Somos una congregación de mujeres consagradas a Dios de la Iglesia Católica, para la evangelización con los medios de comunicación social.Sobre las huellas de Pablo, y con su mismo espíritu dedicamos todas nuestras fuerzas para VIVIR y COMUNICAR a Jesucristo en el areópago de la comunicación.
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Colmena Editores is an independent Peruvian publishing house based in Lima and founded in 2012. Since its inception, it has prioritized the publication of classic authors.
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Queen Victoria, who also bore the title of Empress of India, had a real and abiding interest in the British Empire, but other European monarchs also ruled over possessions 'beyond the seas'. This collection of original essays explores the connections between monarchy and colonialism, from the old regime empires down to the Commonwealth of today. With case studies drawn from Britain, France, the Netherlands, Germany and Italy, the chapters analyse constitutional questions about the role of the crown in overseas empires, the pomp and pageantry of the monarchy as it transferred to the colonies, and the fate of indigenous sovereigns under European colonial control. Crowns and colonies, with chapters on North America, Asia, Africa and Australasia, provides new perspectives on colonial history, the governance of empire, and the transnational history of monarchies in modern Europe.
"Practical Manual for Calligraphers and painters (Revised Edition)" by the famous painter Ma Dechun and his wife for several years to compile, is a guide book to assist the majority of calligraphers, painters and painting lovers to create art. This book is divided into two parts, which "calligraphy and painting literature thought quote" fine escape of the first praise of the past dynasties, is the compilation of the content of the topic: "ink edge miscellaneous knowledge record" the calligrapher and painter often encountered and interested in the relevant knowledge made a carding excerpt, including traditional festival taboos, title title and modest words attached, Jijin name often deputy content."Practical Manual of Calligraphers and painters (Revised Edition)" by the famous painter Ma Dechun and his wife for several years to compile, is a guide book to assist the majority of calligraphers, painters and painting lovers to create art. This book is divided into two parts, which "calligraphy and painting literature thought quote" fine escape of the first praise of the past dynasties, is the compilation of the content of the topic: "ink edge miscellaneous knowledge record" the calligrapher and painter often encountered and interested in the relevant knowledge made a carding excerpt, including traditional festival taboos, title title and modest words attached, Jijin name often deputy content.
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The book Pancake Flowers tells stories of a family in northern China over a century. The several generations of this family experienced very different lives, which reflected the ever-changing and tough situation before and after the birth of New China. In the book, author Ma Ruifang tells stories about her grandparents, parents, brothers, and sisters and incorporates the love for the country and families, and friendship into the stories of every character. The book is full of life wisdom and selfless love, which are deeply moving.
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Rethinking settler colonialism focuses on the long history of contact between indigenous peoples and the white colonial communities who settled in Australia, Aotearoa New Zealand, Canada and South Africa. It interrogates how histories of colonial settlement have been mythologised, narrated and embodied in public culture in the twentieth century (through monuments, exhibitions and images) and charts some of the vociferous challenges to such histories that have emerged over recent years. Despite a shared familiarity with cultural and political institutions, practices and policies amongst the white settler communities, the distinctiveness which marked these constituencies as variously, 'Australian', 'South African', 'Canadian' or 'New Zealander', was fundamentally contingent upon their relationship to and with the various indigenous communities they encountered. In each of these countries these communities were displaced, marginalised and sometimes subjected to attempted genocide through the colonial process. Recently these groups have renewed their claims for greater political representation and autonomy. The essays and artwork in this book insist that an understanding of the political and cultural institutions and practices which shaped settler-colonial societies in the past can provide important insights into how this legacy of unequal rights can be contested in the present. It will be of interest to those studying the effects of colonial powers on indigenous populations, and the legacies of imperial rule in postcolonial societies.
