Agence Deborah Druba
AGENCE DEBORAH DRUBA is an international rights agency based in Paris.
View Rights PortalAGENCE DEBORAH DRUBA is an international rights agency based in Paris.
View Rights PortalNow available in paperback, this is the first academic book dedicated to the filmmaking of the three-best known Mexican-born directors, Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón. Deborah Shaw examines the career trajectories of the directors and presents a detailed analysis of their most significant films with a focus on both the texts and the production contexts in which they were made. These include studies on del Toro's Cronos/Chronos, El laberinto del fauno/Pan's Labyrinth, and Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón's Sólo con tu pareja/Love in the Time of Hysteria, Y tu mamá también, and Children of Men. The Three Amigos will be of interest to all those who study Hispanic and Spanish cinema in particular, and world and contemporary cinema in general.
London, Mayfair 1905: Die Villa der Familie de Vries ist die prachtvollste auf der Park Lane, außen weißer Marmor, innen kostbare Möbel, funkelnde Kronleuchter, Kristallschalen und edle Kunstgegenstände, Silber und Gold glänzen um die Wette. Es ist Mrs Kings ganzer Stolz, für die exzellente Haushaltsführung der noblen Residenz zu sorgen – bis sie beim Tod des Hausherrn nach Jahren treuer Dienste kurzerhand entlassen wird. Doch Mrs King denkt gar nicht daran, sich der Willkür der Erbin de Vries zu fügen. Sie will nur eins – Gerechtigkeit. Mit einer bunten Truppe von Komplizinnen plant sie den Coup ihres Lebens: In der Nacht des großen Kostümballs werden sie unter den Augen der vornehmen Gäste das Haus bis auf den letzten Silberlöffel ausräumen. Und während sich im Obergeschoss die High Society amüsiert, beginnt ein Stockwerk tiefer der kühnste Raubüberfall, den London je gesehen hat … Alex Hay erzählt in diesem Heist-Roman voller Eleganz und Esprit die Geschichte eines atemberaubenden Rachefeldzugs und einer schillernden Gruppe Frauen, die sich nehmen, was ihnen zusteht.
Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
Er hatte ihnen das Paradies auf Erden versprochen. Und sie sind ihm gefolgt – bis in den Tod. Vor dreißig Jahren geriet die US-Sekte People’s Temple in die Schlagzeilen der internationalen Presse. Ein regelrechtes Massaker hatte am 28. November 1978 in Jonestown (Guyana) stattgefunden, 913 Menschen starben, darunter 276 Kinder. Opfer eines charismatischen Führers, James Warren Jones. Was treibt Menschen dazu, sich in ein System der Unterdrückung und Manipulation zu begeben, das sie mit dem Leben bezahlen? Deborah Layton, die neun Jahre lang Mitglied der Sekte war, konnte ein halbes Jahr vor dem Massaker aus Jonestown fliehen. Zwanzig Jahre später schrieb sie diesen eindrücklichen Bericht. Ein Buch mit Wucht. Ein Buch, das auf fesselnde Weise aufklärt. Ein Buch von beängstigender Aktualität.
London, Mayfair 1905: Die Villa der Familie de Vries ist die prachtvollste auf der Park Lane, außen weißer Marmor, innen kostbare Möbel, funkelnde Kronleuchter, Kristallschalen und edle Kunstgegenstände, Silber und Gold glänzen um die Wette. Es ist Mrs Kings ganzer Stolz, für die exzellente Haushaltsführung der noblen Residenz zu sorgen – bis sie beim Tod des Hausherrn nach Jahren treuer Dienste kurzerhand entlassen wird. Doch Mrs King denkt gar nicht daran, sich der Willkür der Erbin de Vries zu fügen. Sie will nur eins – Gerechtigkeit. Mit einer bunten Truppe von Komplizinnen plant sie den Coup ihres Lebens: In der Nacht des großen Kostümballs werden sie unter den Augen der vornehmen Gäste das Haus bis auf den letzten Silberlöffel ausräumen. Und während sich im Obergeschoss die High Society amüsiert, beginnt ein Stockwerk tiefer der kühnste Raubüberfall, den London je gesehen hat … Alex Hay erzählt in diesem Heist-Roman voller Eleganz und Esprit die Geschichte eines atemberaubenden Rachefeldzugs und einer schillernden Gruppe Frauen, die sich nehmen, was ihnen zusteht.
Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
Sun Li, the protagonist of the novel, is a bestseller writer and his wife Xizi is the head of a university library. Their son Sun Yichi has been rebellious and unruly since childhood, remaining distant from his mother. Afraid of the exhaustion of his creativity, the middle-aged Sun Li begins to question the meaning of his writings. He thus suffers from serious insomnia and anxiety. Just at this time, his wife Xizi begins to have her own amorous secrets. Sun Li also finds himself unable to leave Li Qiao, director of New Evening Paper. These affairs have pushed their seemingly peaceful family life to the verge of collapse. The love calendar refers to the calendar that belongs only to Sun Li and his wife Xizi for their love. But such turbulent life experience has caused them to temporarily betray their love calendar … They eventually begin again the first year of their love calendar. Through the depiction of the love, marriage, and family life of Sun Li and Xizi, the novel becomes a retrospection of the spiritual tendency, emotional development and love pattern of the Chinese over the past 20 to 30 years. It also vividly outlines the changes of social mores in China over the past years in a figurative way. Even amorous entanglements are not devoid of elements of the officialdom, with honest and corrupt officials still on the scene. According to Wang Yuewen, this is an element of reality rather than of officialdom – “after all nobody can live in a vacuum space”.
Based on award-winning research, Love and revolution brings classical and contemporary anarchist thought into a mutually beneficial dialogue with a global cross-section of ecological, anti-capitalist, feminist and anti-racist activists - discussing real-life examples of the loving-caring relations that underpin many contemporary struggles. Such a (r)evolutionary love is discovered to be a common embodied experience among the activists contributing to this collective vision, manifested as a radical solidarity, as political direct action, as long-term processes of struggle, and as a deeply relational more-than-human ethics. This book provides an essential resource for all those interested in building a free society grounded in solidarity and care, and offers a timely contribution to contemporary movement discourse.
Mit Beiträgen von Iris M. Young (Ü.: Michaela Adelberger), Catharine A. MacKinnon (Ü.: Ursula Marianne Ernst), Carol Pateman (Ü.: Elisabeth Holzleithner), Jane Flax (Ü.: Gertrude Postl), Julia Annas (Ü.: Michaela Adelberger), Deborah L. Rhode (Ü.: Ursula Marianne Ernst), Anna Yeatman (Ü.: Elisabeth Holzleithner), Lois McNay (Ü.: Karin Wördemann), Drucilla Cornell (Ü.: Gertrude Postl), Onora O'Neill (Ü.: Ursula Hoffmann), Martha Nussbaum (Ü.: Ursula Hoffmann) und Nancy Fraser (Ü.: Ilse Utz). Gender Studies.
Deals analytically with the fascinating topic of the great film stars (and some thought-provoking lesser ones) of the British cinema, from Alma Taylor and Ivor Novello in the Silent period, up to the present day. Looks both at stars who attained worldwide fame through the Hollywood cinema, and those whose contribution is primarily to the national cinema.. First collection of essays on the subject with a wide historical coverage including major figures, such as Connery, Mason, Trevor Howard, Deborah Kerr, Mary Millington, Albert Finney and James Mason. Major figures in UK film studies have contributed, including Marcia Landy, Andrew Higson, Peter Evans, Charles Barr, Pam Cook and Andy Medhurst. ;
Milli and her friend Lotte are looking forward to a school trip to Hohenstein Castle. As Lotte has not been in Milli’s class for long, she does not yet know that Milli has diabetes. Milli explains her condition to her with sugar dragons and insulin knights. But neither of Milli’s parents has time to come on the trip with them and they don’t believe Milli can do it alone. Lotte and Milli think about how they can convince her parents, but all their attempts fail. Then Milli has the idea of inviting her godmother, who agrees to travel with them. This means that the trip is saved and Milli begins the eagerly anticipated adventure. Milli learns that she can do anything, but even knights need help sometimes. Diabetes is not only a physical impairment; it also has an effect on the everyday life and situation of the affected child. Milli’s story illustrates the problems faced by a child with diabetes and how to find a positive way to cope with the condition. For:• children of elementary school age(between 6 and 12 years) who sufferfrom diabetes mellitus• parents and relatives• therapists
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
How to use digital tools in children’smental healthcare according to the latestevidence• Expert authors examine theevidence-base• Provides hands-on exercises forselecting digital tools• Includes downloadable handoutsand formsPractitioners need to know the evidencebehind using digital mentalhealth approaches and tools, includingtelemental health visits. This accessiblebook provides that help, as the authorsguide the reader through the rationale,options, and strategies forincorporating digital tools into children’smental healthcare drawing ontheir extensive knowledge of both currentresearch and clinical practice.
This is the first study to examine the entire life cycle in the Middle Ages. Drawing on a wide range of secondary and primary material, the book explores the timing and experiences of infancy, childhood, adolescence and youth, adulthood, old age and, finally, death. It discusses attitudes towards ageing, rites of passage, age stereotypes in operation, and the means by which age was used as a form of social control, compelling individuals to work, govern, marry and pay taxes. The wide scope of the study allows contrasts and comparisons to be made across gender, social status and geographical location. It considers whether men and women experienced the ageing process in the same way, and examines the differences that can be discerned between northern and southern Europe. The fourteenth and fifteenth centuries suffered famine, warfare, plague and population collapse. This fascinating consideration of the life cycle adds a new dimension to the debate over continuity and change in a period of social and demographic upheaval.