Trinity Publishing NZ Ltd has been producing children's books since 1997 in Australasia whilst sailing in the South Pacific islands. Since 2018 we have also begun producing work for a European readership..We love visiting the place where our book subjects live and play.
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Editora Trinta Zero Nove is an independent press based in Maputo, Mozambique. It was started in 2018. This year the press debuted a kid lit and young adult collections translated from Arabic, Italian and English into Portuguese in print and braille.
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15 year-old Lena discovers an ancient clock among her dead parents’ old things and accidentally activates the timepiece’s mechanism. Far away in the invisible city, a place not of this world, a boy takes notice of her: Dante. He is curious to find the daughter of the legendary woman who once left the time-travellers society to live a mortal life. When Lena learns about the mechanisms of time, she decides to change her own fate and travels back to the night, her parents died. Only too late she realises that meddling in her own life automatically affects the lives of everyone else around her too. The story reaches its peak when Lena has to decide between getting her parents back and saving the life of her best friend Bobbie. 12+ years The first volume of an enthralling new fantasy trilogy with two headstrong time-travellers English sample translation available!
Lena is having a hard time adjusting to ordinary life. How can she forget Dante, the boy whose eyes are different colours? But she soon has much bigger worries. On a school trip she realises that her pursuers haven’t given up after all. At the last minute, Lena manages to pass the chronometer she uses to travel through time to her friend Bobbie. A fateful mistake. Fleeing, Bobbie stumbles into the past and becomes trapped in the year 1900. While she fights her way as a papergirl, Lena breaks her promise and returns to the invisible city to look for help – and Dante. Soon all three of them are on a mission to prevent their enemies from constructing chronometers to travel through time themselves. But they’re always a step ahead and the whole invisible world is in danger… 12+ years The first volume of an enthralling new fantasy trilogy with two headstrong time-travellers English sample translation available!
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Everything is lost. Lena’s enemies have taken over the invisible city and launched a witch hunt for time travellers. Together with Bobbie, Lena takes refuge in the future and tries desperately to find other rebels. The near future is already very different compared to her present life: in 2031 climate change is undeniable and people pay by using implanted memory chips, which is frightening enough. Then her chronometer picks up a faint signal – from Dante. Lena can hardly wait to see him again. But can she be sure the signal is genuine? Things take a dark turn when she is visited by a group of time tourists; in a distant future, time travel is big business. But no one seems to care about the chaos and damage this kind of tourism can cause – or even that it could destroy humanity itself. For Lena, everything is on the line: the existence of the invisible city, the fate of humanity’s forgotten stories – and even her love for Dante. 12+ years The finale of this enthralling fantasy trilogy. English sample translation available!
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Das zentrale Motiv der Reise verbindet diese Trilogie: Wohin die Figuren auch gehen, sie sind in einem Transitzustand, in Umbruchssituationen, auf der Flucht und auf der Suche nach den Bedingungen für eine freie Gesellschaft. Eine kurze Chronik des künftigen China erzählt eine Bewegung gegen den Strom: Alle fliehen vor dem Krieg in den Süden des Landes, während »Der Außenstehende« die Rückreise antritt ins Zentrum der Katastrophe, um sich mit seiner verdrängten traumatischen Geschichte zu konfrontieren. Eine posthumane Geschichte beginnt mit einem Soldaten, der vom Homeoffice aus feindliche Gebiete bombardiert. Als sein Sohn ohne Gesäß geboren wird, reist er an den Kriegsort und versucht Verantwortung für die eigene Schuld zu übernehmen. Überall im Universum Klang ist der philosophischste Teil der Trilogie. Er spielt im All und auf einem noch unbekannten Planeten. Die Erde wird von einem schwarzen Loch geschluckt. Ein Mann versucht seine Geliebte wiederzufinden, die dabei in einen anderen Bewusstseinszustand transformiert wurde. Pat To Yans Szenarien sind bevölkert von mythologisch inspirierten und allegorischen Figuren, zwischen Mensch und Tier, zwischen Mensch und Androide. Sie bewegen sich stets in parallel existierenden Bewusstseinsebenen und Timelines. Seine vom magischen Realismus beeinflusste Schreibweise erzählt vom Sterben, Leben und Überleben in politisch repressiven Systemen. »Wenn du über die Grausamkeit der Realität schreiben willst, darf es nicht realistisch sein.« Das unheimliche Mädchen aus Teil 1, Eine kurze Chronik des künftigen China
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Nietzsche Trilogie In den drei Teilen, überschrieben mit Gewöhnlicher Abend, Messer und Gabel und Ettersberg, führt Einar Schleef den Philosophen als still gestellten Unruhestifter vor. Er zeigt ihn nach seinem psychischen Zusammenbruch als ein gestürztes Genie, ein Dämmern im Schatten der reinen Vernunft und in der beängstigenden Enge der Familie, in den quälenden Fängen von Mutter und Schwester. Lange Nacht Einar Schleefs letztes Stück setzt sich mit den Jahren 1979 bis 1995 auseinander. Erzählt wird die Geschichte zweier Brüder, die aus unterschiedlichen Gründen die DDR verließen und sich anläßlich des ersten Besuchs der Mutter im Westen wieder begegnen.
