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This book is a collection of stories where are treated some topics of the contemporary reality of Cuba where fiction and reality mix to reveal a peculiar and original point of view concerning humanity existence. His author is Emerio Medina a cuban writer who won some important Literary Prizes like "Hermanos Loynaz".
Die Journalistin Medina kämpft um ihren Platz in der von überkommenen Traditionen und Diktatur gekennzeichneten Gesellschaft Somalias. Als ihre kleine Tochter nach islamisch-afrikanischem Brauch beschnitten werden soll, zieht Medina die Konsequenzen und verlässt sie ihr Zuhause. Aus der Sicht der Frauen um Medina zeichnet Farah das faszinierende Porträt einer Gesellschaft, die von tiefen kulturellen und religiösen Gegensätzen geprägt ist. Doch es ist auch eine Geschichte über Zivilcourage, Mut und dem Glauben an eine bessere Zukunft in einer Welt der Tyrannei.
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Using music as a thread that connects the past to the present, this novel explores what happens when traditional and cultural heritage clash with modernity. The characters face the impact of modernization on heritage and arts versus the need to protect and preserve their traditional culture and must choose between the pursuit of materialism versus spiritual balance. Al Qarmalawi writes about a wide range of music from Sufism to the present era of electronic musical arts, and Summer Rains addresses the current Arab youth crisis, in which young people find themselves torn between fundamentalism and modernity. (An extended English-language report on this book will be available soon.)
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If you are not ready to face your reality, if you are running away from yourself and avoid facing yourself, then this book is not for you! In this book, you will be shocked by discovering many things and facts that you thought were part of the postulates of life. Also, this book will deal with many bold and realistic matters in our Arab societies that were not discussed in detail in the past, and it will be enough to cause a bout of awareness within you.Get ready for a unique journey that will enable you to see things differently, know your true self, your psychological complexes, and how to have a decent and real life.The book addresses the following points: How are we indoctrinated intellectual legacies? And to what extent does the influence of parents in shaping our id entity and our reactions? A detailed psychological analysis of the most important psychological complexes that exist in the aspects of relationships, work, money, Authority, love, and others. A detailed explanation of the methods of deception and emotional manipulation in relationships. How do we become mature? Why are we afraid of confrontation and expressing our thoughts? How do we overcome our fears? The relationship between the psychological complexes and gender.And many other things.
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Despite its small size, it managed to take its place among the best modern literature books in recent years. From the title and cover, going through its amazing preface and eloquent language, and to the element of surprise and unexpected ending. Abdallah Al-Zioud was able to make the reading journey of this novel a meaningful journey despite its shortness; a journey introduces readers to new terms that manipulate their imaginations and puts them in the eye of the event through a visual language that conveys the reader from paper to the visual world of the novel. It teaches them some of writing tricks and simplifies what seems complicated at the beginning so that the reader believes in its ordinary before discovering that he has fallen victim to fraud.I can say that the most beautiful thing about this novel is that it was not written in a style and did not follow a context. it rebelled against the ordinary, uniquified in style, and combined simplicity and complexity in a way predicting an amazing ability and counted in its writer favor.
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The novel poses the problem of identity, as it is the essence of the psychological and intellectual conflict of the main character (Hassoun), who is disputed by two contradictory identities; He was born in the land of Yemen from a Muslim father and a Jewish mother and carried the inheritance of the two religions and their old and new conflict.Hassoun's internal journey continues with his own human crises and transformations that he witnesses along with his external journey through various societies that he went through in transitional stages of their history. Over two thousand seven hundred years, Hassoun seeks to discover himself and reach his identity by retiring at times, and by experimenting at other times, thus he goes through multiple experiences to get closer to himself.
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An uplifting tale about the power of friendship, finding your place in the world, and realising your dreams while remaining true to who you are. Tumbledown is a little demolition truck growing up in a loving family. His parents go to work every day demolishing buildings with their big wrecking balls. But soft-hearted Tumbledown doesn’t like to destroy. He’d rather build things. He dreams of being a cement mixer. When Tumbledown cries, his wrecking ball swings out and destroys everything it touches. When Tumbledown laughs, his wrecking ball swings out and destroys everything it touches. His soft heart can’t skip a beat without leaving a trail of destruction. At school other students laugh at him, but still he won’t let go of his dream. When Tumbledown makes friends with a feisty troop of metal springs, they hatch a plan to save him from himself. They fan out over his wrecking ball and every time it swings they do their best to absorb the shock. The day comes when the worn-out springs turn to the Wise Old Crane for help. Tumbledown can never be a cement mixer, but maybe there are other ways, better suited to his nature. After some search, the Wise Old Crane finds a new job for Tumbledown at a construction site using his wrecking ball to smooth out the cement on the ground. It’s hard work but Tumbledown is finally happy, and he grows stronger and more skillful with every passing day.
