Ana Bilic
Ana Bilic is a literary author, screenwriter and
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September 1979Spectaculum 31
Fünf moderne Theaterstücke
by Herbert Achternbusch, Dario Fo, Barrie Keeffe, Bodo Kirchhoff, Heiner Müller, Wolfgang Storch
Herbert Achternbusch: EllaDie Lebensgeschichte einer Frau namens Ella als Geschichte einer Gefangenschaft - in der Familie, im Gefängnis, in der psychiatrischen Klinik. Die Geschichte von der systematischen Vernichtung eines Menschen durch die Gesellschaft.Dario Fo: Zufälliger Tod eines AnarchistenIn Mailand war 1969 der Anarchist Pino Pinelli aus einem Fenster im 4. Stock des Mailänder Polizeipräsidiums ›gestürzt‹. Die behördenoffizielle Version der Todesursache lautete auf Selbstmord. Eine Untersuchung der tatsächlichen Vorgänge kam erst nach der Uraufführung von Fos Stück im Jahre 1970 in Gang, einer volkstümlichen Groteske, die sich der gesammelten Widersprüche der polizeiamtlichen Erklärungen bediente, um die allgemeinen Zweifel an der Selbstmordversion zu artikulieren.Barrie Keeffe: Gimme shelterEine Trilogie über die Zwänge zur Anpassung junger Leute an Verhältnisse, die nicht die ihren sind, mit denen sie nicht fertig werden können. Junge Verwaltungsangestellte versuchen vergeblich, sich den Konkurrenzspannungen und kümmerlichen Berufsperspektiven zu entziehen. - Ein Schüler droht, Lehrer, Lehrerin und Direktor in die Luft zu sprengen, weil sie ihn durch ein mieses Zeugnis zum Versager ohne Berufsaussichten gestempelt haben. - Jungmanager versuchen, mit revolutionärem Geschwätz einen jungen Gärtner zum Widerstand gegen das System zu ermuntern, dem sie sich selbst total ergeben haben.Bodo Kirchhoff: Das Kind oder Die Vernichtung von NeuseelandDas Eigenheim als geschlossene Anstalt. Ein zurückgebliebenes Kind, das nur einen Ausweg hat: sich im Garten ein Loch zu graben, durch die Erde, bis nach Neuseeland. Eine Mutter, die ihren Sohn systematisch von allem fernhält. Ein Vater, der an die Begabung seines Sohnes glaubt und einen Therapeuten engagiert, der aus dem Fluchtloch eine Baustelle machen soll, um dem Tun des Kindes einen Sinn zu geben.Heiner Müller: Germania Tod in Berlin2000 Jahre deutsche Geschichte. Die Tradition von Spaltung und Demütigung, von Opportunismus und besinnungsloser Selbstzerstörung. Eine groteske Revue der deutschen Misere, ein Angriff auf die deutschen Werte und Mythologien, ein wüstes Panorama deutscher Übermenschen und Untertanen. Auch ein Stück über die deutsche Arbeiterbewegung und ihre Niederlagen.
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The ArtsJune 2025Toronto New Wave cinema and the anarchist-apocalypse
by David Christopher
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism's progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
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Humanities & Social SciencesApril 2020Anarchism, 1914–18
Internationalism, anti-militarism and war
by Ruth Kinna, Matthew S. Adams
Anarchism 1914-18 is the first systematic analysis of anarchist responses to the First World War. It examines the interventionist debate between Peter Kropotkin and Errico Malatesta which split the anarchist movement in 1914 and provides a historical and conceptual analysis of debates conducted in European and American movements about class, nationalism, internationalism, militarism, pacifism and cultural resistance. Contributions discuss the justness of war, non-violence and pacifism, anti-colonialism, pro-feminist perspectives on war and the potency of myths about the war and revolution for the reframing of radical politics in the 1920s and beyond. Divisions about the war and the experience of being caught on the wrong side of the Bolshevik Revolution encouraged anarchists to reaffirm their deeply-held rejection of vanguard socialism and develop new strategies that drew on a plethora of anti-war activities.
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Tschechows Stücke
Übersetzt und bearbeitet von Thomas Brasch. Mit einem Nachwort von Henning Rischbieter
by Anton Tschechow, Thomas Brasch
Inhalt: Platonow oder Der Anarchist als Liebhaber. Iwanow. Die Möve. Onkel Wanja. Die drei Schwestern. Der Kirschgarten.