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Der Reichsbürger – Wilhelm S. wehrt sich in seinem Monolog gegen diese Bezeichnung. Wilhelm S. ist ein Selbstverwalter, der stolz ist auf seine Verwandlung vom Schaf zur mündigen Person. Vor allem aber ist er kein Menschenfeind mit Aluhut, sondern jemand, »der einfach ein bisschen weiterdenkt« und Sie fragt – ja genau, Sie! –, ob Sie möchten, dass Ihr Kind das einzige in der 1. Klasse ist, das Deutsch spricht? Und, ob Sie in Frieden und Wohlstand, ohne Ausbeutung und Unterdrückung leben möchten? Was hat ein Einkaufswagenchip mit einem FDP-Politiker zu tun? Absurde Strategien zur Wählergewinnung des »einfachen Bürgers« sind Mittelpunkt der Dokuserie »Die Jürgen W. Möllemann Story« in Der Bundesbürger. Ein dreiköpfiges Writers' Room Team dokumentiert darin in Schlaglichtern den Aufstieg und Fall Möllemanns, ergänzt durch Recherchen, die die FDP als Wegbereiter für den Rechtspopulismus in Deutschland markieren. In Die Mitbürger geraten gebildete, soziale Menschen, die von sich selbst sagen würden, ihnen wäre jeder Extremismus »ob links oder rechts« zuwider, in Situationen, in denen sich unmerklich Verschiebungen mitten im vermeintlich Normalen vollziehen – ein Psychogramm des Extremismus der Mitte. Annalena Küspert und Konstantin Küspert bewegen sich auf der Deutschlandkarte zwischen den »extremen Rändern« und der »Mitte der Gesellschaft« und gehen den Verschiebungen dieser Koordinaten nach. Ihre Bürger-Trilogie ist ein Panorama bundesdeutscher Identitäten und politischer Entwicklungen – direkt an uns Bürger:innen adressiert. »die BRD-gmbh ist eine art kapitalistisches erlebniswunderland, wie ein freizeitpark. und sie alle sind gleichzeitig parkbesucher und aufsichtspersonal.« aus Teil 1, Der Reichsbürger
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The Ibn Tulun Trilogy is a stunning literary work that offers readers a fascinating glimpse into a significant period in the history of Egypt. ///This novel interweaves historical facts with a continuous narrative about Egypt, exploring how it was before and after the arrival of Ahmad Ibn Tulun. His independence and the construction of the city of Al-Qata’i, along with the establishment of a powerful army, are vividly portrayed. As the story progresses, readers learn of Ahmad Ibn Tulun’s death and his son’s reign, as well as the attempts to destroy his legacy and the fate of Al-Qata’i. ///Al-Qata’i is a story that explores the conflict between construction and destruction, the fickleness of fate, and the highs and lows of human existence. It tells of the meeting and parting of loved ones, the struggle between love and hate, oppression and justice, power and helplessness, and the ultimate triumph of victory and the agony of defeat.
