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      • Edizioni Horti di Giano

        We are looking for that flame that ignites our authors’ emotions. We dream of an editorial world where those who deserve can express themselves freely and not thanks to a payment. Horti di Giano offers books with attention to the smallest detail, where Editing is the heart of a work done with passion and the publications are enriched by several hand-made illustrations, in order to give life to a book which is an artistic and complete experience. in every respect. You can find Fantasy, Sci-Fi, Horror, Thriller, Crime and Mistery, Coming-on-age novel, Poetry and Graphic Novel.

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      • Books Tatin Giannaro / Dr. Olga-Tatjana Rauch

        Contemporary fiction with strong female characters. Realism combining elements of suspense with elements of humor. Multi-layered stories about modern-day life and love, society and human beings. In focus: women and their own view of the world. Universal emotions, desires and human values, a portrait of society and a documentation of recent historical events. Young women in foreign countries. We publish novels, narrations, poems, and short stories.

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      • Photography & photographs
        April 2019

        Oltre lo sguardo

        by Gianmarco Chieregato

        In “Beyond [in]sight”, Gianmarco Chieregato collects a selection of over two hundred portraits -including 17 Oscar Prizes- made since the beginning of his career. Actors, directors, singers, designers. From Michelangelo Antonioni to Steven Spielberg. From Valeria Golino to Penelope Cruz, to name a few examples. What’s beyond their gaze and beyond the photographer’s vision? Each image represent a memory, an emotion, an anecdote. Each photo in the book comes with a small, great story expressing shyness, trust, unexpected situations or lucky shots taken on sets that were sometimes friendly, sometimes incredibles. In the constant search for the next shot, because taking photos is how to collect picture cards: “You always miss one”. And always with a fundamental goal: seizing the subject in its best shape, so that it can really identify itself in the image and enjoy it. It’s not about being superficial. It is just being the opposite: a deed of deep love for those who rely on the photographer’s eye to see themselves.

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