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August 2018Naturphilosophie
by Paul Feyerabend, Helmut Heit, Helmut Heit, Eric Oberheim, Eric Oberheim
Paul Feyerabend, Philosoph, Physiker und Anarchist, war einer der unkonventionellsten Wissenschaftler seiner Zeit. Im vorliegenden ersten Teil seiner auf drei Bände angelegten, unvollendet gebliebenen Naturphilosophie erschließt Feyerabend in gewohnt polemischer und äußerst belesener Weise die Vorgeschichte der modernen Wissenschaft von Homer bis Parmenides. »Die Fortschrittlichkeit des Steinzeitmenschen wird so recht deutlich, wenn man seine Ideen mit denen späterer Philosophen und Wissenschaftler vergleicht.«
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December 2008Die Dämonen
Roman
by Fjodor Michailowitsch Dostojewski, Hermann Röhl
Die Dämonen – das sind Stawrogin, ein von Machtgier und Zerstörungslust Besessener, der ein Leben voller Ausschweifungen und Grausamkeiten führt, und der Anarchist Stepanowitsch, der selbst vor Mord und Terror nicht zurückschreckt. Sie versetzen eine ganze Gesellschaft in Angst und Schrecken. Die Dämonen ist Dostojewskis machtvollster Roman. Es ist eine spannende Beschreibung der russischen Gesellschaft am Vorabend der Revolution und eine beeindruckende Parabel menschlicher Psyche.
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August 2004Dialoge zwischen Unsterblichen, Lebendigen und Toten
by Hans Magnus Enzensberger
Der berühmte Philosoph Zhuangzi streitet sich mit einem Mann, der seit 500 Jahren tot ist. Diderot empfängt einen aufdringlichen Reporter aus dem 20. Jahrhundert zum Interview. Ein gealterter Anarchist erklärt einem enttäuschten Jünger, woran die Revolution gescheitert ist. Weimarer Zeitgenossen Goethes fallen in einer Fernseh-Talkshow über den Olympier her und merken nicht, wie sie sich dabei blamieren. Der gezielte Anachronismus dient Enzensberger als Falle, in die er den Zeitgeist zu locken sucht.Enzensberger greift mit diesen Dialogen die Form der antiken Götter- und Totengespräche wieder auf und bringt damit ein menschliches Organ auf die Bühne zurück, das im Regietheater der Gegenwart in Vergessenheit geraten ist: das Gehirn. Spielend nehmen es die Tragikomödien der Intelligenz mit denen der Körper auf. Wer am Ende recht hat, ist keineswegs ausgemacht. Es wird bis zur letzten Runde gekämpft, zum Beispiel in einem malaiischen Militärcamp, wo ein betrügerischer Banker mit einem gestrandeten Exterroristen hadert. Ihr Streit kulminiert in einem musikalischen Duett, bei dem sich zeigt, daß der Jargon des Brokers und die Parolen des Extremismus ebenso schrill wie nahtlos ineinander übergehen.
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AnarchismJune 2012Changing anarchism
Anarchist theory and practice in a global age
by Edited by Jonathan Purkis and James Bowen
The massive protests against globalisation in recent years have re-awoken interest in anarchism. Changing anarchism, finally available in paperback, sets out to reposition anarchist theory and practice by documenting contemporary anarchist practice and providing a viable analytical framework for understanding it. The contributions here, from both academics and activists, raise challenging and sometimes provocative questions about the complex nature of power and resistance to it. The areas covered include: sexuality and identity; psychological dependency on technology; libertarian education; religion and spirituality; protest tactics; mental health and artistic expression; and the ongoing 'metaphorical wars' against drugs and terror. This collection epitomises the rich diversity that exists within contemporary anarchism as well as demonstrating its ongoing relevance as a sociological tool.
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Humanities & Social SciencesJuly 2018Changing anarchism
Anarchist theory and practice in a global age
by Jonathan Purkis, James Bowen
The massive protests against globalisation in recent years have re-awoken interest in anarchism. Changing anarchism sets out to reposition anarchist theory and practice by documenting contemporary anarchist practice and providing a viable analytical framework for understanding it. The contributions here, from both academics and activists, raise challenging and sometimes provocative questions about the complex nature of power and resistance to it. The areas covered include: sexuality and identity; psychological dependency on technology; libertarian education; religion and spirituality; protest tactics; mental health and artistic expression; and the ongoing 'metaphorical wars' against drugs and terror. This collection epitomises the rich diversity that exists within contemporary anarchism as well as demonstrating its ongoing relevance as a sociological tool.