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Drei Bücher hat Patrick Modiano unter dem Titel Pariser Trilogie zusammengefaßt: Abendgesellschaft, Außenbezirke und Familienstammbaum. Wie wird man zum Verräter, wie läßt es sich verhindern? Diese Fragen stellt sich ein junger Franzose, der sich, für die Gestapo arbeitend, einer Résistance-Gruppe anschließt. In einer ebenso sanften wie unnachgiebigen Erzählung nähert sich Modiano einer Vergangenheit an, die er selbst nicht erlebt hat. Mit seiner unverwechselbaren Musikalität erweckt er Worte zum Leben und überführt sie in eine fantastisch anmutende Abendgesellschaft. In den Außenbezirken, außerhalb von Paris, sucht Serge Alexandre seinen Vater. Wieder befinden wir uns in der Zeit der Besatzung. Wer ist dieser Vater? Was macht er, als Jude unter all den zwielichtigen Gestalten? Warum erkennt er seinen Sohn nicht mehr? Bis zuletzt folgt der Erzähler den Spuren seines geisterhaften Vaters. »Ich war siebzehn, und es blieb mir nichts anderes übrig, als ein französischer Schriftsteller zu werden«, schreibt Modiano im Familienstammbuch und legt uns in 14 Erzählungen seine Jugenderinnerungen vor. Autobiographisches, aber auch Imaginiertes.
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Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle? Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle?Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle?Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle? Book II. LelyaCould be there anything more frightening than when The Bald Man and The Barefoot come to the village? Who steals magic stuff from kids? How to transform yourself into a flying old witch whose name is Baba Yaga? Where does the last way of the werewolves end? You will find the exciting answers to all these questionsin this new novel about the adventures of Lelya, The Bald Man and their friends in horrible world where almost nothing good and bright left…But there is no other world! Book III. AN ENGINEER. Looks like we have already found out what is that evil Force that wants to destroy all people and all living creatures on the Earth but nobody knows how to overcome it. The Bald Man proposed a plan, which looked so hopeless, terrifying, and adventurous that nobody liked it - nor Marichka, neither Lelya or The Beard Man, but yet all our heroes and even the rooster named Falkon agree to participate and to help. It is scary even to imagine how the story might end. And yet – where did this dark underground Force came from? Why is it so hostile to everything alive? The answers to these questions probably are hidden in the fate of another character, who called himself an Engineer. The last book of a trilogy “Through the forest. Across the sky. On the water” is as full of fantastic adventures and adventure fiction as the two previous ones: “The Bald Man” and “Lelya”.
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Written by leading authorities in the field, this new edition of Volume 2 in the successful Fish Diseases and Disorders trilogy has been thoroughly updated with new research and contributions. Focusing largely on finfish, it covers non-infectious disorders of development, growth and physiology of wild and captive species, including genetic conditions, respiratory disorders, stress physiology, environmental factors and a new contribution on the relationship between welfare issues and disorders associated with intensive fish culture. The book is indispensable for zoologists, fish health specialists and veterinarians, researchers and students, and those involved with fisheries and aquaculture.
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This third and final volume in the acclaimed Fish Diseases and Disorders trilogy addresses infectious diseases of finfish and shellfish caused by viruses, bacteria and fungi. Topics covered include infectious pancreatic necrosis virus, infectious hematopoictic necrosis virus, viral diseases of cold and warm-water fish, rickettsial and chlamydial infections, furunculosis, motile aeromonads, vibriosis, flavobacterial diseases and shellfish diseases. Written by experts in each discipline and updated throughout to reflect new developments in the field, including new chapters on alphaviruses, oncogenic viruses and genomics and proteomics, this is a must-have reference for fish health specialists and veterinarians, microbiologists, zoologists and researchers and students in aquaculture.
