Rippple Books
Rippple Books is a publisher of English language fiction books, based in Germany. They have six titles to date, and were recently named and Indie Groundbreaking Publisher by the Independent Publisher.
View Rights PortalRippple Books is a publisher of English language fiction books, based in Germany. They have six titles to date, and were recently named and Indie Groundbreaking Publisher by the Independent Publisher.
View Rights PortalSALLY, a comic/manga/graphic novel author, is from Taipei, TAIWAN.Originally a student of architecture, she is currently a member of the manga colllective Club Zip and publishes her work commercially and independently. Her work "Left Hand" won the Silver Award of Japan International MANGA Award and "Going My Way?" has been serialized in Taiwan, Thailand, Korea, and Indonesia.promotion clips of work in youtube
View Rights PortalMountains have long held an appeal for people around the world. This book focusses on the diversity of perspectives, interaction and role of tourism within these areas. Providing a vital update to the current literature, it considers the interdisciplinary context of communities, the creation of mountain tourism experiences and the impacts tourism has on these environments. Including authors from Europe, Asia-Pacific and North America, the development, planning and governance issues are also covered.
Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
Though poets have always written about cities, the commonest critical categories (pastoral poetry, nature poetry, Romantic poetry, Georgian poetry, etc.) have usually stressed the rural, so that poetry can seem irrelevant to a predominantly urban populati. Explores a range of contemporary poets who visit the 'mean streets' of the contemporary urban scene, seeking the often cacophonous music of what happens here. Poets discussed include: Ken Smith, Iain Sinclair, Roy Fisher, Edwin Morgan, Sean O'Brien, Ciaran Carson, Peter Reading, Matt Simpson, Douglas Houston, Deryn Rees-Jones, Denise Riley, Ken Edwards, Levi Tafari, Aidan Hun, and Robert Hampson. Approaches contemporary poetry within a broad spectrum of personal, social, literary, and cultural concerns. Includes 'loco-specific' chapters, on cities including Hull, Liverpool, London, and Birmingham, with an additional chapter on 'post-industrial' cities such as Belfast, Glasgow and Dundee. ;
This volume, which explores aspects of the experience of Ireland and Irish people within the British Empire, addresses a central concern of modern Irish scholarship. Much academic writing about Ireland, its history and culture is dominated by the vocabulary of imperialism. Engels described Ireland as England's first colony. Contemporary observers frequently characterise it as having a post-colonial society. Ireland, on the other hand, was also part of the metropolitan core of the Empire and supplied many of its soldiers, settlers and administrators. The paradox that Ireland was both 'imperial' and 'colonial' lies at the heart of this book which includes studies of Irish service in the Empire as well as the impact of imperial concerns in Ireland. Concentrating on the period since the mid-nineteenth century, the scope of the volume is impressively broad. Popular culture, sport and film are investigated, as well as business history and the military and political 'sinews of Empire'. The book will be of particular value to institutions teaching Irish and British history to degree level and the growing number of Irish studies courses being offered in Great Britain and North America.
This book explores how rural gender relations are changing in a globalising world that fundamentally impacts on the structure of agricultural life in rural areas and urban-rural relations. It analyses the development of rural gender relations in specific places around the world and looks into the effects of the increasing connectivity and mobility of people across places. The themes covered are: gender and mobility, gender and agriculture, Gender and rural politics, rurality and Gender identity and women and international development. Each theme has an overview of the state of the art in that specific thematic area and integrates the case-studies that follow. ; Chapter 1: Gender and rural globalisation: an introduction to international perspectives on gender and rural development Chapter 2: Gender and mobility Chapter 3: “There is dignity only with livestock”: Land grabbing and the changing social practices of pastoralist women in Gujarat, India Chapter 4: Women's migration for work. The case of Ukrainian caregivers in rural Italy Chapter 5: Gender, migration and rural livelihoods in Uzbekistan in times of change Chapter 6: Gender and rural migration in Mexico and The Caribbean Chapter 7: Gender and Agriculture Chapter 8: The Genderness of Climate Change, Australia Chapter 9: Where family, farm and society intersect: values of women farmers in Sweden Chapter 10: Women farmers and agricultural extension/education in Slovenia and Greece Chapter 11: The Agency Paradox: the Impact of Gender(ed) Frameworks on Irish Farm Youth Chapter 12: Rurality and Gender Identity Chapter 13: Rural. Women. Leaders. Identity formation in rural Northern Ireland Chapter 14: Gender identities and divorce among farmers in Norway Chapter 15: Merging Masculinities: exploring intersecting masculine identities on family farms Chapter 16: Creating ‘masculine’ spaces for ‘feminine’ emotions – Men and social inclusion Chapter 17: Gender desegregation among village representatives in Poland: towards breaking the male domination in local politics? Chapter 18: Gender and international development Chapter 19: ‘Glocal’ networking for gender equality and sustainable livelihoods Chapter 20: Gender Transitions in Agriculture and Food Systems Chapter 21: Sugar and Gender Relations in Malawi Chapter 22: The role of gender indicators in rural development programmes Chapter 23: Beneficial for women? Global trends in gender, land and titling Chapter 24: Conclusions – Future Directions
Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
Were it not for authoritarian state censorship, Cecilia Bartolomé's name would figure alongside those of her contemporaries Agnès Varda and Claire Denis as a pioneering feminist filmmaker of the twentieth century. With this bold claim, this book seeks both to write the history of Bartolomé's extant filmography, and speculative about censored and un-filmed work, thereby fashioning a new way of writing a feminist creative life in film. The first volume on this director to be written in English, The Cinema of Cecilia Bartolomé is also the first volume on the director published in any language for over twenty years. By focusing on Spanish-language cinema of the 1960s-1990s, the period when feminism, like democracy, was re-born and seemingly consolidated in Spain, the study brings historical depth and transnational reach to current debates in the wake of #MeToo.
The work of Karl Polanyi has gained in influence in recent years to become a point of reference to a wide range of leading authors in the fields of economics, politics, sociology and social policy. Newly available in paperback, this volume is a combination of reflections on, and assessment of, the nature of Polanyi's contribution and new strands of work, both theoretical and empirical, that has been inspired by Polanyi's insights. It gathers together the key contributions to the first ever workshop on the work of Karl Polanyi held in the United Kingdom. Several of the contributions develop Polanyian ideas in relation to contemporary capitalism. However, in a critical spirit, other contributions in the volume substantially transform his concept 'instituted economic process' in considering a broad range of contemporary socio-economic change: markets for mobile telephony, call centre operations and European labour markets.