Ana Bilic
Ana Bilic is a literary author, screenwriter and
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Educational: Geography2021Eco-alphabet
by Anastasia Alyoshicheva
How to explain to a child that garbage pollutes the world's oceans? How to tell a child that plastic products should be abandoned for a long time? How to instill in a daughter or son love and a sense of responsibility for the planet Earth and bring up a conscious, happy, sincere generation of change? You have the answers to these questions in your hands. It is easy and interesting to save the world with "Eco-Alphabet". So let's not delay: let's make the planet beautiful!
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September 2017Für immer zuckerfrei
Schlank, gesund und glücklich ohne das süße Gift
by Zampounidis, Anastasia
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April 2014Die Bindung der Bürger an die Grundrechte.
Ein Rechtsvergleich zwischen Deutschland und Russland.
by Berger, Anastasia
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March 2017PaperShape DIY Wohndesign aus Papier
30 Modelle zum Dekorieren und Verschenken
by Baron, Anastasia
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FictionJune 2023There is a Land Beyond Perekop
by Anastasia Levkova
Crimea. It was here that the main character of the novel spent her childhood, youth and met first love. It was here that she realized that she is Ukrainian. Neither grandfather, lieutenant colonel of the KGB, nor Russian blood in his veins stood in the way of her self-identification. The novel intertwines Crimean Tatar culture, Ukrainian history and family skeletons in closets like an ornament. Together with the main character and her friends, Aliye who is a Crimean Tatar, and Alyona who is a Ukrainian, the reader travels a long way from their childhood to the present — the occupation of the peninsula by Russia. «There is a land beyond Perekop» is an ode to Crimea. Not to its natural beauty and uniqueness, but to people. This is an attempt to open the mainland for Crimea, and Crimea for the mainland. After all, there is land both there and there. It should be known and stitched.
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Fantasy & magical realism (Children's/YA)2021Kotyhoroshka. The Tangled Tales
by Valentyna Vzdulska, Oksana Luschevska
Modern authors often return to fairy tales to rethink them and create new texts that are the same tales, but in a new interpretation. Kotygoroshko comprises eight intricate fairy tales by Ukrainian female authors of children's books. Anastasia Lavrenishyna tells an alternative story of Kolobok, Halyna Tkachuk introduces readers to Olenka the Serpent, and Oksana Lushchevska tells the story of Marie, a wise girl with a high IQ. In her tale, Alina Stefan travels to the planet 581g to meet with Kira the Lame Duck, and Mia Marchenko takes her readers to Kiev Podil, where Mykyta the Tanner and Princess Anna save the city. Valentina Vzdulska will tell you the new story of Sirko and the Wolf, and Sasha Kochubey will introduce to you the new character of Kotygoroshko. Finally, there is Anya Khromova's parable about the heart in an iron chest.
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April 2019Das russische Berlin
by Karl Schlögel
Fast eine halbe Million russischer Flüchtlinge nahm Berlin Anfang der 1920er Jahre auf. Die Stadt war in der Zwischenkriegszeit nicht nur die »Stiefmutter der russischen Städte«, sondern auch heimliches Zentrum der Weltrevolution. Hier trafen die totalitären Bewegungen aufeinander, die das Schicksal Europas im »Zeitalter der Extreme« besiegelten. Karl Schlögel spürt die große Geschichte in der kleinen auf, er folgt den dramatis personae und rekonstruiert die Netzwerke, in denen sie sich bewegen. Die Welt der Bahnhöfe und die der Salons im Tiergartenviertel, die Dichter des Silbernen Zeitalters und die Agitkünstler der Sowjetmacht, der Empfang in der sowjetischen Botschaft und Nabokovs Beobachtungen zum Aufstieg der Nazis, die Stadtwahrnehmung der Taxifahrer und der Skandal um die »Zarentochter Anastasia«. In seiner Darstellung spielen Kursbücher und Adressverzeichnisse eine Rolle, Cafés und Cabarets, das Zeremoniell der Diplomatie und die Praktiken des Untergrundkampfes, die polyglotte Welt der Komintern-Funktionäre und die Karten der Geopolitiker. Das Russische Berlin ist kein romantischer Ort, sondern Schauplatz einer Epoche, die Nachkrieg und Vorkrieg in einem war. Seit der Entfremdung zwischen Russland und der Europäischen Union ist auch das hochvernetzte »Russkij Berlin« der Gegenwart politisch gespalten. Der doppelte Blick auf das einstige und heutige russische Berlin erweist sich als unerwartet aktuell und produktiv.
