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We are publishing book about the central questions of our culture in politics, philosophy, art and history.
View Rights PortalWe are publishing book about the central questions of our culture in politics, philosophy, art and history.
View Rights PortalThis novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
In der Schule interessierte sich Georgia nicht für die Zahlen an der Tafel, sondern für die Farben der Natur draußen vor dem Fenster. Mit dem Skizzenblock in der Hand lief das Mädchen über den Bauernhof seiner Eltern. Ihre riesigen Blumenbilder feiern die Natur. Georgia malte aber auch die karge Wüstenlandschaft von New Mexico, Steine und Knochen, die sie dort fand. Das gefiel damals nicht allen. Heute ist sie einer der erfolgreichsten Künstlerinnen ihrer Zeit. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
Settlers at the end of empire traces the development of racialised migration regimes in South Africa, Rhodesia (present-day Zimbabwe) and the United Kingdom from the Second World War to the end of apartheid in 1994. While South Africa and Rhodesia, like other settler colonies, had a long history of restricting the entry of migrants of colour, in the 1960s under existential threat and after abandoning formal ties with the Commonwealth they began to actively recruit white migrants, the majority of whom were British. At the same time, with the 1962 Commonwealth Immigrants Act, the British government began to implement restrictions aimed at slowing the migration of British subjects of colour. In all three nations, these policies were aimed at the preservation of nations imagined as white, revealing the persistence of the racial ideologies of empire across the era of decolonisation.
Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
Air empire is a fresh study of civil aviation as a tool of late British imperialism. The first pioneering flights across the British empire in 1919-20 were flag-waving adventures that recreated an era of plucky British maritime exploration and conquest. Britain's development of international air routes and services was approved, organised and celebrated largely in London; there was some resistance in and beyond the subordinate colonies and dominions. Negotiating the financing and geopolitics of regular commercial air service delayed its inception until the 1930s. Technological, managerial and logistical problems also meant that Britain was slow into the air and slow in the air. Propaganda concealed underperformance and criticism. The study uses archival sources, biographies, industry magazines and newspapers to chronicle the disputed progress toward air empire. The rhetoric behind imperial air service offers a glimpse of late imperial hopes, fears, attitudes and style. Empire air service had emotional appeal and symbolic value, but disappointed in practice.
"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
Child, nation, race and empire is an innovative, inter-disciplinary, cross cultural study that contributes to understandings of both contemporary child welfare practices and the complex dynamics of empire. It analyses the construction and transmission of nineteenth-century British child rescue ideology. Locating the origins of contemporary practice in the publications of the prominent English Child rescuers, Dr Barnardo, Thomas Bowman Stephenson, Benjamin Waugh, Edward de Montjoie Rudolf and their colonial disciples and literature written for children, it shows how the vulnerable body of the child at risk came to be reconstituted as central to the survival of nation, race and empire. Yet, as the shocking testimony before the many official enquiries into the past treatment of children in out-of-home 'care' held in Britain, Ireland, Australia and Canada make clear, there was no guarantee that the rescued child would be protected from further harm.
Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.
The novel tells of the story about the growth of a barefoot doctor in a village. By means of the experiences of Sister Yi the barefoot doctor, Mi Yi, Hui Ju and other characters, the author manages to expose the real dependence relationship between man and nature, and between man and man, so as to construct a new kind of relationship in the future world from a brand-new perspective with lots of astounding descriptions. The scenes depicted in the novel belong to the future world, the plots, however, firmly stick to the reality. Thus the real and free conceptions in the novel are both down-to-earth and overwhelmingly shocking, from which every ordinary reader can find resonance and gain strength for life in it. Once again, the outlook of philosophy and nature of Can Xue has delicately and simply stood out in the novel in a literary way.