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Humanities & Social SciencesNovember 2016Anarchy in Athens
An ethnography of militancy, emotions and violence
by Nicholas Apoifis, Uri Gordon
The battles between Athenian anarchists and the Greek state have received a high degree of media attention recently. But away from the intensity of street protests militants implement anarchist practices whose outcomes are far less visible. They feed the hungry and poor, protect migrants from fascist beatings and try to carve out an autonomous political, social and cultural space. Activists within the movement share politics centred on hostility to the capitalist state and all forms of domination, hierarchy and discrimination. Based on extensive ethnographic fieldwork among Athenian anarchists and anti-authoritarians, Anarchy in Athens unravels the internal complexities within this milieu and provides a better understanding of the forces that give the space its shape.
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Humanities & Social SciencesFebruary 2023No masters but God
Portraits of anarcho-Judaism
by Hayyim Rothman
The forgotten legacy of religious Jewish anarchism, and the adventures and ideas of its key figures, finally comes to light in this book. Set in the decades surrounding both world wars, No masters but God identifies a loosely connected group of rabbis and traditionalist thinkers who explicitly appealed to anarchist ideas in articulating the meaning of the Torah, traditional practice, Jewish life and the mission of modern Jewry. Full of archival discoveries and first translations from Yiddish and Hebrew, it explores anarcho-Judaism in its variety through the works of Yaakov Meir Zalkind, Yitshak Nahman Steinberg, Yehudah Leyb Don-Yahiya, Avraham Yehudah Heyn, Natan Hofshi, Shmuel Alexandrov, Yehudah Ashlag and Aaron Shmuel Tamaret. With this ground-breaking account, Hayyim Rothman traces a complicated story about the modern entanglement of religion and anarchism, pacifism and Zionism, prophetic anti-authoritarianism and mystical antinomianism.
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Humanities & Social SciencesNovember 2024Anarchism and eugenics
An unlikely convergence, 1890-1940
by Richard Cleminson
At the heart of this book is what would appear to be a striking and fundamental paradox: the espousal of a 'scientific' doctrine that sought to eliminate 'dysgenics' and champion the 'fit' as a means of 'race' survival by a political and social movement that ostensibly believed in the destruction of the state and the removal of all hierarchical relationships. What explains this reception of eugenics by anarchism? How was eugenics mobilised by anarchists as part of their struggle against capitalism and the state? What were the consequences of this overlap for both anarchism and eugenics as transnational movements?
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Humanities & Social SciencesMarch 2012Unstable universalities
Poststructuralism and radical politics
by Saul Newman, Simon Tormey, Jon Simons, Chantal Hamil
Unstable universalities, available for the first time in paperback, examines the theme of universality and its place in radical political theory. Saul Newman argues that both Marxist politics of class struggle and the postmodern politics of difference have reached their historical and political limits, and that what is needed is a new approach to universality, a new way of thinking about collective politics. By exploring various themes and ideas within poststructuralist and post-Marxist theory, the book develops a new and original approach to universality - one that has important implications for politics today, particularly on questions of power, subjectivity, ethics and democracy. In so doing, it engages in debates with thinkers such as Laclau, Zizek, Badiou and Rancière over the future of radical politics. It also applies important theoretical insights to contemporary events such as the emergence of the anti-globalisation movement, the 'war on terrorism', the rise of anti-immigrant racism, and the nihilistic violence which lurks at the margins of the political. ;
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Veterinary medicineMarch 2013Animal Machines
by Ruth Harrison, Marian Stamp-Dawkins
Ruth Harrison's Animal Machines now a unique historical classic, had a profound impact on public opinion and the quality of life of farmed animals when it was published in 1964. * Reprinted in its entirety, gives an accurate, and sometimes shocking, account of intensive farming in the 1960's, still current in large parts of the world today. * Harrison's work greatly increased public awareness of animal welfare and led to legal reforms, shaping our closer understanding of farm conditions today. * Provides a fascinating insight into the system we continue to live with as the global population increases. * Includes foreword by Rachel Carson and new chapters by international experts in animal welfare including Marion Stamp Dawkins, discussing the book's significant legacy and impact today.
