January 1995
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January 2018Die Kickerbande (1). Anpfiff für das Siegerteam
by Nahrgang, Frauke
Für Finn und seine Kickerbande ist Fußball das Wichtigste auf der Welt! Aber neuerdings muss er die Spiele von der Ersatzbank aus anschauen. Kevin, der Neue, spielt jetzt auf seiner Position. Außerdem belagert er Max, der eigentlich Finns bester Freund ist. Finn ist stinksauer! Doch als plötzlich Spielmacher Max ausfällt, ist Kevin der einzig mögliche Ersatzspieler. Lässt Finn sich darauf ein, dem Neuen eine Chance zu geben?
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February 2018
Die Kickerbande (1-2). Anpfiff für das Siegerteam und Fußballfreunde halten zusammen
by Nahrgang, Frauke
Anpfiff für das Siegerteam Für Finn und seine Kickerbande ist Fußball das wichtigste auf der Welt! Aber neuerdings muss er die Spiele von der Ersatzbank aus anschauen. Kevin, der Neue, spielt jetzt auf seiner Position. Außerdem belagert er Max, der eigentlich Finns bester Freund ist. Finn ist stinksauer! Doch als plötzlich Spielmacher Max ausfällt, ist Kevin der einzig mögliche Ersatzspieler. Lässt Finn sich darauf ein, dem Neuen eine Chance zu geben? Fußballfreunde halten zusammen Ein wichtiges Auswärtsspiel steht an und ausgerechnet jetzt gibt es schlechte Nachrichten für die Kickerbande: Emil, der Tormann, ist rot-gesperrt, und sein Vater hat außerdem ein Fußball verhängt. Nun soll Finn sich ins Tor stellen, auch wenn er eigentlich Stürmer ist. Wird er diese große Aufgabe meistern? Nun muss die Kickerbande zeigen, dass sie auch in schwierigen Zeiten zusammenhalten kann.
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The ArtsSeptember 2008Thorold Dickinson
A world of film
by Philip Horne, Peter Swaab
The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence - and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin's USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America. This book gives a lively, multi-angled account of Dickinson's works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson's original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well. Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat. ;
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June 2017Brand New Ancients / Brandneue Klassiker
Lyrik
by Johanna Wange, Kae Tempest
Die antiken Götter von heute leben im Südosten Londons. Sie heißen Kevin und Jane, Mary und Brian, Thomas und Clive – zwei Familien in benachbarten Häusern, Eheleute, die einander betrügen, Halbbrüder, die nichts voneinander wissen. Ihre Nöte, Hoffnungen und Enttäuschungen bringt Kae Tempest in dem preisgekrönten Langgedicht Brand New Ancients / Brandneue Klassiker zu Gehör. In den kleinen, prekären Leben findet Tempest die Kraft der alten Mythen wieder. Dem Zynismus und der Gleichgültigkeit der kapitalistischen Gesellschaft setzt Tempest Humanismus und Einfühlungsvermögen entgegen und die Wucht der literarischen Sprache.
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June 2017Brand New Ancients / Brandneue Klassiker
Lyrik
by Kae Tempest, Johanna Wange
Englisch und deutsch. Übersetzt von Johanna Wange. Die antiken Götter von heute leben im Südosten Londons. Sie heißen Kevin und Jane, Mary und Brian, Thomas und Clive – zwei Familien in benachbarten Häusern, Eheleute, die einander betrügen, Halbbrüder, die nichts voneinander wissen. Ihre Nöte, Hoffnungen und Enttäuschungen bringt Kate Tempest in ihrem preisgekrönten Langgedicht Brand New Ancients / Brandneue Klassiker zu Gehör. In den kleinen, prekären Leben findet sie die Kraft der alten Mythen wieder. Dem Zynismus und der Gleichgültigkeit der kapitalistischen Gesellschaft setzt sie Humanismus und Einfühlungsvermögen entgegen und die Wucht ihrer Sprache.
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Humanities & Social SciencesOctober 2009The political thought of the Liberals and Liberal Democrats since 1945
by Kevin Hickson
This book provides the most comprehensive analysis of the post-war political thought of the Liberals and Liberal Democrats to date. The rationale of the book stems from a belief that contemporary debate over the party's future ideological direction can only be fully appreciated by placing it within a broader historical context. The book begins by outlining the three dominant ideological traditions within the Liberals and Liberal Democrats - namely, classical liberalism, the 'centre' and social liberalism. The main ideas, policies and personalities associated with each tradition are evaluated. Leading experts in the field then examine a range of themes and issues including constitutional reform, decentralization, political economy, social morality, internationalism and political strategy. The final section consists of three commentaries from different ideological perspectives written by leading Liberal Democrat MPs - Vincent Cable, David Howarth and Steve Webb. In adopting a new approach to the Liberals and Liberal Democrats and in combining expert analysis with political commentary, this book will be of interest to students and the general reader alike. ;
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Humanities & Social SciencesAugust 2011Volumes of Influence
by Kevin Theakston
Volumes of influence explores the work of a number of important books and key writers within the academic disciplines of politics and international relations. It revisits and re-evaluates some of the landmark or classic books in politics and international relations, and assesses the contribution of some of the most influential writers who have played a significant role in the development of these disciplines, who defined their subjects, set agendas and inspired. They remain significant and relevant, offering insights that help in understanding and analysing contemporary problems, issues and debates. The book's chapters - written by specialists in their fields - discuss and evaluate: - 'Walter Bagehot, 'The English constitution' (1867) - Maurice Duverger, 'Political parties' (1953) - Seymour Martin Lipset and Stein Rokkan, 'Cleavage structures, party - systems and voter slignments' (1967) - Gerald Curtis, 'Campaigning Japanese style' (1971) - Steven Lukes, 'Power: A radical view' (1974) - Richard Crossman, 'The diaries of a Cabinet Minister' (1975) - Charles Lindblom, 'Politics and markets' (1977) - George Kennan, 'American diplomacy' (1951) - Graham Allison, 'Essence of decision' (1971) - Charles Beitz, 'Political theory and international relations' (1979) - Samuel Huntington, 'The clash of civilizations' (1993) The book will appeal and be of interest to academics and to students of politics and international relations, highlighting the importance of going back and studying some of the foundation literature in their subjects - books and authors which stand the test of time. ;
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Humanities & Social SciencesFebruary 2018Ireland, Africa and the end of empire
by Kevin O'Sullivan
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Humanities & Social SciencesAugust 2003Women, gender and fascism in Europe, 1919–45
by Kevin Passmore
What attracts women to far-right movements that appear to denigrate their rights? This question has vexed feminist scholars for decades and has led to many lively debates in the academy. In this context, during the 1980s, the study of women, gender, and fascism in twentieth-century Europe took off, pioneered by historians such as Claudia Koonz and Victoria de Grazia. This volume makes an exciting contribution to the evolving body of work based upon these earlier studies, bringing emerging scholarship on Central and Eastern Europe alongside that of more established Western European historiography on the topic. Women, Gender and Fascism in Europe, 1919-45 features fourteen essays covering Serbia, Croatia, Yugoslavia, Romania, Hungary, Latvia, and Poland in addition to Germany, Italy, France, Spain, and Britain, and a conclusion that pulls together a European-wide perspective. As a whole, the volume provides a compelling comparative examination of this important topic through current research, literature reviews, and dialogue with existing debates. The essays cast new light on questions such as women's responsibility for the collapse of democracy in interwar Europe, the interaction between the women's movement and the extreme right, and the relationships between conceptions of national identity and gender. ;
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