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      • Guangdong Petrel Electronic & Audio-Visual Publishing House

        Founded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc.                                                                               PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social，science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges.                                                                                                             Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.

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      • Rights Expert

        Rights Expert Literary and Licensing Agency is representing in Romania, directly or through other agents, more than 45 publishing houses and imprints (mainly from UK and USA). Part of the publishers represented in Romania agreed to give us the international representation for other CEE territories: Poland, Czech Republic, Slovakia, Hungary, Croatia, Slovenia, Serbia, Bulgaria. Rights Expert Literary and Licensing Agency is having a portfolio of creative, independent and flexible publishers from domains like: Children and Young Adult books (non-fiction): activity books, color and stickers books. Children and Young Adult books (fiction): picture books (trendy in all the markets); story books; novels; comic magazines and books. Adult non-fiction: Self-help, Health, Body, Mind & Spirit etc. Adult fiction

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      • Trusted Partner
        Olive, Wein und Feige
        June 1992

        Olive, Wein und Feige

        Kulturhistorische Skizzen

        by Victor Hehn, Klaus von See, Gabriele Seidel-Leimbach

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      • Trusted Partner
        In einem Netz aus Lotosblumen
        August 1998

        In einem Netz aus Lotosblumen

        Roman

        by See, Lisa / Englisch Reppert-Bismarck, Leonie von

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      • Trusted Partner
        Das Ende König Ludwigs II
        August 2001

        Das Ende König Ludwigs II

        by Philipp Fürst zu Eulenburg-Hertefeld, Klaus von See

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      • Trusted Partner
        Werke in zeitlicher Folge. Frankfurter Ausgabe in zwölf Bänden
        November 1984

        Werke in zeitlicher Folge. Frankfurter Ausgabe in zwölf Bänden

        Vierter Band: 1886. Der Sohn der Magd I–IV. Die Kameraden (mit Variationen aus ›Marodeure‹)

        by August Strindberg, Jörg Scherzer, Angelika Gundlach, Horst Brandl, Jörg Scherzer, Hans-Joachim Maass, Lars Dahlbäck, Olof Lagercrantz, Klaus See

        Angelika Gundlach, geboren 1950 in Hamburg, lebte als freie Übersetzerin in Frankfurt am Main. Sie übertrug Texte aus dem Schwedischen, Dänischen, Norwegischen, Französischen und Englischen ins Deutsche. Gundlach starb am 18. August 2019 in Seligenstadt. *10.03.1911 geboren in Stockholm. 1930 Wehrdienst bei einem Infanterieregiment nach dem Besuch des privaten Sofie-Almqvist-Gymnasiums. Erkrankt schwer an einer Lungenentzündung. 1931 Studium der Geschichte und Philosophie in Stockholm, das er aber Studium auf Grund einer lebensbedrohenden Schwindsucht unterbrechen muß. Mehrere Sanatoriumsaufenthalte und lange Erholungsreisen durch Südeuropa folgen. 1934 Rückkehr nach Schweden. Seine erste Rezension und erste Gedichte wurden bereits 1933 in Schweden publiziert. Es folgen weitere Aufsätze, literaturwissenschaftliche Abhandlungen, Tagebuchblätter; Anthologien, Reiseberichte, Essays, Übersetzungen und Verse, etc. 1940-1951 Rezensent bei "Svenska Dagbladet". 1942-1950 Rezensent bei "Bonniers Litterära Magasin". 1944-1945 Redaktion "Samtid och Framtid". 1945-1947 Redaktion "Vintergatan". 1951 Habilitationsschrift. 1951-1960 Leitung der Kulturredaktion von "Dagens Nyheter". 1956 Auszeichnung mit dem Bellmann-Preis. 1960-1975 Chefredakteur von "Dagens Nyheter". Die Zahl seiner Publikationen bricht mit dem Ende dieser Tätigkeit nicht ab. 1964 Auszeichnung mit dem Literaturpreis des Nordischen Rates. 1970 erhielt er eine Einladung für einen längeren Aufenthalt in der Volksrepublik China, über den er in seiner Zeitung berichtete. 23.07.02 stirbt im Alter von 91 Jahren in Drottningholm (Schweden).

