Daniel Goleman - Foreign Audio
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View Rights PortalRussia and the other republics of the former USSR are now more accessible than at any other time in history. In the future, the forest resource of Russia, easily the greatest of any country in the world, will become even more globally important both environmentally and commercially.This new dictionary incorporates an updated and enlarged version of the first Russian-English edition, published in 1966, plus an entirely new English-Russian section of similar size. It contains many new terms, species names, acronyms and abbreviations to account for the great changes which have taken place in Russian forestry in terms of mechanization, woodworking technology, forest management and economics, environmental pollution and conservation. A list of the botanical names of trees and shrubs, with their Russian and English equivalents has also been included.The book has been compiled by Dr William Linnard, former Assistant Director of the Commonwealth Forestry Bureau, with over forty years’ experience of abstracting and translating forestry literature and David Darrah-Morgan, M.A. (Translation), a full-time translator, specializing in forestry and related fields.
Edwin Morgan is Scotland's major living poet, and Inventions of modernity was the first book-length study of his work. Since the 1940s Morgan's poetry has been carving out an alternative to the conventional evolutions from Modernism to Postmodernism, creating instead a substantial body of writing that ranges from the sublime to the hilarious. Instinctively at odds with the literary politics of the Pound-Eliot axis that remained influential deep into the twentieth century, Morgan develops instead a radical and libertarian poetics in an encyclopaedia of forms; from Anglo-Saxon metre through sonnet-sequences to concrete poems, and including gay poetry, science fiction verse and prize-winning translations into both English and Scots from numerous languages. This authoritative volume is of interest to students, teachers and academic researchers involved with strategies of reading, with cultural studies, with the politics of literary history and with gay and transgressive writing. ;
The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.
Die Zuschreibung von Verantwortung für unsere Handlungen ist ein zentraler Bestandteil unserer moralischen Praxis. Aber sie wirft schwierige philosophische Fragen auf. Müssen wir beispielsweise über einen freien Willen verfügen, um für unsere Handlungen verantwortlich zu sein? Ist Verantwortung ein einheitliches Phänomen oder gibt es verschiedene Arten von Verantwortung? Und können wir nur für unsere Taten verantwortlich sein oder beispielsweise auch für unsere Überzeugungen? Der Band versammelt – zum Teil erstmals in deutscher Übersetzung – die zentralen Texte der philosophischen Debatte über Verantwortung, u. a. von Stephen Darwall, Harry G. Frankfurt, H. L. H. Hart, Thomas Nagel, Peter Strawson, Susan Wolf und Iris Marion Young.
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;
Bin ich meines Bruders Hüter? von Daniel Gelleri BÜRGERKRIEG IN ISRAEL! Ist eines der mutigsten demokratischen Experimente fehlgeschlagen? Während die arabische Welt Genugtuung äußert, breitet sich in Europa und den USA Bestürzung aus. In dieser lebendig erzählten Geschichte zeichnet Daniel Gelleri, Autor des Erfolgromans Iris, das Leben von fünf Generationen einer jüdisch-israelischen Familie nach, deren Mitglieder die Hoffnungen und Träume ihrer Vorfahren teilen und gleichzeitig unter den Auseinandersetzungen, Alpträumen und Ängsten im heutigen Israel leiden. 