Evan-Moor Educational Publishers
Evan-Moor is an award-winning educational publisher based in the U.S. We support parents and educators with resources that develop important academic and life skills for children.
View Rights PortalEvan-Moor is an award-winning educational publisher based in the U.S. We support parents and educators with resources that develop important academic and life skills for children.
View Rights Portal‘Ärzt*in als Ganzes‘ ist ein inspirierendes Buch für Mediziner aller Altersklassen und Spezialisierungen, die den Sinn in ihrer Arbeit (wieder)finden oder verstärken wollen.
View Rights PortalVeterinarians are increasingly aware of the need to recognise they are working in a business enterprise. From operating as small practices twenty years ago, veterinary businesses are now run along sophisticated models and operate out of multi-million pound hospitals. Drawing together the latest information on practice management, this textbook provides practical and straightforward coverage of major elements, including client relationships and staff management, business and financial procedures, computer systems and project management. This book covers practice management topics as taught in veterinary schools worldwide, providing students with a textbook resource in this increasingly important subject. It is also a valuable source of information for newly qualified veterinarians, veterinarians interested in practice management and veterinary practice managers.
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
Gutsherr Allworthy findet einen Säugling und zieht den Jungen an Sohnes Statt auf. Der Findling – Tom Jones – wächst und gedeiht prächtig, in den Augen seines Ziehvaters mitunter sogar etwas zu prächtig. Als sich Tom in die Nachbarstochter verliebt, die Allworthys Neffen versprochen ist, verweist der Gutsherr Tom des Hauses. Der junge Mann macht sich auf nach London, wobei ihn seine Reise quer durchs Land und auch durch sämtliche Schichten der vorviktorianischen Gesellschaft führt. Auf Toms Suche nach sich selbst, seiner Herkunft und vor allem nach der großen Liebe erschließt sich ein wahres Panoptikum des 18. Jahrhunderts.
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!. ;
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
Schaurig schön und echt gruselig: die Abenteuer von Aveline! Der Wind pfeift durch die Ritzen und jede Diele knarzt: Avelines neues Zuhause ist ihr auf den ersten Blick gar nicht geheuer. Dass die Einwohner des stürmischen Küstenörtchens überall Vogelscheuchen aufstellen, macht es nicht besser. Einfach. Nur. Gruselig! Avelines einzige Rettung ist Mr Liebermans verwunschener Buchladen, der sofort zum Stöbern einlädt - denn sie liebt schaurige Geschichten und Bücher über alles. Aber schon bald steht die schauerlichste Nacht des Jahres bevor. Und an Halloween werden längst vergessene Legenden in Stormhaven sehr viel lebendiger, als Aveline lieb ist ... Pünktlich zu Halloween erscheint dieses schaurig-schöne Kinderbuch für alle Mädchen ab 9 Jahren, die wohlfühlige Gruselgeschichten lieben. Perfekt ist für stürmische Herbstabende: zum gemütlichen Einkuscheln, Schmökern und Gruseln! Wunderschön und stimmungsvoll illustriert von Kaja Reinki. Mit Aveline Jones geht es immer schön schauerlich weiter! Band 2 „Aveline Jones - Im Bann der Hexensteine“ erscheint im Frühjahr 2021.
Joey Evans has always loved bikes, from his first second-hand Raleigh Strika at the age of six to the powerful off-road machines that became his passion later on in his life. His dream was one day to ride the most gruelling off-road race in the world, the 9000km Dakar Rally. In 2007 his dream was shattered when he broke his back in a racing accident. His spinal cord was crushed, leaving him paralysed from just below his chest. Doctors gave him a 10 per cent chance of ever walking again. Many would have given up and become resigned to life in a wheelchair, but not Joey Evans. Not only would he get back on his feet and walk, but he would also keep his Dakar dream alive. It was a long and painful road to recovery, involving years of intensive rehabilitation and training, but he had the love and support of both family and friends and an incredible amount of determination. Joey shares the many challenges he and his family faced, relating the setbacks, as well as successes, along the way to the Dakar start line. But the start line was only the first goal – his sights were set on reaching the finish line, which he did in 2017 – the only South African to do so. From Para to Dakar is so much more than the story of one man reaching the Dakar finish line. It is a story of friendship and respect, compassion and kindness. It is about defying the odds to reach a dream, it is about grit, endurance and raw courage, and it is inspiring in its true heroism.