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This well-written and comprehensive book by an outstanding expert provides students of history and the general reader with reliable up-to-date information on an essential part of the history of mankind: the global impact of European colonial expansion from the late Middle Ages to the present. It deals with the discoveries, with Portuguese, Dutch and English trade systems in Asia, with the Spanish, Portuguese, Dutch, French and British Colonies in America, the American plantation economy and the trade in African slaves, with settler colonies in the southern hemisphere, with US-, Russian and Chinese continental imperialism, with western colonial rule in Asia and Africa and the several waves of decolonisation between 1775 and 1989. Twenty-four maps illustrate the narrative. A useful teaching text, it combines traditional and more recent perspectives to produce a final balance sheet of Western colonialism and its global heritage. A carefully selected bibliography encourages further reading. ;
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How can anti-colonial research methodologies be transformative and achieve knowledge justice? This book brings together an eclectic group of leading scholars from around the world to share methodological knowledge grounded in First Nations and majority-world expertise and wisdom. The authors challenge western-centric and colonial approaches to knowledge production and redefine the possibilities of what we can achieve through social research. First Nations and majority-world perspectives are contextual and unique. They share a common aim of disrupting established beliefs on research methodologies and the unquestioned norms that dictate whose knowledge the academy values. The ten chapters in this edited collection describe how the authors draw on Indigenous knowledge systems, feminist frameworks, and creative methodologies as anti-colonial research praxis. The examples span several disciplines such as development studies, geography, education, sexual and reproductive health, humanitarian studies, and social work. Authors use a reflexive approach to discuss specific factors that shape how they engage in research ethically, to lead readers through a reflection on their own practices and values. The book reimagines social research using an anti-colonial lens and concludes with a collaboratively developed and co-written set of provocations for anti-colonial research praxis that situate this important work in the context of ongoing colonial violence and institutional constraints. This book is an essential guide for researchers and scholars within and beyond the academy on how anti-colonial research praxis can produce meaningful outcomes, especially in violent and troubled times. Cover art courtesy of Tawny Chatmon
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Air policing was used in many colonial possessions, but its most effective incidence occurred in the crescent of territory from north-eastern Africa, through South-West Arabia, to North West Frontier of India. This book talks about air policing and its role in offering a cheaper means of 'pacification' in the inter-war years. It illuminates the potentialities and limitations of the new aerial technology, and makes important contributions to the history of colonial resistance and its suppression. Air policing was employed in the campaign against Mohammed bin Abdulla Hassan and his Dervish following in Somaliland in early 1920. The book discusses the relationships between air control and the survival of Royal Air Force in Iraq and between air power and indirect imperialism in the Hashemite kingdoms. It discusses Hugh Trenchard's plans to substitute air for naval or coastal forces, and assesses the extent to which barriers of climate and geography continued to limit the exercise of air power. Indigenous responses include being terrified at the mere sight of aircraft to the successful adaptation to air power, which was hardly foreseen by either the opponents or the supporters of air policing. The book examines the ethical debates which were a continuous undercurrent to the stream of argument about repressive air power methods from a political and operational perspective. It compares air policing as practised by other European powers by highlighting the Rif war in Morocco, the Druze revolt in Syria, and Italy's war of reconquest in Libya.
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This book situates the post financial crisis phenomenon of the "global land grab" within the longue duree of the capitalist world system. It does so by advancing a theoretical and historical framework, called the political ecology of colonial capitalism, that clarifies the key role played by the co-production of race and nature in provisioning the "ecological surplus" that has historically secured the emergence and reproduction of capitalist development. The key premise of this book is that the global land grab constitutes another such attempted moment of re-securing the cheap food premise through racialized frontier appropriation. The argument advanced here is that, within the neoliberal crisis conjuncture, the hegemonic resolution of capital's escalating social-ecological contradictions necessitates, through the practice of "global primitive accumulation," the racialized construction of frontiers of unused nature in emergent zones of appropriation.
