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      • M. Moleiro Editor, S.A.

        M. Moleiro is the most prestigious company in the world specialized in the reproduction of codices, maps and works of art usually made on parchment between the 8th and 16th centuries in the form of illuminated books.   The techniques employed in reproducing the codices, combined with the wisdom and skilled craftsmanship of our trade, enable us to remain very faithful to the original. Bound in leather tanned using the methods of years past and reproduced on special, hand-made paper; our codices reproduce all the nuances of the paintings, parchment, gold and silver leaf etc. A M. Moleiro codex is, therefore, more than a facsimile book, it is an exact replica, a “First, unique and unrepeatable edition”.   To date we have created exact replicas of bibliographic gems belonging to the Metropolitan Museum of Art (New York), Bibliothèque nationale de France, The British Library, National Library of Russia, Arquivo Nacional da Torre do Tombo, The Morgan Library & Museum...   Our editions are unique and unrepeatable and limited to 987 copies individually numbered and accompanied by a notary’s statement confirming their exclusive nature. Each “First, unique and unrepeatable edition” is protected by a leather case and accompanied by a commentary volume written by experts in medieval history, the history of art, codicology and other pertinent areas enabling the illuminated manuscripts to be fully understood.   YouTube: https://www.youtube.com/user/moleiroeditor Press (select the different languages of the web): https://www.moleiro.com/es/prensa.htm

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      • Trusted Partner
        February 2012

        Elizabeth auf Rügen

        Roman

        by Elizabeth Arnim, Angelika Beck

        In diesem berühmten Reiseroman veröffentlichte Elizabeth von Arnim ihre hinreißenden Erlebnisse und bezaubernden Naturbeobachtungen auf der Insel Rügen. Mit ihrem unvergleichlichen Erzähltalent entwirft sie ein prächtiges Bild der »Perle der Ostsee« und lädt zu einer kurzweiligen Wanderung über die Insel ein. Stationen der Reise sind: Von Stralsund geht es über Miltzow und Lauterbach nach Göhren und Thiessow, von dort über Sellin nach Binz. Wir erkunden die Wälder um Granitz, das Jagdschloß und den Schwarzen See. Dann geht es weiter über Binz nach Stubbenkammer, Glowe und Wiek. Ein Abstecher nach Hiddensee beschließt die elftägige Wanderung.

      • Trusted Partner
        February 2012

        Elizabeth auf Rügen

        Roman

        by Elizabeth von Arnim, Angelika Beck

        In diesem berühmten Reiseroman veröffentlichte Elizabeth von Arnim ihre hinreißenden Erlebnisse und bezaubernden Naturbeobachtungen auf der Insel Rügen. Mit ihrem unvergleichlichen Erzähltalent entwirft sie ein prächtiges Bild der »Perle der Ostsee« und lädt zu einer kurzweiligen Wanderung über die Insel ein. Stationen der Reise sind: Von Stralsund geht es über Miltzow und Lauterbach nach Göhren und Thiessow, von dort über Sellin nach Binz. Wir erkunden die Wälder um Granitz, das Jagdschloß und den Schwarzen See. Dann geht es weiter über Binz nach Stubbenkammer, Glowe und Wiek. Ein Abstecher nach Hiddensee beschließt die elftägige Wanderung.

