Manilla Press is a home for novelists, journalists, memoirists, thinkers, dreamers, influencers. Our reach is international, our range broad, we publish with focus, passion and conviction, and we seek to find and publish underrepresented voices.
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Piccadilly Press publishes books primarily for readers aged 5 – 12 years old. Their books are fun, family-orientated stories that possess the ability to capture readers’ imagination and inspire them to develop a life-long love of reading.
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The son of a slave must become master of his world. Eight hundred years of history start here. On a remote Gaelic farmstead in medieval Ireland, word reaches Alberic of conquering Norman knights arriving from England. Oppressed by the social order that enslaved his Norman father, he yearns for the reckoning he believes the invaders will bring—but his world is about to burn. Captured by the Norman knight Hugo de Lacy and installed at Dublin Castle as a translator, Alberic’s confused loyalties are tested at every turn. When de Lacy marches inland, Alberic is set on a collision course with his former masters amidst rumours of a great Gaelic army rising in the west. Can Alberic navigate safely through revenge, lust and betrayal to find his place amidst the birth of a kingdom in a land of war?
Stories of brilliant women whose inventions, discoveries, and creations were credited to the men who stole them. Don’t you hate it when someone takes credit for another person’s idea? It happens a lot, and the people who lose out are often women. This book tells the stories of women whose inventions, discoveries, and creations were credited to men - women like Zelda Fitzgerald, the novelist, painter, and playwright who was more than F. Scott’s wife, and Margaret Knight, who invented the flat-bottomed paper bag but saw the patent go to a man who stole off to the Patent Office with her idea. By telling the stories of the brilliant women artists, inventors, scientists, architects, and mathematicians who were denied their due, Oh No He Didn’t! will help all women tackle obstacles and create a kinship of understanding that will inspire and transcend generations.
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When Rollie Birch returns home from the Great War in 1919 with a cluster of medals, he feels as if he’s landed in the wrong country. His wife has died, leaving behind an infant daughter born while he was overseas. His small logging town of Lumberton, Washington, has grown but still runs on gossip. Almost overnight, Rollie the hero becomes a pariah for his scandalous decision to raise his daughter by himself - a child rumored not to be his - and for refusing to talk about his wartime exploits. The past two years have changed Kay Sorensen as well. Daughter of the Lumberton timber baron, Kay spent the war working for her father, organizing patriotic and charitable efforts, and discovering her love for politics and business. But when her husband—Rollie’s former platoon commander—returns, Kay expects, correctly, that he’ll make her quit her job. She’s dreamed of marriage as an equal partnership; now, she chafes under her husband’s cold tyranny. Did the war change him? Rollie might know, and Kay steels herself to beg information from a man her husband has publicly insulted. But neither Kay nor Rollie can anticipate how secrets, lies, and horrifying revelations may destroy them. Do two lonely, passionate rebels have the moral courage to stand up to gossip, defy cultural boundaries, and dare reinvent themselves in a world forever changed?
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This book examines the links between major contemporary public sector reforms and neoliberal thinking. The key contribution of the book is to enhance our understanding of contemporary neoliberalism as it plays out in the public administration and to provide a critical analysis of generally overlooked aspects of administrative power. The book examines the quest for accountability, credibility and evidence in the public sector. It asks whether this quest may be understood in terms of neoliberal thinking and, if so, how? The book makes the argument that while current administrative reforms are informed by several distinct political rationalities, they evolve above all around a particular form of neoliberalism: constructivist neoliberalism. The book analyses the dangers of the kinds of administrative power seeking to invoke the self-steering capacities of society and administration itself.
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In the American West, as the nation heals from the Civil War that nearly destroyed it, new battle lines are being drawn. Caleb Justin, orphaned and grieving, and his comrade Joshua Hart, a tough, worldly runaway, leave their home along the Ohio River bound for Fort Leavenworth, Kansas, intent to join Sheridan’s troops in their pursuit of Indian lands. But a badly healed foot injury ends Caleb’s dream of joining up. While Joshua is assigned to George Armstrong Custer’s troops, Caleb finds himself alone and undefended on the war-ravaged prairie, picking up whatever work he can—until his capture by Indians changes everything. Joan Monnet, daughter of a wealthy railroad magnate, is traveling West when her caravan is attacked by Indians. A timely rescue saves her life but leaves her lost on the vast American prairie with Caleb. Together, they must fight their way back to the world they once knew. But in the winter of 1868, as the snow drifts, Custer is set to turn his cavalry on a Cheyenne camp along the Washita River. Joshua, Joan, and Caleb find themselves trapped in the crossfire of one of the bloodiest battles of frontier history. Will their desperate courage be enough for them to survive?
