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Claire Roberts Global Literary Management LLC
We provide every client with detailed editing and marketing advice, and we match our clients with the best publishers in the US and Canada as well as around the world. Authors have many opportunities for publication beyond North America and due to our experience at the forefront of international literary markets, we are uniquely positioned to manage a writer's career globally, from print to television and film rights, to translated editions, audio and e-book editions. With nearly three decades of experience in publishing, Claire Roberts knows the industry from both the publisher side and the agency side of the business, and has negotiated many major contracts for authors. She has held executive positions at Penguin Random House, HarperCollins, Houghton Mifflin Harcourt and worked most recently at a major literary agency, Trident Media Group. At Trident she was Vice-President and Managing Director of the Foreign Rights department and developed her own client list. Claire Roberts has handled the international literary careers of many authors, including winners of the Pulitzer Prize and the Booker Prize. Among the many authors she has worked with are Marilynne Robinson, Esi Edugyan, Justin Cronin, Michael Ondaatje, Marlon James, Jokha Alharthi, Elizabeth George, former Google chairman Eric Schmidt, Ayana Mathis, Jon Krakauer, Paul Harding, and W. Bruce Cameron.
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Promoted Content
The ArtsJune 2021Claire Denis
by Martine Beugnet
Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date.
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Children's & YANovember 2019Claire Malone Changes the World
by Nadia L. King / Alisa Knatko
Swedish schoolgirl, Greta Thunberg has captured the world’s attention as she campaigns to raise awareness of climate change and calls world leaders to account. All children can follow Greta’s lead. Claire Malone is the hero of Claire Malone Changes the World, a feisty character with boundless energy to change her world for the better. Armed with her typewriter and the determination to make a difference, Claire is an ordinary kid with an extraordinary desire to change things for the better. Writing letter after letter, Claire advocates for change. One day she notices that her local park needs upgrading and she commits wholeheartedly to the cause. This an empowering and inspiring picture book for young children but especially for girls. You will love the journey of Claire, a strong and ambitious girl, so much that you will want to read this book over and over again.
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Biography & True StoriesJune 2010Alison Uttley: Spinner of Tales
The authorised biography of the creator of Little Grey Rabbit
by Denis Judd
Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship? Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination. With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times. ;
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Politics & governmentNovember 2006The European Union and the regulation of media markets
None
by Alison Harcourt
National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.
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Literature & Literary StudiesMay 2009Illegitimate Power
Bastards in Renaissance Drama
by Alison Findlay
In Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. ;
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Literature & Literary StudiesOctober 2009Dante and the Victorians
by Alison Milbank
In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. ;
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The ArtsMarch 2005French cinema in the 1970s
The echoes of May
by Alison Smith
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;
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The ArtsJanuary 2019French cinema in the 1970s
The echoes of May
by Alison Smith
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
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January 2003»Ich sehne mich sehr nach Deinen blauen Briefen«
Briefwechsel
by Rainer Maria Rilke, Claire Goll, Barbara Glauert-Hesse, Barbara Wiedemann, Barbara Glauert-Hesse
Schön, wenn einmal so ein Herz über einem aufgeht, gar nicht erst in seinem ersten Viertel, gleich wie der ganze Mond in seiner vollkommensten Nacht ...«, schrieb Rilke später über seine erste Begegnung mit Claire Goll.Claires und Rilkes Korrespondenz beginnt 1918 und zeigt trotz ihrer Verhaltenheit, daß den 43jährigen und die 28jährige bald eine innige Freundschaft und mehr verbindet. Sie tauschen sich über ihre Werke aus, spenden einander Trost und schreiben sich mit leidenschaftlicher Sehnsucht. Der vorliegende Band enthält außerdem sieben französischsprachige Gedichte, die Rilke als kleines handgebundenes Buch an Claire gesandt hatte, sowie das lange unveröffentlicht gebliebene und verschollen geglaubte Manuskript Gefühle. Verse von Claire Studer, das sich im Archiv des Insel Verlages, Leipzig, wiederfand.
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Literature & Literary StudiesMarch 2021Love's Victory
Lady Mary Wroth
by Alison Findlay, Philip Sidney, Michael Brennan
Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.
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January 1989Geschichte eines Gartens
Vom 16. Jahrhundert bis zur Gegenwart. Aus dem Englischen von Matthias Müller. Mit Zeichnungen von Alison Claire Darke
by George Ordish, Alison Claire Darke, Matthias Müller
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Children's & YAJanuary 2022Der kleine Esel Liebernicht und ein Sommer voller Abenteuer
by Martin Baltscheit
Little Donkey No-Never-Ever: A Summer Full of Adventures The small, stubborn donkey No-Never-Ever is the reference point of every story. With his likeable way of stubbornly refusing to do some things, he repeatedly gets the animal family on the farm and the owner Claire into trouble. At the same time, he has a delightful twinkle in his eye that Claire finds hard to resist... As a result, he causes all sorts of commotion, thrilling little readers and even leaving adult readers smiling. About cohesion, friendship, small happiness and the really big questions! Narrated humorously by multi-talent Martin Baltscheit, congenially illustrated by Claudia Weikert A farm full of lovable characters who form a family Great ‘Story Time’ fun for the whole family, supporting the ‘Growing up” age and difficulties with board books about everyday life challenges "Everything has to change!" the farm’s animals think and have lots of ideas about how to get the new farmer Claire to redesign the farm according to their wishes. “Better not,” thinks the Little Donkey No-Never-Ever, who likes life as it is. But before he knows it, he's in the middle of a plan for a ‘paradise’ on the farm. With the flash of his eyes, he can convince Claire of any task, no matter how absurd, that urgently needs to be done. So the cow gets a massage, the chicken coop a new coat of paint and the pig wallow becomes a pool. Until poor Claire collapses from exhaustion and the animals are forced to conclude contritely: a summer full of adventures? - Yes! But a paradise without Claire? - Better not! So now the animals pitch in and make sure that the farm becomes a paradise for everyone.