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      • Trusted Partner
        Werke in zeitlicher Folge. Frankfurter Ausgabe
        1984

        Werke in zeitlicher Folge. Frankfurter Ausgabe

        1886

        by Horst Brandl, Jörg Scherzer, Hans J Maas, Jörg Scherzer, August Strindberg, Angelika Gundlach, Lars Dahlbäck, Olof Lagercrantz, Klaus von See

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      • Trusted Partner
        Werke in zeitlicher Folge. Frankfurter Ausgabe
        1984

        Werke in zeitlicher Folge. Frankfurter Ausgabe

        1887-1888

        by Wolfgang Butt, Alken Bruns, Wolfgang Butt, Angelika Gundlach, Hans J Maas, Verena Reichel, August Strindberg, Angelika Gundlach, Lars Dahlbäck, Olof Lagercrantz, Klaus von See

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      • Trusted Partner
        Werke in zeitlicher Folge. Frankfurter Ausgabe
        1992

        Werke in zeitlicher Folge. Frankfurter Ausgabe

        1898-1900

        by Wolfgang Pasche, Alken Bruns, Angelika Gundlach, Hans J Maass, Wolfgang Pasche, Jörg Scherzer, August Strindberg, Angelika Gundlach, Lars Dahlbäck, Olof Lagercrantz, Klaus von See

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      • Trusted Partner
        Sensory Tourism
        November 2024

        Sensory Tourism

        Senses and SenseScapes Encompassing Tourism Destinations

        by Ian Jenkins, Robert S. Bristow, Hilary Becker, Émilie Crossley, Sara Duerte, Carlos Ferreira, Carla Fraga, Elisa Alén González, Rubén C. Lois-González, Hairul Nizam Ismail, Sofie Scheen Jahnsen, Gunnar Thór Jóhannesson, Claudette John, Margaret Kenna, Jaciel Gustavo Kunz, Katrín Anna Lund, Sharanya M, Chandru M C, Velvet Nelson, Nur Haizum Abd Rahman, Breixo Martins Rodal, Carlos Alberto Patiño Romarís, Lucia Rubio, Bidisha Sarkar, Deborah Slater, Patricia A. Stokowski, Philip Stone, Tim Taylor, Kathryn Terzano, Trinidad Domínguez Vila, Dr Pola Q. Wang, Aristeidis Gkoumas, Nur Hidayah Abd Rahman, Karen Davies

        Tourism offers countless global locations, providing a multitude of sensory experiences. These include commercialised tourism products such as saunas and floatation tanks through to natural phenomenon such as mountains and wilderness destinations. Consequently, sensory elements are a curious concept within tourism because every destination provides a sensory experience of one kind or another. The first of its kind, this book examines holidays and tourism through sensory perceptions which either encourage or deter consumers. It studies sensoryscapes and how they effect and affect tourism at destinations and be linked with the development of tourist niches, reflecting the segmenting of the mass market tourism into smaller segments. Finally, it reflects on how with increased urbanisation there a growing need is to find quiet spaces, free from urban or anthropogenic noise, such as silent retreats and dark sky meditation holidays. Escape has always been one of the main components of tourism development together with attraction to spatial locations that match tourists' needs. Structed to address each of the senses separately, this book provides a: · wide range of case studies from interdisciplinary backgrounds · links amongst common themes across the various threads of research on sensory experiences · theoretical framework and practical application for sensory tourism. It will be of interest to those studying tourism management as well as wider social science disciplines.

