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Carrot Ltd
Our original card sets are a way for any parent to play and interact with their child in a way that stimulates learning, improving cognitive skills and, perhaps more importantly, create a positive parent-child relationship. With the Carrot Cards both the parent and the child are engaged in an activity and they explore, learn, try, and experience together. We create every card set with a goal to make it as useful as possible, combining pedagogy and psychology, as well as aesthetics, creative writing and original concepts. Thus, allowing every child who opens a box of Carrot cards to experience a whole new learning experience. We have thousands of parents using the cards all over the world, sharing the excitement of learning and being curious together with their children. While striving to give more and more parents the opportunity to support their children’s development, we have also been recognized as a trustworthy partner for almost any kind of professionals working with children. From pre-school teachers to therapists, hundreds of experts use our cards in classrooms, offices, at presentations or as home assignments daily. Our contribution to early childhood development and our role as a supporter for parents were recognized in 2018 when we were selected as “Champions of Change” by the Reach for Change Foundation – Bulgaria, and we have been a part of the Reach for Change Global Network ever since.
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Promoted Content
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Promoted ContentThe ArtsFebruary 2007
Mathieu Kassovitz
by Will Higbee, Diana Holmes, Robert Ingram
Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience. He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films - whether directed by or acted in, or both - show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003). Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema. ;
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Trusted PartnerApril 1996
Die Chroniken des Kantors
Roman
by Alvaro Cunqueiro, Elke Wehr
Eine äußerst lebhafte Gesellschaft ist es, die den Kantor und Bombardinspieler Charles Anne Guenolé Mathieu de Crozon in ihrer Kutsche zu einer Beerdigung abholt. Merkwürdig nur, daß sie dann die frische Leiche als ihresgleichen begrüßen. Hurtig geht es über die Wege einer von Revolutionsliedern widerhallenden Bretagne, worin das Licht der Aufklärung alle Gespenster der alten Welt mitsamt ihren schönsten Reizen und Rätseln zum - seinerseits nicht unangefochtenen - Teufel schicken möchte. Der Kantor aber und seine fröhliche Horde genußsüchtiger Toter besichtigen nicht ohne Wehmut ihre Welt in Ruinen.
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Trusted PartnerThe ArtsJanuary 2019
Reframing difference
Beur and banlieue filmmaking in France
by Carrie Tarr
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.
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Trusted PartnerThe ArtsJuly 2005
Reframing difference
by Carrie Tarr
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society. ;
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Trusted PartnerThe ArtsJanuary 2019
Patrice Leconte
by Lisa Downing
Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial. Pursuing a close reading of the recurrent themes, styles, intertexts and techniques which structure Leconte's filmmaking, Downing re-evaluates Leconte's status as an enigmatic artist offering complex and paradoxical commentary on contemporary questions of sexuality, ethics and identity. This book is the first full-length critical work in English on Leconte's cinema. It provides essential reading for both enthusiasts of French cinema and for those fascinated by the relationship between popular culture and theory.
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Trusted PartnerBotany & plant sciencesMarch 2016
Biocontrol of Major Grapevine Diseases
Leading Research
by Edited by Stéphane Compant, Florence Mathieu
Biocontrol of major grapevine diseases provides a timely research update on the use of biological control agents and plant resistance inducers against phytopathogenic infections of the grapevine by fungi, oomycetes, bacteria and phytoplasma.Taking a holistic approach, this book presents in detail the ecology, mechanisms and the application methods of these agents. Its 19 chapters, authored by international experts, cover diseases such as grey mould, trunk diseases, powdery and downy mildews, as well as phytoplasma diseases, and, by nature, emphasise applications of biocontrol in organic viticulture and as part of integrated pest management systems.
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Trusted PartnerHumanities & Social SciencesDecember 2017
European social democracy during the global economic crisis
by David J. Bailey, Jean-Michel de Waele, Fabien Escalona, Mathieu Vieira
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Trusted PartnerPolitical partiesDecember 2014
European social democracy during the global economic crisis
by Edited by David J. Bailey, Jean-Michel de Waele, Fabien Escalona and Mathieu Vieira
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