In the first book detailing the social and economic history of Ireland during the Second World War, Bryce Evans reveals the real story of the Irish emergency. Revealing just how precarious the Irish state's economic position was at the time, the book examines the consequences of Winston Churchill's economic war against neutral Ireland. It explores how the Irish government coped with the crisis and how ordinary Irish people reacted to emergency state control of the domestic marketplace. A hidden history of black markets, smugglers, rogues and rebels emerges, providing a fascinating slice of real life in Ireland during a crucial period in world history. As the first comparison of economic and social conditions in Ireland with those of the other European neutral states - Spain, Sweden, Switzerland and Portugal - the book will make essential reading for the informed general reader, students and academics alike. ;
Soothing words and fascinating illustrations of Amelina Jones touches readers of all ages. One Human Community introduces the concept of community and explores our differences and similarities as individuals. The story makes us reconsider our relationship with each other as a community, ourselves, and our planet.
Bei dem hier vorliegenden Band handelt es sich um eine von Eva Gillies gekürzte und eingeleitete Ausgabe des zuerst 1937 erschienenen großen Werkes »Witchcraft, Oracles and Magic among the Azande«, das den seither unbestrittenen Ruf des bedeutenden englischen Sozialanthropologen E.E. Evans-Pritchard (1902-1973) begründet hat. Diese Monographie gehört zu den umfangreichen Publikationen Evans-Pritchards, die eine Frucht der intensiven ethnologischen Felduntersuchungen darstellen, die er in den zwanziger und dreißiger Jahren im damals Anglo-Ägyptischen Sudan unternommen hat und in deren Verlauf er neben den Zande u. a. auch die Gesellschaften der Nuer, der Anuak und der Luo studiert hat. Evans-Pritchards Arbeit weist die innere Logik des Glaubens an Hexerei und Magie auf, eines Glaubens, der in der Vorstellungswelt und der gesellschaftlichen Wirklichkeit vieler afrikanischer Gesellschaften einen festen Platz hat. »Hexerei, Orakel und Magie bei den Zande« ist bahnbrechend für den Versuch geworden, fremde Denksysteme auf ihre eigene Logik hin zu untersuchen und ihre Grundvoraussetzungen explizit zu machen. Seit den fünfziger Jahren beeinflußt Evans-Pritchards Werk neben Ethnologen zunehmend auch Philosophen, Soziologen und Theologen. In ihrem Vorwort umreißt Eva Gillies die heutige Bedeutung des Buchs von Evans-Pritchard und beschreibt die soziale und politische Organisation der Zande um 1930, um dem Leser die Einordnung in den historischen Kontext zu ermöglichen.
A bicentennial celebration of brilliant thinkers from The University of Manchester's history. The year 2024 marks two centuries since the establishment of The University of Manchester in its earliest form. The first of England's civic universities, Manchester has been home and host to a huge number of influential thinkers and generated world-changing ideas. This book presents a rich account of the remarkable contribution that people associated with The University of Manchester have made to human knowledge. A who's who of Manchester greats, it presents fascinating snapshots of pioneering artists, scholars and scientists, from the poet and activist Eva Gore-Booth to the economist Arthur Lewis, the computer scientist Alan Turing and the physicist Brian Cox.
Land and labour provides the first full-length history of the Potters' Emigration Society, the controversial trade union scheme designed to solve the problems of surplus labour by changing workers into farmers on land acquired in frontier Wisconsin. The book is based on intensive research into British and American newspapers, passenger lists, census, manuscript, and genealogical sources. After tracing the scheme's industrial origins and founding in the Potteries, it examines the migration and settlement process, expansion to other trades and areas, and finally the circumstances that led to its demise in 1851. Despite the Society's failure, the history offers unique insight into working-class dreams of landed independence in the American West and into the complex and contingent character of nineteenth-century emigration.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.