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      • Trusted Partner
        New slaveries in contemporary British literature and visual arts
        Literature & Literary Studies
        June 2021

        New slaveries in contemporary British literature and visual arts

        by Pietro Deandrea

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      • Trusted Partner
        Spanish visual culture
        The Arts
        November 2006

        Spanish visual culture

        Cinema, television, internet

        by Paul Julian Smith, Susan Williams

        This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;

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      • Trusted Partner
        Optical Manipulation of Pests and Beneficial Arthropods
        Science & Mathematics
        May 2020

        Optical Manipulation of Pests and Beneficial Arthropods

        by David Ben-Yakir, Antoine Abrieux, Joanna C. Chiu, Joseph E. Funderbunk, Daphna Gottlieb, Gábor Horváth, Simcha Lev-Yadun, Un Taek Lim, Xavier Martini, Masami Shimoda, Robert van Tol

        Arthropod pests, pollinators, and natural enemies of pests have a great economic importance to human health and food supply worldwide. Arthropods use optical cues to find food and suitable oviposition sites, daily and seasonal activities, orientation and navigation. Most arthropods have compound eyes with receptors for UV light (peak sensitivity at 360 nm) and for green-yellow light (peak sensitivity at 520-540 nm). Many arthropods also have simple eyes (ocelli) that respond to changes in light intensity. Some arthropods can detect linearly polarized light and use it as an optical cue for oviposition sites, finding of hosts and navigation.The properties of the optical cue, such as wavelength, intensity, polarization, size, shape and contrast, greatly affect their response to the optical cue. Therefore, manipulation of optical cues can interfere or enhance arthropods' activities and development. UV light has been used to attract insects for monitoring and control. The patterns of UV reflected from flowers and plants affect arthropods' preference to visit them. The absence of UV light often deters arthropods and decreases their dispersal rate. UVB induces general stress in plants which may increase their resistance to arthropod pests. Green-yellow color induces landing and favors settling (arresting) of many plant feeding arthropods. High levels of reflected sunlight (above 25% of sun radiation) deters arthropods' landing and reduces settling. The recent use of monochromatic lights to increase crop yield, or to induce desirable plant characteristics, is expected to affect the activity of the associated arthropds as well. Optical manipulations are proposed as a part of an integrated pest management (IPM) program for open-field and protected crops, and for protecting the health of humans and domestic animals. This book contains up-to-date reviews of the published literature, some unpublished results of the authors, and suggestions for future research and development of this method.

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      • Trusted Partner
        Cinematic Ethnography
        Humanities & Social Sciences
        January 2025

        Cinematic Ethnography

        Experiencing cultures through some audiovisual practices

        by Laurent Van Lancker

        Cinematic ethnography proposes an interdisciplinary approach to theories and practices at the intersection of art, anthropology and cinema. The book proposes a model of collective aesthetics and collaborative filmmaking, going beyond the straightforward representation of reality that is so prevalent in visual anthropology and film studies. This book explores the practices of filmmakers who utilise sensory collaborative approaches to convey diversity of knowledge. It affirms that the more we allow cinema to infuse audio-visual transmissions of reality, the more we might be able to experience the evoked reality. The book proposes a dialogic journey, inviting the reader to pause during the reading of the book to watch some of the author's films, which exemplify the discussed theories and practices. This innovative work from a practising filmmaker and visual anthropologist invites us to rethink how our cinematic practices, rather than aiming at factual representation and description, might instead contribute to a collaborative understanding of intercultural dialogue and shared knowledge. For those interested in visual anthropology, documentary film or broader questions about the nature of art and representation, Cinematic ethnography is a thought-provoking invitation to see - and tell - things differently.

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      • Trusted Partner
        Representing ethnicity in contemporary French visual culture
        The Arts
        January 2017

        Representing ethnicity in contemporary French visual culture

        by Joseph McGonagle

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      • Trusted Partner
        Literary and visual Ralegh
        Literature & Literary Studies
        October 2013