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This book is the second part of an important experimental trilogy in text archaeology of all the various ideas about the 1664 and later versions. Tartuffe ou L'Imposteur, (Tartuffe or the Hypocrite), is Molière's most famous play and was first performed at Versailles in 1664. It attacked religious hypocrisy and as a result caused much scandal and was then banned. Tartuffe means 'hypocrite' especially one who shows affected religious piety and exaggeratedly feigns virtue. Revised versions of Tartuffe were performed at various times between 1667 and 1669. McBride provides a reconstruction of the 1667 version in this book. McBride's work is meticulous and nuanced and he provides a scholarly reconstruction of one of Molière's masterpieces. ;
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Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema. ;
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Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
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This book provides a comprehensive account and critical analysis of the literary career of Pat Barker. It offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyses the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged. Brannigan argues that Barker is one of the most important writers in modern English literary history. She is principally renowned and widely acclaimed for her 'Regeneration' trilogy, the last volume of which, 'The Ghost Road', won the Booker Prize in 1995. In recent novels, Barker has continued to deal with controversial and shocking themes, including child murderers and the meanings of 'terror' in the contemporary world. ;
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The second of Lorca's trilogy of rural dramas, Yerma, is a blend of contrasting moods through which Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The play's rich mode of expression - a combination of verbal, visual and auditory images and rhythms - is also geared to celebrating sexual attraction and fertility, creation and procreation. Through his characterization of the play's central figure, Lorca raises the question of women's social status - a controversial question both then and now, and one to which Robin Warner pays particular attention in his critical introduction to the play. He also examines the links between the dramatic structure of Yerma and the importance of cultural politics during the course of the Second Spanish Republic. The Spanish text is supported by an introduction and notes in English, as well as by an extensive vocabulary and section of discussion questions. ;
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"Fugue 119" is based on true story of the "Donbas" battalion volunteers who were captured by Russians after the famous battle at the city of Ilovaisk (Donbas). The book describes how it is to be a prisoner of war. It was impossible to write about the events in a traditional writing method and author invented his own. He applied the principle of composing a fugue - a polyphonic piece of music to his writing. The structure of the book is based on a double three-part fugue with a code. This makes it possible to fully convey the plexus of pain and horror - the every day routine of captivity, where the way out is possible only through death. "Fugue 119" is a continuation of the book "Dance of Death" and is the second in the upcoming trilogy "2014". "Fugue 119" was long listed for the "BBC Book of the Year 2021"
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The practice of organic cattle farming has continued to increase in recent years, backed by consumer demand, organisations and governments. Beginning with an overview of the aims and principles behind organic cattle production this book presents comprehensive information about how to feed cattle so that the milk and meat produced meet organic standards. Nutrition and Feeding of Organic Cattle provides a comprehensive summary of ruminant digestive processes and nutrition. The author, past-President of the World Association for Animal Production, utilises years of animal nutrition experience to describe the effects of feeding programmes using approved organic ingredients on cattle productivity, health and welfare. The book also provides up-to-date information on consumer aspects of organic meat and milk, and on production of greenhouse gases by cattle raised organically. Completing a trilogy of books specifically designed to address the feeding of organic farm animals, this text will be of particular interest to producers, researchers, lecturers, regulatory agencies, feed manufacturers, food producers and veterinarians.
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The new power brewed and fermented like young wine, giving birth to hopes and dreams of prosperity. In the dark and secret places new and young power met with the old power - gray and wild, infused with aged honey and witches. The two united in a blend, full of energy, movement, joyful fury and enterprising madness ", - writes Vladimir Yeshkiliev about Ukraine in the middle of the XVII century in his historical novel "Union", the first from the trilogy "Cursed Hetmans ". The novel is about Ivan Vyhovsky and hopes of a hereditary Ukrainian aristocracy to occupy a worthy place of Ukraine-Rus in the most modern of the then states - the Polish-Lithuanian Commonwealth, about the role of the Orthodox Church in those events, about the catastrophe that came after the victorious Konotop battle. As in previous novels of Yeshkiliev, the detailed reconstruction of historic events is complemented by a thoroughly verified privately researched information, that is not widely known or has been deliberately omitted by historians and that reveals new details about the epoch of Hetmans in Ukraine and its tangible events.
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“His great novel, his “immense contemporary social fresco”, his “made-in-bladi human comedy” - in the words with which he dazzles his virtual contacts - was now out of the question. To those who still asked him: “What's the status of this novel?”, he invariably replied: “Perhaps under other skies. Here, all we promote is mediocrity. And everyone would nod in agreement, wishing him well.” Djawad Rostom Touati Farid, Malia, Rami, Adib and other characters wander through ''The civilization of erzats'', the second part of the trilogy: ''the cult of It'', each equipped with their own socio-cultural baggage, some motivated to change the course of their lives, sure that the sun is much warmer elsewhere; others resigned to the idea that the world is as it is: just a two-variable equation - dominated/dominant -; and still others, self-sufficient, seeking redemption in the misfortunes of others, make their way between the strata of a society in turmoil, the victim of a frozen past, a sequestered present and a future held hostage. In La civilisation de l'ersatz, both neo-prolo-aspirants-bourgeois who don't even know they're there, replace each other between the fingers of a born writer. Everything is relativity: time, space, not to mention the mind...
