EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalAny reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. "The empire, long divided, must unite; long united, must divide. Thus it has ever been." Echoing the rhythms of Chinese history itself, the monumental tale Three Kingdoms begins. As important for Chinese culture as the Homeric epics have been for the West, this fourteenth-century masterpiece continues to be loved and read throughout China today. Three Kingdoms portrays a fateful moment at the end of the Han Dynasty (206 B.C.-A.D. 220) when the future of the Chinese empire lay in the balance.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
Is fidelity an agreement with an expiration date?Does infidelity always involve heartbreak and conflict?After we discovered an infidelity, is it possible to repair and restore trust?Living a committed and loving relationship is a deeply human longing. The issue ofinfidelity (a frequent love conflict) must be addressed by integrating thecontradictions and ambivalences of human nature, particularly on the topic oflove. Infidelity is a very complex phenomenon that is characterized by theexistence of a “villain” and a “victim”. Many times it is explained in a moralistic wayand that prevents exploring the motivations that drive it, the beliefs that supportit and the procedures that complicate it. Love requires commitment andcertainties, while erotic desire opens different paths within the same territory oflove. The correct management of these two forces is key to understanding andovercoming infidelity.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
Over the last twenty-five years, the 'history of emotion' field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature - in particular secular literature - as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences - those who read them or hear them read or performed?
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.
Rhinoceros in Love is one of the“Pessimism Trilogy”from LIAO Yimei, one of the most well-know script writers in China. One man, obstinate as rhinoceros, fell in love with a woman. He overstated the differences between her and other women and did everything for her, a pure love story.
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
The "West Chamber" of Wang Shih-fu in the Yuan Dynasty was a masterpiece of Chinese classical opera and a masterpiece of Chinese literature. The theme of the drama is the love story of the young scholar Zhang Huan and the late Ying-Ying, the daughter of the 19-year-old Cui Xianguo. The whole play is divided into five (screen) twenty (field). The first Zhang Ying and Ying Ying in the temple at first sight. The second to write Zaibing siege filled homes, Zhangsheng rescue, Mrs. Cui allow her daughter Yingying with Zhangsheng wife, then eat their own words. The third one to write a pair of lover Acacia sponge. The fourth the first Valentine's tryst Valentine's Day; the second letter of Mrs. Choi to Changsheng Beijing exam, the high school after the wedding; the third Valentine's leave, Zhang went to Beijing to attend the meeting; the fourth fold of the lover dream phase Will be done. The fifth to write a couple reunion. In short, "The Romance of the West Chamber" wrote the contradiction between love and family honor. The result was that Zhang Sheng would try high school, winning the honor and winning the love.
Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
When love has wandered off by Edna Buchman Edna Buchman's work will immediately inspire its readers. These texts are simply amusing or sad anecdotes, of the kind known all too well to every woman. The first part of the book focuses on situations between women and men, some of which actually happened and others that almost did… Men analyzed from a woman's perspective, examined by her critical eye, frankly and with appealing humor. The second part of the book consists of very personal, revealing stories: childhood spent in a home where the only thing missing was a caressing hand; the eternal struggle against overweight caused by overeating, as a compensation for the lack of love. The book concludes with a selection of texts of a different nature, dealing with coming of age, forgiveness, and happiness. The natural humanity of this lyrical collection will win the heart of every woman, and probably of quite a few men as well… Edna Buchman was born in Israel to German-speaking parents; the family immigrated to Israel in 1939. She is the third generation of a textile-manufacturing family, and was educated in Israel, Switzerland and England. The author drew her inspiration from personal observations of the lives of her friends... single, married, divorced and widowed. "A book like Edna Buchmann’s Die Wandernde Liebe will certainly speak to a fair amount of people, since it describes poetically some of the emotional pitfalls and typical dynamics between romantically involved couples… Just the emotional ups and downs of a woman in her romantic encounters, sharply observed, with a hefty pinch of feminism. It is well written, quite sensitively, with some subtle humor and some nice, unexpected turns." Matthias Schossig, a noted German-English translator, California.