        Literary and visual Ralegh

        by J. B. Lethbridge

        This collection of essays by scholars from Great Britain, the United States, Canada and Taiwan covers a wide range of topics about Ralegh's diversified career and achievements. Some of the essays shed light on less familiar facets such as Ralegh as a father and as he is represented in paintings, statues, and in movies; others re-examine him as poet, historian, as a controversial figure in Ireland during Elizabeth's reign, and look at his complex relationship with and patronage of Edmund Spenser. A recurrent topic is the Hatfield Manuscript in Ralegh's handwriting, which contains his long, unfinished poem 'The Ocean to Cynthia', usually considered a lament about his rejection by Queen Elizabeth after she learned of his secret marriage to one of her ladies-in-waiting. The book is appropriate for students of Elizabethan-Jacobean history and literature. Among the contributors are well-known scholars of Ralegh and his era, including James Nohrenberg, Anna Beer, Thomas Herron, Alden Vaughan and Andrew Hiscock. ;

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      • Trusted Partner
        Von Science zu Fiction
        December 2005

        Von Science zu Fiction

        Wissenschaft mit anderen Worten

        by Einleitung von Wünning, Ingrid; Beiträge von Djerassi, Carl; Beiträge von Fischer, Ernst Peter; Beiträge von Draesner, Ulrike; Beiträge von Borgmann, Wolfgang; Beiträge von Dahm, Ralf; Beiträge von Gassen, H.-G.; Beiträge von Fritz, Peter; Beiträge von Storch, Volker; Beiträge von Schneider, Karin; Beiträge von Brunke, Timo; Beiträge von Steiger, Nicole; Herausgegeben von Krottenthaler, Erwin; Herausgegeben von See, Claudia von

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      • Trusted Partner
        I See That
        Personal & social issues: body & health (Children's/YA)
        2017

        I See That

        by Art studio Agrafka

        This is an educational picture book about sight from the creative studio Agrafka. It is about both things we can see with our own eyes and the mysterious, invisible to the human eye. This book is also about microscopes and telescopes that help us see incredibly small or extremely distant things. It explains that for better eyesight some people need glasses, while those who can’t see at all need a special system and symbols. By reading this book, you will learn how birds and animals see the world, how artists create optical illusions, and about the many millions of hues the human eye can perceive. I See That won the 2018 Bologna Ragazzi Award, the most prestigious award in children’s literature, in the award’s non-fiction category. I See That has been awarded with a Bronze Medal Stiftung Buchkunst in 2019.

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        Medicine, health and Irish experiences of conflict, 1914–45
        History of medicine
        October 2016

        Medicine, health and Irish experiences of conflict, 1914–45

        by Edited by David Durnin, Ian Miller

        This book explores Irish experiences of medicine and health during the First and Second World Wars, the War of Independence and the Civil War. It examines the physical, mental and emotional impact of conflict on Irish political and social life, as well as medical, scientific and official interventions in Irish health matters. The contributors put forward the case that warfare and political unrest profoundly shaped Irish experiences of medicine and health, and that Irish political, social and economic contexts added unique contours to those experiences not evident in other countries. In pursuing these themes, the book offers an original and focused intervention into a central, but so far unexplored, area of Irish medical history.

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      • Trusted Partner
        The Discovery of a Visual System - The Honeybee
        Science & Mathematics
        April 2019

        The Discovery of a Visual System - The Honeybee

        by Adrian Horridge

        This book is the only account of what honeybees actually see. Bees detect some visual features such as edges and colours, but there is no sign that they reconstruct patterns or put together features to form objects. Bees detect motion but have no perception of what it is that moves, and certainly they do not recognize "things" by their shapes. Yet they clearly see well enough to fly and find food with a minute brain. Bee vision is therefore relevant to the construction of simple artificial visual systems, for example for mobile robots. The surprising conclusion is that bee vision is adapted to the recognition of places, not things. In this volume, Adrian Horridge also sets out the curious and contentious history of how bee vision came to be understood, with an account of a century of neglect of old experimental results, errors of interpretation, sharp disagreements, and failures of the scientific method. The design of the experiments and the methods of making inferences from observations are also critically examined, with the conclusion that scientists are often hesitant, imperfect and misleading, ignore the work of others, and fail to consider alternative explanations. The erratic path to understanding makes interesting reading for anyone with an interest in the workings of science but particularly those researching insect vision and invertebrate sensory systems.

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