150 Jahre nach der Geburt Isaak Isserlichs, dem Sproß einer prominenten osteuropäischen Rabbinerfamilie aus Krakau, bekämpfen sich seine Urenkel in den Jerusalemer Bergen. Sind diese blutigen Auseinandersetzungen ein Hinweis auf die nahende Apokalypse? Die israelische Regierung beschließt, sich auf die Grenzen des Jahres 1967 zurückzuziehen und löst damit eine große ideologische Kontroverse aus. Der ohnehin brüchige gesellschaftliche Konsens zerreißt. Was bisher nur hinter verschlossenen Türen debattiert wurde, eskaliert jetzt auf den Straßen jeder größeren Stadt Israels zum gewaltsamen Konflikt. Jede Seite besteht darauf, den Staat nach ihren Vorstellungen zu formen. Niemand ist bereit, nachzugeben und ein Alptraum wird wahr: BÜRGERKRIEG! In dem kleinen Land, dessen Bürger den zahlreichen äußeren Feinden fünfundsiebzig Jahre lang erfolgreich standgehalten haben, geschieht das Undenkbare: Der Feind kommt jetzt nicht von außen, sondern vom Inneren des Landes. Jede Seite kämpft für die eigene Wahrheit, den eigenen Glauben und die eigene Vision für Israel. Daniel Gelleri (geb. 1955) wuchs als säkularer Jude auf. Er kehrte sich mit fünfundzwanzig dem orthodoxen jüdischen Glauben zu. Mehrere Jahre lebte er mit seiner Familie in der Siedlung Bat Ayin im Westjordanland: Die Ermordung von Ministerpräsident Rabin durch einen orthodoxen Fanatiker erschütterte Gelleri so tief, daß er seinen Glauben einer erneuten Prüfung unterzog. Er kehrte der religiösen Welt den Rücken zu und nahm seinen früheren säkularen Lebensstil wieder auf. Er ist ein hochrangiger israelischer Reserveoffizier. Iris, sein erster kürzlich veröffentlichter erster Roman wurde ein großer Erfolg. Rechte für die deutsche Ausgabe und andere Sprachen sind noch erhältlich!
Jedes Jahr reisen Millionen Menschen im Dezember hektisch nach Hause – um dort in aller Besinnlichkeit Weihnachten zu feiern. Obwohl alle auf Kommerz und Materialismus schimpfen, geben sie sich jede Mühe, Verwandten und Freunden mit teuren Geschenken ihre Liebe zu beweisen. Weihnachten steckt voller Paradoxien, mit denen sich Daniel Miller in seinem Essay über die Geschichte und Bedeutung eines Festes befaßt, das wie kein anderes dazu geeignet ist, den Kalender der Weltgesellschaft zu synchronisieren.
The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
In recent years there has been a growth in both the practice and research of dark tourism; the phenomenon of visiting sites of tragedy or disaster. Expanding on this trend, this book examines dark tourism through the new lens of pilgrimage. It focuses on dark tourism sites as pilgrimage destinations, dark tourists as pilgrims, and pilgrimage as a form of dark tourism. Taking a broad definition of pilgrimage so as to consider aspects of both religious and non-religious travel that might be considered pilgrimage-like, it covers theories and histories of dark tourism and pilgrimage, pilgrimage to dark tourism sites, and experience design. A key resource for researchers and students of heritage, tourism and pilgrimage, this book will also be of great interest to those studying anthropology, religious studies and related social science subjects.
Suis-je, moi, le gardien de mon frère? – Roman par Daniel Gelleri La guerre civile en Israël ! Bien que cela paraisse impossible, ce titre fait la une dans les médias du monde entier. Est-ce que la plus grande expérience de la démocratie a finalement échoué ? Tandis que le monde arabe triomphe, les Etats-Unis – la seule superpuissance encore survivante – sont confrontés par un effroi considérable. Sur le champ de la politique internationale, ont-ils parié sur le mauvais cheval? Cent dix ans après la naissance à Cracovie, en Pologne, de Yitzhak Isaac Isserlish, le descendant d’une lignée de rabbins d’Europe de l’Est de premier plan, ses arrière petits fils sont en guerre l’un contre l’autre dans les collines de Jérusalem – une guerre qui pourrait réellement prouver au monde que l’heure d’Armageddon a sonné! Dans une saga transgénérationnelle finement tramée, Daniel Gelleri, l’auteur du roman populaire Iris, retrace la vie de cinq générations d’une famille juive israélienne dont les membres n’ont pas seulement hérité de leurs ancêtres le temps, l’espace, les espoirs et les rêves, mais en sont profondément affectés