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Humanities & Social SciencesJune 2019Critical theory and epistemology
by Anastasia Marinopoulou, Darrow Schecter
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![Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the "Narbut Anthology", destroyed in 1933]](https://cdn-production.frankfurtrights.com/Content/Upload/BookJackets/Thumbnails/19049830ff3.jpg "Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the \"Narbut Anthology\", destroyed in 1933]")
Diaries, letters & journals2020Narbut. Studies. Memoirs. Letters [A Supplemented Reproduction of the "Narbut Anthology", destroyed in 1933]
by Bohdan Zavitii (compiler)
This story behind this biographical memoir of a great artist begins before Narbut’s death. The best-known experts were invited to participate and contribute articles, which they spent many years preparing. But the Soviet censors “trimmed” the texts to their liking. When it was finally published in 1933, nearly all the authors had been repressed or executed. The anthology went under the knife at the printing press. It was a shame, too, because the paper was beautiful, specially allotted by the state printing press, as was the print. Only two incomplete copies remain, both in private collections. Serhii Bilokin first proposed the idea of the Narbut Anthology to Rodovid Press ten years ago, and now it is finally came to fruition with the support of the Ukrainian Cultural Foundation. This is thanks to Bohdan Zavitii, Anastasia Bilousova, and entire project team including designers Sasha Bychenko, Oleksii Salnykov, and Alina Bielova. The Institute of Art History, Folklore, and Ethnology, the National Art Museum of Ukraine, the Kharkiv Art Museum, and others assisted with the illustrations and texts. Heorhii Narbut was a decisive figure in twentieth-century Ukrainian art, yet the Communist taboos of the Soviet period ensured he remained unknown to a broader audience. This unique project fleshes out a significant aspect of art history and puts certain things back where they belong. Content and introduction: Serhii Bilokin Editors: Anastasiia Bilousova and Bohdan Zavitii Design: Sasha Bychenko and Numo Team
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Children's & YAJanuary 2020A Spark That Became a Star
by Serhiy Loskot (Author), Anastasia Shygaeva (Illustrator)
In the small house of a large family there was a furnace. And in the furnace lived a spark. Although she was tiny, she had a big dream. Once, on Christmas Eve, the furnace and the fire argued over which one of them was the most important between the two. All the sparks and coals intervened in the conversation. Until our little spark took a deep breath and... Do you know what happens to dreams during the magic night of Christmas? Serhiy Loskot will tell you in this beautiful story! From 3 to 6 years, 335 words Rightsholders: hanna.bulhakova@ranok-school.com
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Children's & YAJanuary 2020Let's Make Friends
by Anastasia Merenkova (Author), Kateryna Razin’kova (Illustrator)
This is the story of a little wolf. One day, the wolf's mother gave two candies to the little cub, one for him and one for a new friend, that he had yet to find. But he did not understand why he needed to find friends to share candies with. After all, he did not like to share, and he loved sweets very much! In the end, no one wants to be friends with a selfish animal, so how can our wolf cub even find one? Maybe he has to learn that happiness does not only mean candies? From 3 to 5 years, 606 words. Rightsholders: hanna.bulhakova@ranok-school.com
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Philosophy: epistemology & theory of knowledgeJune 2017Critical theory and epistemology
The politics of modern thought and science
by Anastasia Marinopoulou. Series edited by Darrow Schecter
This volume in the Critical Theory and Contemporary Society series explores the arguments between critical theory and epistemology in the twentieth and twenty-first centuries. Focusing on the first and second generations of critical theorists and Luhmann's systems theory, the book examines how each approaches epistemology. It opens by looking at twentieth-century epistemology, particularly the concept of lifeworld (Lebenswelt). It then moves on to discuss structuralism, poststructuralism, critical realism, the epistemological problematics of Foucault's writings and the dialectics of systems theory. This unique work takes a comparative look at structuralism and post-structuralism's epistemological theory with special reference to scientific reason. It also investigates Luhmann's works in epistemology. The aim is to explore whether the focal point for epistemology and the sciences remain that social and political interests actually form a concrete point of concern for the sciences as well.
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Art forms2022T. Shevchenko. Life in art
by Dmytro Stus, Tetyana Chuiko, Anastasia Morozova, Yulia Shilenko
Of course, the fate of the artist was formed in a certain way because he realized his vocation - to be a poet. On the other hand, he lived his life as a professional artist. After graduating from the St. Petersburg Academy of Arts, T. Shevchenko worked as an artist in the Temporary Commission for the consideration of ancient acts (Kyiv Archaeographic Commission), applied for the position of drawing teacher at the University of St. Volodymyr in Kyiv. And when his plans were broken by arrest, then in exile, despite the strict imperial ban on writing and drawing, the artist was able to work in his specialty, although not officially. Shevchenko devoted the last years of his life to the development of etching, having received the title of academician in engraving. The publication consists of two parts. The first is devoted to the works of the artist, made in graphic techniques, as well as sepia and watercolor. Given the fact that there are few oil paintings in the artist's works, we singled them out in the second part, trying to break stereotypes about their perception. Each section of the first part is devoted to a separate genre, which was addressed by T. Shevchenko. The largest of the sections are divided into thematic headings, which allows you to see the works of the artist from a new, perhaps unexpected, angle. In turn, the commentary to each work contains a brief history of creation (places, circumstances, relationships, etc.) and artistic characteristics that reveal the performing skills of the author. In addition, an important addition is the part of the commentary "Interesting" and quotes from the novels, Diary, correspondence of the artist, memoirs of his contemporaries. You can start your acquaintance with the publication from any section or even heading. Traveling through Shevchenko's paintings on separate routes you will have a complete rich journey through the original world of the artist.
