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      • Trusted Partner

        Mladinska knjiga Založba d.d.

        MLADINSKA KNJIGA PUBLISHING HOUSE When it comes to publishing in Slovenia, Mladinska knjiga is a household name. For more than 70 years we have successfully maintained the status of the largest publishing house in Slovenia with extensive fiction and nonfiction lists for all generations as well as magazines for children and teenagers. We take pride in achieving the highest standards of quality at all levels. Special attention is devoted to picture books. Renowned award-winning authors and illustrators and the highest quality content and design - these are only some of the reasons why our picture books appeal to readers and publishers all over the world. To find out more about what we have to offer, you are warmly invited to visit our website at www.mladinska.com/publishing.   CANKARJEVA ZALOŽBA PUBLISHING HOUSE Established in 1947, Cankarjeva založba is one of the largest and most prolific publishing houses in Slovenia, publishing around fifty titles a year. In September 2004 Cankarjeva založba became part of Mladinska knjiga Publishing House Group. Cankarjeva založba’s publishing programme offers works from various fields, for example, drama, poetry, children and youth literature, travel writing, language handbooks, and monographic publications, all the while putting great focus on Slovene authors.

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      • Crimson Dragon Publishing

        Crimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.

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      • EVERYTHING I WANTED (or NOT)

        EVERYTHING I WANTED (or NOT)

        by Dragana Mladenović

        Humorous and intriguing new novel – the first in the trilogy about Nina and Max. Itis happening right after the Corona crisis when a new computer virus is spreadingamong humans and the state of emergency is imposed in the whole country.Suddenly, a twelve-year-old Nina has found herself separated from the rest of herfamily in her grandmother’s house. To make things more interesting she has beenstuck in that house together with the boy from the seventh grade, Max, she has hada secret crush on.Nina: unpopular sixth grader, a Sagittarius in horoscope, adores Billie Eilish, romanticfilms and horror video games, wants to become a doctor when she grows up.Max: half the school is drooling over him, Cancer in horoscope, listens to TUPAC, likes fantasy books and action games, when he grows up he would like to be an actor.What happens when the two not so compatible teenagers find themselves in halfdilapidated house doomed to each other’s company until the quarantine is over?

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      • Everything I expected (or not)

        Everything I expected (or not)

        by Dragana Mladenović

        The sequel to Everything I wanted (or not) follows the two teenagers Nina and Max where it left off. Although the pandemic is over, new challenges are lurking behindevery corner. An exciting trilogy for the middle graders – not lacking in humour, teenage crushes, first kisses and adventure. The third title is expected in January 2022.

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      • Comics of the New Europe
        Literature & Literary Studies
        April 2020

        Comics of the New Europe

        Reflections and Intersections

        by Martha Kuhlman, José Alaniz (eds)

        A new generation of European cartoonists Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europe pays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences. Contributors: Max Bledstein (University of Winnipeg), Dragana Obradović (University of Toronto), Aleksandra Sekulić (University of Arts in Belgrade), Pavel Kořínek (Institute of Czech Literature, Czech Academy of Sciences in Prague), Martin Foret (Palacký University), Michael Scholz (Uppsala University), Sean Eedy (Carleton University), Elizabeth Nijdam (University of British Columbia), Ewa Stańczyk (University of Amsterdam), Eszter Szép (Eötvös Loránd University) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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      • Cash Kills
        Mystery
        2014

        Cash Kills

        An Angelina Bonaparte Mystery

        by Nanci Rathbun

        When her office mate, accountant Susan Neh, brings Angelina Bonaparte a client named Adriana Johnson, the PI wonders how she can help this bedraggled young woman.   Adriana’s parents, immigrants from the former Yugoslavia, were murdered only a week earlier, in a robbery at their small hardware store. Now she has discovered that, despite living like the working poor, they were actually quite wealthy––with numerous large bank accounts located around the world.  Adriana is suspicious about her newfound status and hires Angie to discover the nature of her deceased parents’ wealth.  When Angie arrives to interview with the parents’ attorney, Herman Petrovitch, he is missing, but his secretary Dragana is there––lying dead on the office floor, with her head blown off.  Homicide detective––and Angie’s own boyfriend––Ted Wukowski, cautions her against getting involved in the murder investigation.  Of course, Angie pays little heed to his warning. Angie realizes immediately that Adriana’s concerns about her parents’ money are probably well- founded and, even worse, that the young woman may be in great danger herself.   She secures the assistance of her father’s rotund attorney, Bart Matthews, who quickly arranges for protection for Angie’s young client, while Angie begins to look into Adriana’s parents’ background.  In their family home, she discovers some strange artifacts in the attic, along with what appear to be Serbian military uniforms and an ethnic wedding dress.  Her investigation soon leads her to suspect a connection between Adriana’s parents, Attorney Petrovitch, and the Bosnian War of the 1980s.  How or why are they linked? Angie doesn’t know, but she’s as determined to find out as others are determined to prevent her from doing so.  So she’d better watch her back, because someone knows about the money in those bank accounts and they don’t intend to let Adriana inherit it.

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