Thirty-five years ago, Libertyville had a population of 2,000. Its citizens thought it would become the next Atlanta. But it’s now 1989, and the population is down to 278 and falling. The town’s remaining employer, the outdated, money-losing Libertyville Cotton Works, owned by an elderly Holocaust survivor, has been sold to a conglomerate that intends to reap huge tax and political benefits.But two other factions have different ideas. Bishop William Wyatt Walker, spellbinding African-American televangelist whose church takes in $500 million a year in contributions from the poorest of the poor, decides the church has lost touch with the common man and needs a new symbol of salvation – the Libertyville Cotton Works and the 40 acres that surround it. He’ll do whatever it takes to make sure the church gets the property.Meanwhile, a brilliant, Mexican-American lawyer and his militant contingent, faced with “the country’s growing paranoia toward Hispanics,” seeks to create his own Sanctuary Nation. His “army” takes armed control of the cotton works, holding hostages to ensure that the factory and its acreage are deeded to “the first truly Mexican town in the Southeastern U.S.”The stage is set for a Stalemate of epic proportions, a war where there can be no winners. Like James Dickey’s Deliverance, this book is a mixture of a thriller tinged with adventure, camaraderie, dread, and the horror that only an unexpected, unspeakable situation can inflict. Human nature is human nature, and it is impossible to predict how anyone would act if confronted with a similar situation. Powerful and suspenseful, Stalemate explores the best – and the worst – in the human spirit as it thunders toward a spine-chilling climax.International best-selling author Hugo N. Gerstl’s latest work is one you won’t be able to put down – and one you’ll long remember. Published by Pangæa Publishing Group 184 pages – 23 cm x 15 cm
Nach seinen sprachphilosophischen Arbeiten ('Sprechakte', stw 458; 'Ausdruck und Bedeutung', stw 349) hat John R. Searle mit 'Intentionalität' eine Untersuchung zu einem Kernstück der Philosophie des Geistes vorgelegt, die in einem engen thematischen Zusammenhang mit den früheren Arbeiten steht. Intentionalität ist nach Searles Auffassung die Basis sprachlicher Bedeutung. In seiner Theorie der Intentionalität geht es um die begrifflichen Eigenschaften intentionaler Zustände (auf die Frage nach ihrem ontologischen Status geht er ausführlicher ein in 'Geist, Hirn und Wissenschaft', stw 591). Zwei Aspekte stehen dabei im Vordergrund der Untersuchung: die Logik der Repräsentation und der Kausalität intentionaler Zustände. Doch Searle entwickelt in dieser Arbeit nicht nur eine Theorie der Intentionalität und des Zusammenhangs zwischen sprachlichem und geistigem Inhalt. In einem vornehmlich kritischen Teil setzt er sich ausführlich mit konkurrierenden Auffassungen aus dem Bereich der analytischen Philosophie auseinander, insbesondere mit derzeit sehr einflußreichen 'nicht-deskriptivistischen' Theorien des Bezugs, wie sie von S. Kripke, H. Putnam, K. Donnellan, T. Burge und D. Kaplan vertreten und angeregt wurden.
Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
Country houses and the British empire, 1700-1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis.
Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
24 LEGENDS. 14 STORYTELLERS. 10 COUNTRIES. 1 MASTERPIECE. Dragons, or 'Naga' as they are known in Southeast Asia, continue to exist in our legends long after we have embraced modern ideas and technology. They are beings that are both mystical and all-knowing. Until today, dragons still take on our emotions; our deepest joy and darkest fears, true love, and fleeting desires. DRAGONLORE, conceptualised by Ninot in 2012, features stories from many regions of the world of Southeast Asia, Australia, the Far East, Europe, ancient worlds, and mythology. Edited by Ninot and Johnny Gillett, award-winning writers Samuel Peralta (Canada), Cora Wang (China), Helmut Kunkel (Germany), Anna Kordzaia-Samadashvili (Georgia) Imam Qalyubi (Indonesia), Renato Ghezzi (Italy), Rita Angelelli (Italy), Arian Tejano (Philippines), Minah Sintian (Malaysian) Teoh Choon Ean (Malaysia), Can Yigit Tuncmann (Turkiye), Ruby Yusuf ( Malaysia) , The Journey Man (UK) join Ninot Aziz in this amazing journey chasing dragons around the globe. With Malaysian and Southeast Asian legends, the gorgeous retelling of the Inuit legend of Palraijug to the delightful folktale of the Filipino, Bakunawa enchant readers. The twist in the tale of the Lyminster Knucker to the mystical dragon painter from China. We join Ajetis as he battles evil hidden in the Bosphorus Sea. Twenty-four in all, each story is unique, bringing us to a different part of the world, and meeting wonderful characters along the way. The significance of legends and folklore in imparting important lessons is more evident than ever. The lessons conveyed through these stories often resonate deeply with the present era, offering invaluable insights into our challenges. From the Malay Archipelago to the Far East, the Arctic Circle to Down-under Australia, Europe, and beyond, legends and folklore possess a remarkable ability to capture the essence of our collective consciousness. By delving into these ancient narratives, we gain a broader perspective on the challenges that have plagued humanity throughout history. In the context of today's world, which grapples with urgent environmental concerns, stories from the past offer unyielding wisdom on sustainable living and the consequences of neglecting our planet. These narratives serve as a bridge between the past and the present, weaving together timeless wisdom and modern challenges into a cohesive narrative that resonates with a wide audience and ensures the continuity and survival of such legends.