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      • Fundación Arquia

        The Fundación Arquia (Arquia Foundation) was established in 1990 as a non-profit institution with the aim of promoting cultural, social, welfare, professional issues and training in the field of architecture, construction, design, urban planning.

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      • Editora Fiocruz/ Fundação Oswaldo Cruz

        Founded in 1993, Editora Fiocruz emerged from the need to make public and expand access to scientific knowledge in subjects regarding health topics, creating a space to give visibility to the results of research. Since its first launch in 1994, it has always aimed to disseminate books on public health, biological and biomedical sciences, clinical research, social and human sciences in health. Today, with more than 25 years of experience, Editora Fiocruz has published more than 450 titles. These publications disseminate not only the academic production of Fiocruz, but also any study of importance and impact for health on a national and international level.

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      • 2008

        La arquitectura del cine

        Estudios sobre Dreyer, Hitchcock, Ford y Ozu

        by Manuel García Roig, Carles Martí Aris

        Relationship between architecture and cinema

      • 2007

        Mies y Hilberseimer

        La metrópoli como ciudad jardín

        by Xavier Llobet i Ribeiro

        PhD about Mies van der Rohe and Hilberseimer

      • 2007

        Maestros cercanos

        by José Manuel López-Peláez

        Writings about architecture and great architects

      • 2011

        La ciudad es de todos

        by Paulo Mendes da Rocha

        Mendes da Rocha, writings

      • 2010

        Una arquitectura de la humildad

        by Juhani Pallasmaa

        Juhani Pallasma, writings on architecture and society

      • The Arts
        June 2018

        Con tinta en la boca (With ink in the mouth)

        Fotografía documental de Antonio Turok (Documentary photography by Antonio Turok)

        by Anna Susi

        Antonio Turok (1955, Mexico City), emblematic photographer of a generation, has collaborated in different media such as La Jornada, Aperture, Camera Work, Cronica, DoubleTake, Paris Match, Proceso, Stern, The Independent. He received a Guggenheim Fellowship, a grant from the Museum of Photographic Arts in San Diego, and a grant from the Trust for U.S.-Mexico Culture. He was awarded the Mother Jones Fund for Documentary Photography. He is the author of Imágenes de Nicaragua (Casa de las Imágenes, Mexico, 1988) and Chiapas. The End of Silence/El fin del silencio (Fundación Aperture-Ediciones Era, 1998). His presence in the various Central American uprisings of the 1980s led him to forge a sharp and profound look at the human condition, the conflict and armed movements. That is why years later the EZLN trusted him to enter the Chiapas jungle with his camera. Turok belongs to a generation of Latin Americans heir to great photographers such as Álvarez Bravo or Nacho López, of whom he was a student; Turok's generation is an active one that experienced technological and media changes in photography. That is why, historically, artistically and anthropologically, the understanding of the image from Turok's point of view is transcendental.

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