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20 lessons to learn the fundamentals of Chinese medicine. This book introduces the basic concepts of Chinese medicine (Yin-Yang, five elements, zang-fu organs, qi and blood), as well as its etiology (six climatic exopathogens, five pathogens, diet and emotions) and therapies (herbal medicine, formulas and moxibustion) in the form of 20 lessons. Each lesson discusses a topic, with notes, illustrations, diagrams and cases interspersed, making Chines medicine interesting and identifiable, so even readers without any Chinese medicine background can easily understand it. This book also consists of a column called best recited classics of Chinese medicine, which are excerpted from original classics like Yellow Emperor’s Canon, and Compendium of Materia Medica so that readers can feel the deep-seated cultural deposits of Chinese medicine.
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This book is an excellent photography collection of "Mysterious Xiangxi" Top 100 Tourism Photographic Places. The book contains 100 best photographic spots in western Hunan (Fenghuang County, Jishou City, Yongshun County, Longshan County, Guzhang County, Huayuan County, Luxi County, Baojing County) selected in this event. Each photo is presented with a brief description to the content of the photo, highlighting the history, humanities, and natural beauty of western Hunan.
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Over the past 60 years, the author has made outstanding achievements in the field of acupuncture and moxibustion, and made great achievements in the study of acupoints and meridians. The General history of acupuncture and moxibustion is the fifth edition of history of acupuncture and moxibustion medicine. In addition to the history of acupuncture in China, it also includes the history of acupuncture all over the world.
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This book mainly studies the development and evolution of the structure and craftsmanship of the Phoenix Songtao style Miao women's clothing. Taking the origin and evolution of the Phoenix Songtao style Miao women's clothing as a breakthrough point, it studies the geographical environment and structural characteristics of its location, and analyzes its cultural and artistic characteristics and its development and evolution. Take the Phoenix Songtao style Miao women's clothing structure tailoring evolution as The starting point is to elaborate on the evolution of the structural design of the top, bellyband and trousers from three aspects: traditional structural tailoring, improved structural tailoring and modern industrial tailoring; taking the inheritance of Phoenix Songtao style Miao women’s clothing craftsmanship as the starting point, starting from traditional handmade The development and evolution of the production process of the coat, bellyband and trousers are discussed in three development stages: modern single-quantity single-cutting production and modern industrial production; finally, through the decoration of Phoenix Songtao style Miao women's clothing, the interaction of its decorative features and skills is analyzed. It also analyzes the current development status of Phoenix Songtao style Miao women's clothing, and proposes corresponding development strategies.
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As the Chinese saying goes, "mothers-in-law and daughters-in-law are natural enemies". However, Bean Trellis, My Mother-in-law depicts the close bond of the author as daughter-in-law with her mother-in-law for more than three decades. Wherein lies the secret? "仁" Benevolence, "义" righteousness, "礼" courtesy, "智" wisdom, and "信" faith are constant beliefs of the Chinese people, which in the author's eyes are also the most admirable qualities of her mother-in-law, who is illiterate, yet hardworking, kind, and full of the wisdom of simple life. Her kindness and generosity is just the secret to the well-being of the whole family. Aside from describing the unique in-law relationship, this book also looks at the ups and downs of a big Chinese family from the 1970s to the 2020s. With humorous and documentary storytelling, the author wrote her life stories just like chatting with neighbors under the bean trellis. It is all-encompassing, containing traditional Chinese wisdom about getting along with the world, educating children, and even cooking, which could provide new reading experiences and inspiration for all readers.
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Lines Written with the Green Pen is a poem for children written by the famous children's literature writer Mei Zihan. It is about a boy trying to write poems with his green pen. At first, he doubts whether he can write poems. Then he takes a walk and starts creating his own lines—he says hello to the sky; he wonders about the leaves, birds’ chirping, the gone clouds, the old lady and the yellow dress… He, the “little ant poet”, writes, “Those who are dreaming are awake. Hence, the night and the day meet on the pillow.” In the end, he drops down his green pen and decides to fly and be the child as he is.
