Antonio Turok (1955, Mexico City), emblematic photographer of a generation, has collaborated in different media such as La Jornada, Aperture, Camera Work, Cronica, DoubleTake, Paris Match, Proceso, Stern, The Independent. He received a Guggenheim Fellowship, a grant from the Museum of Photographic Arts in San Diego, and a grant from the Trust for U.S.-Mexico Culture. He was awarded the Mother Jones Fund for Documentary Photography. He is the author of Imágenes de Nicaragua (Casa de las Imágenes, Mexico, 1988) and Chiapas. The End of Silence/El fin del silencio (Fundación Aperture-Ediciones Era, 1998). His presence in the various Central American uprisings of the 1980s led him to forge a sharp and profound look at the human condition, the conflict and armed movements. That is why years later the EZLN trusted him to enter the Chiapas jungle with his camera. Turok belongs to a generation of Latin Americans heir to great photographers such as Álvarez Bravo or Nacho López, of whom he was a student; Turok's generation is an active one that experienced technological and media changes in photography. That is why, historically, artistically and anthropologically, the understanding of the image from Turok's point of view is transcendental.