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Tammy Dietz grew up committed to her family's Mormon faith, a profoundly patriarchal hierarchy that declares men superior and women subordinate, that demands devotion, purity, and chastity. But when the dogma of the Church of Jesus Christ of Latter-Day Saints clashes with the forces of a changing world, Tammy's destiny transforms. Patriarchy provides order but also chaos in a family with a depressed mother and a hoarding father. Set in the affluent Bay Area, Tammy's coming-of-age story is one of poverty amid wealth and a desire for status, recognition, and inclusion, both inside the Church and out. But when Tammy breaks the most serious of rules, her once certain path falters, her once protective community turns intrusive, and she finds herself on an unexpected journey.
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In this book, the complexity and the significance of the foods we eat are analysed from a variety of perspectives, by sociologists, economists, geographers and anthropologists. Chapters address a number of intriguing questions: how do people make judgments about taste? How do such judgments come to be shared by groups of people?; what social and organisational processes result in foods being certified as of decent or proper quality? How has dissatisfaction with the food system been expressed? What alternatives are thought to be possible? The multi-disciplinary analysis of this book explores many different answers to such questions. The first part of the book focuses on theoretical and conceptual issues, the second part considers processes of formal and informal regulation, while the third part examines social and political responses to industrialised food production and mass consumption. Qualities of food will be of interest to researchers and students in all the social science disciplines that are concerned with food, whether marketing, sociology, cultural studies, anthropology, human nutrition or economics.
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Growing up in the rural impoverishment of post-Depression Oklahoma, and surrounded by feuding family factions, free-spirited Jacob Roland hungers for knowledge and a world beyond his reach. But dark forces are growing in Jacob, twisting with the same ruthless, relentless power of a tornado across the Oklahoma prairies. Jacob battles against these aberrant forces, but, trapped by poverty and a growing mental illness, he is thwarted at every turn. For every light - a chance at college, the love of a poised, sophisticated woman - there is a greater darkness within him. Failed by circumstance, community, and his own mental health, is there an escape for Jacob's bright, wounded spirit, or will he forever be a prisoner of a particular madness?
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In this accessible and sophisticated exploration of the nature and workings of social and political power, Haugaard examines the interrelation between domination and empowerment. Building upon the perspectives of Steven Lukes, Michel Foucault, Amy Allen, Hannah Arendt, Anthony Giddens, Pierre Bourdieu and others, he offers a clear theoretical framework, delineating power in four interrelated dimensions. The first and second dimensions of power entail two different types of social conflict. The third dimension concerns tacit knowledge, uses of truth and reification. Drawing upon genealogical theory and accounts of slavery as social death, the fourth dimension of power concerns the power to create social subjects. The book concludes with an original normative pragmatist power-based account of democracy. Offering lucid and entertaining illustrations of complex theoretical perspectives, this book is essential reading for scholars and activists.
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
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How and why did the Nazis seize power in Germany? Nearly seventy years on, the question remains heated and important discoveries continue to challenge long standing assumptions. Beginmning with an overview of the historical context within which Nazism grew, looking at the foreign relations, politics and society of Weimar and in particular at the role of the elites in the rise of Nazism. The book questions the anatomy of Nazism itself: What lent Nazi ideology its coherence and credibility? What distinguished the Nazi's programme from their competitors' and how did they project it so effectively? How was Hitler able to put together and fund an organisation so quickly and effectively that it could launch a sustained assault on Weimar? Who supported the Nazis and what were their motives? Where, precisely, does Nazism belong in the history of Europe?. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text. ;
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This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
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This work is a detailed examination of principal themes in the political history of late 18th- and early 19th-century Britain. It evaluates much recent research, links the politics of the elite with the politics of the people and seeks to explain significant developments with reference to both their long- and short-term causes. Among the issues addressed are the relative powers of crown, cabinet and parliament between 1760 and 1832; the impact on domestic politics of revolution and war abroad; the growth of radicalism and popular political activity; agitation for reform and the responses of government; the rise of party; the connections between extra-parliamentary pressure and instability; at the centre of power. ;
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