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»Der Ort vor dem Palast ist der Ort der Transformation, des Figurwerdens, des Tragödiewerdens, er ist der eigentliche Ort des Theaters«, sagt die Theaterwissenschaftlerin Ulrike Haß im Gespräch. Dort, inszenierend und über das Theater schreibend (Droge Faust Parsifal), hat sich der Theatermann Schleef aufgehalten. Von dort aus hat er operiert. Aber wer war Einar Schleef (1944-2001)?Die Gespräche dieses Bandes kreisen die kontroverse Ausnahmeerscheinung und das Werk dieses Künstlers ein, der Regisseur, Autor, Maler, Darsteller, Filmer und Fotograf in einer Person war. Die Herausgeberin fragt: Was machte ihn aus? Welche Entdeckungen sind in den künstlerischen Disziplinen, die er beherrschte, zu machen? Was an den Erkenntnissen, Thesen, Provokationen und Demonstrationen, die Einar Schleefs Arbeiten bereithalten, verlangt danach, vorgezeigt und diskutiert, verwandelt und weitergegeben zu werden? Wo steht das Theater heute? Wie geht es weiter?Mit der Herausgeberin gesprochen haben: Sebastian Baumgarten, Bibiana Beglau, Jakob Fedler, Michael Freitag (über den Maler), Christine Groß, Ulrike Haß, Carl Hegemann, Regine Herrmann (über den Fotografen), Jürgen Holtz, Elfriede Jelinek, Wolfram Koch, Thomas Köck, Hans-Ulrich Müller-Schwefe (über den Autor), Armin Petras, Claus Peymann, Günther Rühle, Ulrich Rasche, Hans-Jürgen Syberberg, Heiner Sylvester (über den Filmer), Rita Thiele, Susan Todd, Martin Wuttke.
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One of Egypt’s leading literary voices offers a first-hand look at political, social, cultural events of the last 40 years and how they influenced his writing. Ibrahim Abdelmeguid, called “the quintessential writer about Alexandria” by The National newspaper, looks back over his decades-long writing career this book, which what he calls a “literary autobiography.” In it, he reflects on the social, political, and cultural influences in Egypt and elsewhere that have shaped him as a writer. He shares his views on major political events, such as the 1967 defeat after the Six-Day War, and explanations of their profound impact on his personal life and works of fiction. Abdelmeguid devotes a portion of his work to discussing the development of his views on Egypt’s second president, Gamal Abdel Nasser, over the course of his turbulent tenure in office. The book is divided into a brief introduction and four chapters. Abdelmeguid guides the reader through his literary career, moving masterfully between the factual and the meditative. He explores how each of his novels and many of his short stories was conceived. He also describes cultural, political, and social contexts in which his writing evolved and was received by literary critics and casual readers. He spends considerable time describing the creative process behind his Alexandria trilogy— No One Sleeps in Alexandria, Birds of Amber, and Clouds Over Alexandria. The first book, No One Sleeps in Alexandria, is set during World War II. Abdelmeguid visited numerous key sites in Alexandria and surrounding areas and read every newspaper he could get his hands on. The result of his devotion to research is a vibrant portrayal of Alexandria that shines throughout the epic novel. Of particular note is his successful communication of the cultural and religious diversity of the city and the impact of that on the promotion of a culture of tolerance. Beyond Writing is a rare and important addition to the modern Arabic literary map. Few Arab authors are willing to so transparently share their writing process, preferring to highlight the polished final product while concealing the hard work that brought it into existence. Readers are lucky that it is a writer as prominent, thoughtful, and engaging as Abdelmeguid is willing to draw back the curtain.
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A dodo with golden feathers lives in a village in Mauritius. Every day he lays an egg containing a golden nugget. His heart also has incredible powers. When the greedy villagers discover his powers, they all want to catch him. The dodo is in danger. Old Mimine is the only one to protect him…
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The Guys of Manday ,1950s is based in the years just after independence . After Myanmar became independent from English , there were several armed conflicts in Ethnic Areas all over the world. Sein Da Myone ( Golden Dagger) was a leader of a robber gang base in Mandalay ,upper Myanmar . Nobody knows the real life of Mr Golden Dagger and he lived under the face of a gentleman . This book is related to The Guys of Rangoon 1930 as well and they have some links in stories.
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Base in Yangon. A girl met with a puppet and sharing the experience each other. A heart warm charming stories with beautiful collage illustrations.