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Film theory & criticismFilm and the Anarchist Imagination
Expanded Second Edition
by Richard Porton
Hailed since its initial release, Film and the Anarchist Imagination offers the authoritative account of films featuring anarchist characters and motifs. Richard Porton delves into the many ways filmmakers have portrayed anarchism’s long traditions of labor agitation and revolutionary struggle. While acknowledging cinema’s predilection for ludicrous anarchist stereotypes, he focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. Porton ranges from the silent era to the classics Zéro de Conduite and Love and Anarchy to contemporary films like The Nothing Factory while engaging the works of Jean Vigo, Jean-Luc Godard, Lina Wertmüller, Yvonne Rainer, Ken Loach, and others. For this updated second edition, Porton reflects on several new topics, including the negative portrayals of anarchism over the past twenty years and the contemporary embrace of post-anarchism.
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Colonialism & imperialismBlack Flag Boricuas
Anarchism, Antiauthoritarianism, and the Left in Puerto Rico, 1897-1921
by Kirwin R. Shaffer
This pathbreaking study examines the radical Left in Puerto Rico from the final years of Spanish colonial rule into the 1920s. Positioning Puerto Rico within the context of a regional anarchist network that stretched from Puerto Rico and Cuba to Tampa, Florida, and New York City, Kirwin R. Shaffer illustrates how anarchists linked their struggle to the broader international anarchist struggles against religion, governments, and industrial capitalism. Their groups, plays, fiction, speeches, and press accounts--as well as the newspapers that they published--were central in helping to develop an anarchist vision for Puerto Ricans at a time when the island was a political no-man's-land, neither an official U.S. colony or state nor an independent country.
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FictionThe Blind Guitar
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by Mehrzad Jobbehdar
Absurdism is a philosophical school that states that man’s attempt to find meaning ultimately fails. That is because the net amount of information and the very wide range of unknowns make certainty impossible; and yet some nihilists believe that despite such a fact, one must accept absurdity but also continue to search to find some meaning. As a philosophy, nihilism examines the fundamental nature of absurdity and how people should react after encountering “absurdity”. Absurdism holds that human endeavors to find intrinsic meaning ultimately fail, hence they are absurd since there is no meaning in terms of existence, at least concerning the individual. It is the absurdity that human beings struggle with, and many people commit suicide or euthanasia to give meaning to their lives because they think it is the only way out. The play The Blind Guitar depicts many people meeting on Poplar Street. While the atmosphere of the play contrasts Absurdism with optimism, there are strawberries as a symbol in the text of the play and by picking them from a tree in a nursing home, it tells the people who have hit the wall, and “So there is still hope that they see strawberries as a remedy for their sufferings.” Sufferings that are intertwined with the tragedy of life. In Absurd Theater, words are repeated over and over again, and the writers of this writing style try to portray the useless and machine-like relationship of people in a dramatic way and constantly emphasize these absurd themes. The book The Blind Guitar is a play in Absurdism style and tells the story of a blind man named Victor who plays musical menos on Poplar Street. In this play, everyone in turn bears problems and sufferings, sufferings that have afflicted the human body and its roots, and on the other hand, one wants to pursue a hope that has come out of the context of life. With all his disabilities, Victor wants to be friends with others. He is a dignified and noble human being who is rarely found in any society. In the play, The Blind Guitar, Victor, after years of blindness and abundant suffering, is still eager to reach his beloved and the power and greatness of his love have been preserved. A love that is not perceptible to everyone and they do not understand its meaning. Finally, in the game of life, one goes, one dies, one wanders, one lives but does not want to, one is born, one falls in love, one loses his love, one waits . . . The themes in the play The Blind Guitar include: escaping from a mental asylum, beheading in the middle of the city, seabirds committing suicide, discovering cancer medicine, lions dying in cages, waiting for newspaper news, and death. In the play, The Blind Guitar the author challenges wealth and poverty, in which rich people do not have an enriched and honest nature with all their possessions, and cultivate jealousy and depravity in them, and it raises a question in people’s minds as to why society’s only concern has become money. So what about human values? In a part of the book The Blind Guitar, we read: Henry: What’s this? Victor: Strawberries . . . Henry: What should I do with it? Ernest: This is a medicine for creating hope . . . Henry: I’ve nothing to do with hope. Victor: If you eat this, from now on you’ll become friends with hope, my friend . . . Henry closed his eyes quietly and put another strawberry in his mouth. Victor: How was it? Henry: I may not be well, I’m sick, but I’m still alive and I want to live. Ernest: What sound do you hear now? Henry: That the seagull didn’t kill itself . . . it killed life. Where do you find so many life berries?