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        October 2010

        Hannah Arendt / Gershom Scholem Der Briefwechsel

        1939-1964

        by Gershom Scholem, Hannah Arendt, Marie Luise Knott, David Heredia

        »Juden sterben in Europa und man verscharrt sie wie Hunde.« So schließt der Brief, in dem Hannah Arendt im Oktober 1940 Gershom Scholem mitteilt, daß sich Walter Benjamin auf der Flucht vor den Nazis das Leben genommen hat. In Zeiten größter Bedrohung beginnt eine Korrespondenz, die getragen ist vom Engagement für das Werk des gemeinsamen Freundes und in der von New York und Jerusalem aus immer die Welt des europäischen Judentums im Blick bleiben wird. Im Auftrag der Jewish Cultural Reconstruction, deren Ziel die Rettung der von den Nazis geraubten jüdischen Kulturgüter ist, reisen Hannah Arendt wie auch Gershom Scholem in den frühen Nachkriegsjahren erstmals wieder nach Deutschland. Dieses weitgehend unbekannte Kapitel in beider Geschichte wird über die Briefe hinaus durch bislang unveröffentlichte Berichte Hannah Arendts von ihrer Deutschlandreise 1949/50 dokumentiert. 1963 erscheint Hannah Arendts Buch Eichmann in Jerusalem. Ihre darin geäußerte Kritik an jüdischen Repräsentanten während der Zeit der Shoah wird von Gershom Scholem in einer auch öffentlich ausgetragenen Kontroverse radikal verworfen: Der über mehr als zwei Jahrzehnte aufrechterhaltene Dialog in Briefen endet im Schweigen. Der erstmals publizierte Briefwechsel von Hannah Arendt und Gershom Scholem ist ein einzigartiges zeithistorisches Dokument: eine Auseinandersetzung über entscheidende Fragen jüdischer Geschichte und jüdisches Selbstverständnis nach der Shoah, geführt von zwei der bedeutendsten Denker deutsch-jüdischer Herkunft im 20. Jahrhundert.

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        March 2024

        Elizabeth und ihr Garten

        by Elizabeth von Arnim, Constanze Guhr, Adelheid Dormagen

        Ein preußischer Ehemann, nur der Grimmige genannt, eine beste Freundin, deren wochenlanger Aufenthalt die Freundesbande strapaziert, und eine naseweise Besucherin aus dem zivilisierten England. Sie alle bevölkern Elizabeths Garten, ihren liebsten Ort, ihre Oase der Ruhe. Meisterhaft erzählt Elizabeth von Arnim davon, wie sie den verwilderten Garten ihres preußischen Landguts in ein Paradies verwandelt und wie sie – trotz unerwünschter Eindringlinge und störender Nebendarsteller – dem wundersamen Zauber, den der Geruch feuchter Erde und die blühende Stille um sie herum verbreiten, immer wieder erliegt.

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        Humanities & Social Sciences
        March 2017

        The Arctic in the British imagination 1818–1914

        by Andrew Thompson, John M. MacKenzie, Rob David

        The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.

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        Biography & True Stories
        February 2025

        Unburied

        The true story of Hannah Beswick, the Manchester Mummy

        by Hannah Priest

        The macabre tale of an eighteenth-century woman immortalised in folklore as the 'Manchester Mummy'. In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill. This is the first time the true story of Hannah Beswick, the so-called 'Manchester Mummy', has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling - Hannah's fear of being buried alive - to the downright bizarre - the legend of her buried gold - but the truth is more complex. Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums.

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        Humanities & Social Sciences
        March 1977

        The Leibniz-Clarke Correspondence

        With extracts from Newton's 'Principia' and 'Optiks'

        by Robert Gavin Alexander

        n 1715 Leibniz wrote to his friend the Princess of Wales to warn her of the dangers Newton's philosophy posed for natural religion. Seizing this chance of initiating an exchange between the two greatest minds in Europe, the princess showed his letter to the eminent Newtonian scientist and natural theologian, Samuel Clarke. From his reply developed an exchange of papers which was published in 1717. The correspondence was immediately seen as a crucial discussion of the significance of the new science, and it became one of the most widely read philosophical works of its time.In this edition, an introduction outlines the historical background, and there is a valuable survey of the subsequent discussions of the problem of space and time in the philosophy of science. Significant references to the controversy in Leibniz's other correspondence have also been collected, and the relevant passages from Newton's Principia and Opticks are appended. In 1715 Leibniz wrote to his friend the Princess of Wales to warn her of the dangers Newton's philosophy posed for natural religion. Seizing this chance of initiating an exchange between two of the greatest minds in Europe, the princess showed his letter to the eminent Newtonian scientist and natural theologian, Samuel Clarke. From his reply developed an exchange of papers which was published in 1717. The correspondence was immediately seen as a crucial discussion of the significance of the new science, and it became one of the most widely read philosophical works of its time. Kant developed his theory of space and time from the problems at issue, and the post-Newtonian physics of the twentieth century has brought a revival of interest in Leibniz's objections: some of the problems are still not finally resolved. In this edition an introduction outlines the historical background, and there is a valuable survey of the subsequent discussions of the problem of space and time in the philosophy of science. Significant references to the controversy in Leibniz's other correspondence have also been collected, and the relevant passages from Newton's "Principia" and "Opticks" are appended. ;