dans les cauchemars et les terreurs de leurs propres vies. A la suite de la décision du gouvernement de faire revenir Israël à ses frontières d’avant 1967, la controverse idéologique déchire le tissues fragile de ce que le monde avait toujours considéré comme une lueur d’espoir, un havre d’unité dans un océan de discorde. Ce que l’on chuchotait auparavant entre quatre murs explose désormais dans les rues de chaque bourgade et ville importante. Chaque parti reste inflexible dans sa vision de la forme finale que doit prendre le pays. Chaque parti, aussi, a l’intention de réaliser l’objectif désiré. La plus grande crainte devient une réalité : LA GUERRE CIVILE ! Les citoyens d’Israël se confrontent l’un l’autre, frère contre frère. Chacun aime son pays, ils ont tous à cœur ses meilleurs intérêts, et tous ont peur pour sa sécurité; mais d’une manière paradoxale et tragique, chacun trouve la vision de ses opposants être une abomination. Dans une nation minuscule qui a su affronter l’ennemi sans peur durant soixante-quinze ans, l’impossible arrive: l’ennemi est à l’intérieur. L’ennemi n’est pas aux frontières; l’ennemi est à l’intérieur des frontières! Chaque parti combat pour sa propre justice, pour sa propre foi, pour sa propre vérité, et pour sa propre vision d’un Israël biblique libéré. Daniel Gelleri, un officier supérieur de réserve des Forces de Défense d’Israël (IDF), était autrefois un juif non pratiquant, qui est devenu orthodoxe à l’âge de 25 ans. Il vécut avec sa famille dans la colonie de Cisjordanie de Bat-Ayin pendant dix ans. Quand le Premier Ministre d’Israël Yitzhak Rabin a été assassiné par un extrémiste juif, Gelleri se mit à refaire l’examen de sa foi et de ses convictions. Après une période d’examen de conscience, il revint à son style de vie non religieux d’origine et abandonna le monde religieux dans lequel il vivait. On premier roman, Iris, a été reçu avec beaucoup de succès.
Als der Neurowissenschaftler Maxwell Bennett und der Philosoph Peter Hacker den Klassiker Philosophical Foundations of Neuroscience veröffentlichten, war dies die erste systematische Untersuchung der begrifflichen Grundlagen der Neurowissenschaften und der Startschuss für den bis heute intensiv geführten Kampf um die Deutungsmacht über den menschlichen Geist. Besonders kritisch fiel seinerzeit die Auseinandersetzung mit den einflussreichen Arbeiten von Daniel Dennett und John Searle aus – also mit jenen beiden Denkern, die von der neurowissenschaftlichen Seite gerne als philosophische Gewährsmänner herangezogen werden. In Neurowissenschaft und Philosophie diskutieren die vier kongenialen »Streithähne« miteinander.
The remarkable growth in religious tourism across the world has generated considerable interest in the impacts of this type of tourism. Focusing here on environmental issues, this book moves beyond the documentation of environmental impacts to examine in greater depth the intersections between religious tourism and the environment. Beginning with an in-depth introduction that highlights the intersections between religion, tourism, and the environment, the book then focuses on the environment as a resource or generator for religious tourism and the environment as a recipient of impacts of religious tourism. Chapters included discuss such important areas as disease, environmental responsibility and host perspectives. Covering as many cultural and environmental regions as possible, this book provides: An in-depth, yet holistic view of the relationships between religious tourism and the environment; A conceptual framework that goes beyond listing potential environment impacts; A strong focus on explaining the universality of the deeper environmental issues surrounding sacredness and sacred places. From a global writing team and featuring case studies spanning Europe and Asia, this book will be of great interest to researchers and students of tourism and religious studies, as well as those studying environmental issues.
