’s Research and Studies Program.
A sampling of Elinor Wylie's most representative workIn the 1920s Elinor Wylie’s poetry and novels were critically acclaimed and enjoyed popularity in both the United States and England. Her poems were published in the New Yorker, the Century, the New Republic, and the Saturday Review of Literature, and she was described by contemporaries as an icon of the age. Much of the charm of Wylie’s work is in her humor as well as in her understanding and mastery of so many poetic forms. Her magazine stories and articles from Vanity Fair, the New Yorker, and other leading periodicals of the twenties demonstrate her virtuosity and are illustrative of the era.Selected Works of Elinor Wylie contains 113 of the 161 poems Wylie chose for the volumes published in her lifetime and 100 more that appeared in Collected Poems and in Last Poems. Also included are the first chapters of each of her novels, Jennifer Lorn, The Venetian Glass Nephew, The Orphan Angel, and Mr. Hodge and Mr. Hazard. Editor and scholar Evelyn Hively chose short stories, essays, reviews, and articles to further define Wylie’s rich and broad repertoire and her place on the 1920s literary scene.Scholars and researchers of this modern woman writer and her contemporaries will find this a welcome addition to women’s literary studies.
A collection of authentic, profound and beautiful poems.
A landmark reference on 19th-century American lithographic production
The Da Vinci Code meets Get Shorty in this thrilling debut from M.N.Grenside. An LA screenwriter is killed shortly after completing his latest script, FALL OUT - a thriller destined to be a blockbuster but written with a secret double purpose. Echoing events from the past the screenplay is sent to a very specific group of people and will change their lives forever. All are connected to a movie that had abruptly stopped shooting in the jungles of the Philippines years before. FALL OUT exposes the truth about a conspiracy and murder that led to a half-a-billion-dollar fortune for a select few. Follow the story of Producer Marcus Riley, who sets out on an increasingly dangerous quest to get FALL OUT made. From a powerful Agent's office in Hollywood, hidden treasures in Belgravia and a remote chalet in the Swiss Alps to murder at the Cannes Film Festival, Marcus teams up with designer Melinda (Mako) de Turris as they and the other recipients of the screenplay are pursued by an assassin from the past. With clues cleverly concealed in the screenplay, Marcus and Mako unravel a lethal puzzle that for some will bring death, others the truth and ends in a cave with a shocking secret.....