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        Humanities & Social Sciences
        May 2025

        Statelessness after Arendt

        European refugees in China and the Pacific during the Second World War

        by Kolleen Guy, Jay Winter

        This book is a study of statelessness in the period of the Second World War. It breaks new ground by focusing not on Europe, but on the Asian and Pacific theatres of the conflict. This perspective enables us to go beyond Hannah Arendt's classic account of statelessness in her Origins of Totalitarianism. To her, statelessness was the product of a failed European nation-state system. We find a very different story when we examine the history of stateless people, many of them Jews, fleeing to Asia from Europe. In Asia, we see that being stateless was not a uniform experience, but a variety of possibilities reflecting the political structure of the states and cities in which refugees found shelter. We find too that stateless people managed to enter the political realm long before they reached the threshold of citizenship.

      • Trusted Partner
        December 2001

        Die Formen des Religiösen in der Gegenwart

        by Charles Taylor, Karin Wördemann, Charles Taylor

        Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.

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        Humanities & Social Sciences
        February 2001

        Women, scholarship and criticism c.1790–1900

        Gender and knowledge

        by Joan Bellamy, Anne Laurence, Gill Perry, Susan Williams

        Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;

      • Trusted Partner
        The Arts
        November 2018

        Art as worldmaking

        Critical essays on realism and naturalism

        by Malcolm Baker, Andrew Hemingway, Andrew Hemingway, Briony Fer, Joshua Shannon, Adrian Rifkin, Malcolm Baker, Martina Droth, Caroline Arscott, Anne Wagner, Martin Powers, Neil McWilliam, Celeste Brusati, T.J. Clark, Rebecca Zurier, Steve Edwards, Tamar Garb, Lisa Tickner, Alistair Rider, Thomas Crow, Gail Day

        Art as worldmaking is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts's recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism's historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art's truth value or more broadly with conceptual problems of representation and the intersections of art and politics.

      • Trusted Partner
        October 2000

        Hannah Arendt Revisited: »Eichmann in Jerusalem« und die Folgen

        by Gary Smith, Elke Hentschel, Reinhard Kaiser, Hans Günter Holl, Vincent Wroblewsky, Bernd Samland

        Die Kontroverse um Hannah Arendts »Bericht von der Banalität des Bösen«, der 1963 die Diskussion um die Verantwortung des einzelnen während der Nazidiktatur zum Sieden brachte, ist in ihrer Schärfe ohne Beispiel - und sie ist, wie u.a. die sogenannte Goldhagen-Debatte zeigt, nicht weniger aktuell als damals. Indem die Autoren dieses Bandes die Ursachen dieser Kontroverse von verschiedenen Positionen aus nachzeichnen, geben sie zugleich ein intellektuelles Porträt einer der bedeutendsten Denkerinnen des 20. Jahrhunderts.

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        Biography & True Stories
        May 2025

        Mrs Dalloway

        Biography of a novel

        by Mark Hussey

        A compelling biography of one of the most celebrated novels in the English language. The fourth and best-known of Virginia Woolf's novels, Mrs Dalloway is a modernist masterpiece that has remained popular since its publication in 1925. Its dual narratives follow a day in the life of wealthy housewife Clarissa Dalloway and shell-shocked war veteran Septimus Warren Smith, capturing their inner worlds with a vividness that has rarely been equalled. Mrs Dalloway: Biography of a novel offers new readers a lively introduction to this enduring classic, while providing Woolf lovers with a wealth of information about the novel's writing, publication and reception. It follows Woolf's process from the first stirrings in her diary through her struggles to create what was quickly recognised as a major advance in prose fiction. It then traces the novel's remarkable legacy to the present day. Woolf wrote in her diary that she wanted her novel 'to give life & death, sanity & insanity. to criticise the social system, & to show it at work, at its most intense.' Mrs Dalloway: Biography of a novel reveals how she achieved this ambition, creating a book that will be read by generations to come.

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        The Arts
        December 2007

        J. M. W. Turner

        The making of a modern artist

        by Sam Smiles, Alan Rutter

        Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;

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