Since publication of the first edition of this book, public concern for the well-being of animals has continued to increase throughout the world. In addition, advances in research over the past decade have yielded an enormous amount of knowledge about animal mental health and wellbeing. Studies on animal stress, distress, emotions, psychological trauma, and mental disorders have brought to light insights on how to care for and treat the animal mind. The second edition is:Fully revised, expanded, and comprehensively updated with the most current knowledge about the full array of mental health issues seen in animals.Written by key opinion leaders, internationally-recognized experts and specialists.Comprehensive in its coverage, from the basic principles of mental wellness, emotional distress, suffering and mental illness, through to measurement and treatment.Packed with even more practical information, wisdom and clinical tips.This book remains invaluable to veterinary professionals, animal welfare researchers and advocates, and other animal caregivers. Part 1: Foundational Issues of Animal Mental Health and Well-being 1: Mental Health in Animals: A Veterinary Behaviorist’s View — Debra F. Horwitz 2: The Problems with Well-Being Terminology — Franklin D. McMillan, James W. Yeates 3: The Philosophical and Biological Evolution of Feelings in Well-being — Ian J.H. Duncan 4: The Relationship Between Mental and Physical Health — Melissa Bain, C. A. Tony Buffington Part 2: The Pleasant Experiences: Mental Wellness 5: Moving Beyond a Problem-based Focus on Poor Animal Welfare Towards Creating Opportunities to Have Positive Welfare Experiences — David J. Mellor, Ngaio J. Beausoleil 6: The Mental Health and Well-being Benefits of Personal Control in Animals — Franklin D. McMillan 7: Quality of Life of Animals in Veterinary Medical Practice — James W. Yeates 8: The Mental Health and Well-Being Benefits of Social Contact and Social Support in Animals — Franklin D. McMillan 9: Subjective Well-being, Happiness, and Personality in Animals — Alexander Weiss, Lauren M. Robinson 10: Fostering Mental and Behavioral Wellness During Upbringing and Throughout Life — Daniel Q. Estep, Suzanne Hetts Part 3: The Unpleasant Experiences: Distress, Suffering, and Mental Illness 11: What Is Distress? A Complex Answer to a Simple Question — Franklin D. McMillan 12: Suffering, Agency, and the Bayesian Mind — Daniel M. Weary 13: Mental Illness in Animals: Diagnostic Considerations Using Selected Mental Disorders — Karen L. Overall 14: Psychological Trauma and Posttraumatic Psychopathology in Animals — Franklin D. McMillan Part 4: Mental Health Issues in Special Populations 15: Cognitive and Emotional Disorders in the Aging Pet — Jacqueline Wilhelmy, Gary Landsberg 16: Mental Health Issues in Farm Animals: A Music Mixing Board Model of Behavioral Characteristics Using The Panksepp Emotional System — Temple Grandin 17: Mental Health Issues in the Horse — Daniel S. Mills, Claire Ricci-Bonot, Sophie S. Hall 18: Mental Health Issues in Shelter Animals — Victoria Cussen, Pamela J. Reid 19: The Mental Health of Laboratory Animals — Carine Elkhoraibi, Amy Robinson-Junker, Gina Alvino, Larry Carbone 20: Mental Health Issues in Captive Birds — Lynne M. Seibert 21: Psychological Well-Being in Zoo Animals — David Shepherdson, Kathy Carlstead 22: Mental Health Issues in Captive Cetaceans — Lori Marino Part 5: Assessment and Management of Emotional Distress and Disorders 23: Assessing Affective States in Animals — Michael Mendl, Elizabeth S. Paul 24: Treatment of Emotional Distress and Disorders – Non-Pharmacologic Methods — Pamela J. Reid 25: Treatment of Emotional Distress and Disorders – Pharmacologic Methods — Sharon Crowell-Davis
Die Frage nach der Identität von W. H., dem Shakespeare seine Sonette widmete, ist eines der klassischen Rätsel der Shakespeare-Forschung. Auch Cyril Graham, der jugendliche Held in Wildes Geschichte, verfällt dem Sog der Spekulation. Er ist überzeugt, W. H.s Identität gelüftet zu haben: Willie Hughes, ein jugendlicher Schauspieler aus Shakespeares Truppe, ist, so beweist er glaubhaft, der Adressat der Sonette. Um die letzten Zweifler zu überzeugen, begeht er eine Fälschung – doch der Betrug wird aufgedeckt ...Wildes virtuose Geschichte einer Obsession ist ein amüsantes Verwirrspiel über die enge Verflechtung von Kunst und Leben und eine gelungene Parodie der biographischen Methode in der Literaturwissenschaft – ein Muß für Wilde- und Shakespeare-Leser.
Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.
Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;