Founded in 2012 by Emily Chuang. Emily Publishing mainly publishes translated fiction, non-fiction and children's picture books and starts to represent selected books from Taiwan and Japan to all over the world since 2019.
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We are a Spanish graphic novel publisher, specialized in comic books for adults, young readers and children. Our publications are mostly one shot and we work with all literary genres. Click here to discover our graphic novel catalogue, as well as those of the comic publishers and authors that we also represent. https://www.grafitoeditorial.com/foreign-rights/
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From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
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From children's book author Emily Child and popular illustrator Maria Lebedeva comes a new picture book that explores feelings for children in the most incredible way, Listen to Your Diddalum! What is your Diddalum? Is it that funny feeling in your stomach when you're excited? Or is it exploding fireworks? Is it a slimy slug, or a fluttering butterfly? What is your Diddalum and how do you listen to it?
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Emily Witts Prognose für die weibliche Sexualität lautet: selbstbewusst, frei und unerschrocken. Mit einem wachen Blick, großer Begeisterungsfähigkeit und einer außergewöhnlichen Beobachtungsgabe erforscht die New Yorker Journalistin die neuen Formen weiblicher Sexualität, von Tinder über Feminist Porn bis hin zur Orgasmic Meditation. Emily Witt ist Mitte dreißig, Single und lebt in Brooklyn. Die ideale Voraussetzung für ein bewegtes Liebes- und Sexleben. Könnte man meinen. Doch eigentlich hat auch Witt trotz all der schillernden Angebote ein ganz bestimmtes Ziel im Visier: Ehemann, Kinder und ein Eigenheim. Um die Möglichkeitswelt jenseits der tradierten Ideale zu erkunden, entschließt sich die Journalistin zu einer Reise nach San Francisco, der Hochburg der freien Liebe und der digitalen wie libidinösen Zukunft. Sie durchstreift die Sphären des Internetdatings, feiert auf einer Hochzeit von Polyamoristen, spricht mit der Königin eines feministischen Kinky-Porn-Unternehmens, sie sondiert und überschreitet ihre eigenen Grenzen bei dem legendären Exzessfestival »Burning Man« und begibt sich ins Zentrum der »Orgasmic Meditation«. Am Ende ihrer Reise steht eine überraschende Erkenntnis.
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A new children's picture book by author Emily House (of Earth Takes a Break) brings us the heartwarming tale of Bonbon and Blanket and the lengths we'll go to hold onto those we love. A great pick for a kids' bedtime storybook! Bonbon and Blanket’s friendship is full of fun and adventure, but the pair very soon discover that not every adventure is of their own choosing!
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Lucy and Mum's Shoes (written by Emily Child and illustrated by Warwick Kay) is the story a girl who hears the world a little differently. She is fascinated by the sounds around her, especially the sound of shoes. She dreams of a life where she is surrounded by high-heels. She dreams of being grown-up. Feeling brave one morning, Lucy sneaks into her mother’s cupboard and tries on her favourite pair of stilettos. An unusual and dreamlike day of high-heeled hope, happiness and hindrance follows, leaving Lucy a little less certain that she wants to feel grown-up after all… Lucy invites children (and adults) to be a part of her unique and quirky soundscape. Infused with a surreal eccentricity, this story uncovers what it means to “love the shoes you’re in”.
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Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
