Between the Lines
Livres Canada Books
View Rights PortalLindbak + Lindbak is a fresh new Nordic publishing house adding an innovative twist to popular genres like crime, romance & children's books.
View Rights PortalA poet's quest to understand the deep past and uncertain future of his homeland. After inheriting his great-grandfather's Davy lamp, poet Jake Morris-Campbell sets out on a pilgrimage across his homeland. Travelling from the Holy Island of Lindisfarne to Durham Cathedral, he asks what new ways might be made through the old north. This region, a hub of early Christian Britain and later strongly defined by industry and class, now faces an uncertain future. But it remains a unique and starkly beautiful part of the country, with a deep history that is intimately entwined with the idea of Englishness. Jake's journey along the 'Camino of the North' sees him explore the shifting nature of individual and regional identity across thirteen-hundred years of social change. At the same time, it challenges him to reconsider his own trade of writer and how it relates to the lives of the people he meets along the way. Between the salt and the ash asks what stories the North East can tell about itself in the wake of Christianity and coal. Rejecting the damaging trope of 'left behind' communities, Jake uncovers neglected seams of culture and history, while offering a heartfelt celebration of the place he calls hyem.
Während der Sommerferien auf dem Landgut der Eltern seines Schulfreundes wird der dreizehnjährige Leo zum Überbringer heimlicher Liebesbotschaften zwischen Ted, dem Pächter und Marian, der schönen Tochter des Schloßherrn, deren Verlobung mit Lord Trimingham kurz bevorsteht. Doch gegen seinen Willen zieht es Leo immer tiefer in den Strudel des gefährlichen Spiels von Verlangen und Verrat, von versprochener und verbotener Liebe und schließlich steht er vor der ersten großen Gewissensentscheidung seines jungen Lebens. The Go-Between ist ein raffiniert konstruierter Roman über die Strapazen des Erwachsenwerdens und die Gefühlsverwirrungen der Jugend, eine fein beobachtete Gesellschaftsanalyse und eine wunderbare Liebesgeschichte.
Lines Written with the Green Pen is a poem for children written by the famous children's literature writer Mei Zihan. It is about a boy trying to write poems with his green pen. At first, he doubts whether he can write poems. Then he takes a walk and starts creating his own lines—he says hello to the sky; he wonders about the leaves, birds’ chirping, the gone clouds, the old lady and the yellow dress… He, the “little ant poet”, writes, “Those who are dreaming are awake. Hence, the night and the day meet on the pillow.” In the end, he drops down his green pen and decides to fly and be the child as he is.
Ghassan, a musician and Oud player, leaves for New York, fleeing the Lebanese civil war after his extremist bother, Afif, murdered his older and pacifist brother Jamal, who sought to open the door to Muslim-Christian dialogue. In New York, Ghassan struggles to erase all his memories but his thoughts would always bring him back to his hometown, Dar El Ezz, as it was long before the war. ///Soon, he falls in love with and marries Kristin, becomes more emotionally stable, and embraces American culture. But when he must return to Lebanon for his father’s funeral, nostalgia for his homeland and a series of events force Ghassan to face a convergence of two cultures. ///“Efrah Ya Qalbi” (Rejoice, My Heart!) is a novel about love, music, identity, one’s sense of belonging, brotherly conflicts, and the diaspora. It dives into the lives, troubles, and dilemmas of the characters. ///The stories intertwine amid a fascinating narrative, thus revealing the turmoil and troubles of the Lebanese community torn by wars and outbursts. The novel also addresses the relationship between the East and the West, where struggling and cracked identities are silenced and offers a new vision through analysis and narration.
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
— Astute analysis of the relationship between politics and the natural sciences — Danger of undermining democratic processes Today, political decision-making processes are closely intertwined with processes of scientific knowledge generation. The natural sciences play a central role in politics. This became particularly clear during the corona pandemic and in the regular press conferences in which politicians largely narrowed their course to scientific findings. The consequence of this maxim is that the rationalisation of politics is accompanied by a politicisation of science. Science is exploited, and sometimes allows itself to be exploited. In his equally brilliant and sharp analysis, Klaus Ferdinand Gärditz explains the consequences of this development for the democratic process in particular.
Far more than a straightforward autobiography, celebrated Moroccan writer and former minister of culture Bensalem Himmich diffuses life with literary and intellectual dimensions. Himmich opens his book with a discussion on autobiographical writing, followed by chapters on the author’s early life, starting with his childhood in Meknes. In Paris, he completes a doctorate degree and there marries a Greek woman, Paneyota. The heroic figures of his “rebellious youth” are Marx and Sartre, and the challenges of these and other radical thinkers, in both Arabic and European languages, find their way into his doctoral thesis, Ideological Patterns in Islam: Ijtihad and History (in Arabic, 1990). Subsequent chapters move into the domain of creation, with four categories reflecting the author’s literary, intellectual, linguistic, and cultural interests. Starting with an epigraph of Italo Calvino, the “literary” chapter focuses on the novel, its history, and its complexities. The chapter on the “intellectual” dimension turns on the author’s lifelong interest in the two pillars of philosophy and history. For Himmich, philosophical thought is “the creative and innovative force through which truths and meanings are sought.” The two-part “linguistic” chapter opens with a discussion of identity as “a constantly developing entity”. In the second part he expresses disapproval of the worldwide prevalence of “Anglo-American English” and the weakening effects that a lack of language authority has on the sense of national identity. The “cultural” chapter includes Himmich’s observations from his career, including the poor state of public education and a decline in reading in Morocco. He also considers his time as the Moroccan Minister of Culture and the inevitable complexities of the political system within which he had to operate. The penultimate chapter entitled “My Polemics” offers four of his own polemical stands: on fundamentalist trends—specifically Islam and “Islamism”; on the prevalence in Moroccan publications of the Latin alphabet; and specific issues with the well-known littérateurs Adonis and Youssef Ziedan. The work closes with the author’s reflection on the emergence of a new and negative kind of cultural “hegemony”, the awareness of which he attributes with gratitude to Edward Said and the latter’s interpretation of the work of Franz Fanon.
The essential message of the 'two regimes' model is that the social politics of fatherhood have taken on a global significance and that the USA and Sweden represent two ends of an international continuum of ways of thinking about fatherhood. The key selling points of the two regimes model are its topicality, originality, its global appeal, and its particularised appeal to readers in the USA, the Nordic countries, Great Britain, Ireland, the European Union, Japan and China. The book offers students a comparative analytical framework and new insights into why some welfare states have 'father-friendly' social policies and others do not. The book makes an original contribution to the growing fields of welfare regime and gender studies by linking the epochal decline of patriarchal fatherhood to welfare state expansion over the course of the twentieth century and it raises new questions about the legitimacy of religiously inspired neo-patriarchy.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
Iymon Asiri and Hukmnoma by Rauf Parfi is an insightful work exploring the themes of faith and judgment. The book examines the intricate relationship between belief and justice, offering a profound analysis of moral and ethical dilemmas through the lens of religious and philosophical thought.