Republika Penerbit is a Jakarta-based publishing company. We publish books with genres ranging from religious (Islamic books), nonfiction, biography, historical fiction, contemporary fiction, fantasy, picture books, to comics. Some of our fiction has been adapted into films and there will be more to be filmed.
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Cassava Republic Presswas founded with the aim of bringing high quality fiction and non-fiction for adults and children alike to a global audience.
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.
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This book offers a comprehensive study of racialisation of Romani communities in Europe (and beyond). Drawing on the idea of unbelonging it demonstrates how Romani communities are placed in a position of visceral visibility by local, national and international institutions as well as public media discourses. It shows how such positionality impacts the ability of Roma to self-represent politically and build capacity for change. From the position of unbelonging the book offers an account of Romani agency which both challenges the mainstream representations of Roma but also develops an alternative none-nation-state sense of belonging. In doing so the book outlines an account of Romani alternative expressions in order to take control of their relationship with their own history, future, knowledge, and identity, and the rest of the society.
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Works of travel have been the subject of increasingly sophisticated studies in recent years. This book undermines the conviction with which nineteenth-century British writers talked about darkest Africa. It places the works of travel within the rapidly developing dynamic of Victorian imperialism. Images of Abyssinia and the means of communicating those images changed in response to social developments in Britain. As bourgeois values became increasingly important in the nineteenth century and technology advanced, the distance between the consumer and the product were justified by the scorn of African ways of eating. The book argues that the ambiguities and ambivalence of the travellers are revealed in their relation to a range of objects and commodities mentioned in narratives. For instance, beads occupy the dual role of currency and commodity. The book deals with Henry Morton Stanley's expedition to relieve Emin Pasha, and attempts to prove that racial representations are in large part determined by the cultural conditions of the traveller's society. By looking at Joseph Conrad's Heart of Darkness, it argues that the text is best read as what it purports to be: a kind of travel narrative. Only when it is seen as such and is regarded in the context of the fin de siecle can one begin to appreciate both the extent and the limitations of Conrad's innovativeness.
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The central concern of Race and representation is the political integration of Britain's ethnic minorities. The book provides a direct and extensive comparison between the voting behaviour of ethnic minorities and the electorate as a whole. Newly available in paperback, the book pioneers innovative use of the British Election Study and features the results of the 1997 ethnic minority election study. It also contains an in-depth look at party strategy with regard to ethnic minorities, ethnic minority attitudes on key issues and policies, and the lessons to be learned from the performance of black and Asian parliamentary candidates. In particular, the analysis aims to uncover whether electoral abstention, orientation towards issues and party alignment are primarily circumstantial, as existing research suggests is the case among the white population. It is a major re-examination of the role of ethnicity in shaping political outlook and voting choice. The book will be essential reading for students, teachers and scholars interested in the involvement of Britain's ethnic minorities in the democratic process. It will also have extensive appeal among activists, policy-makers and opinion formers concerned with ethnic diversity, race relations and political inclusion.
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Whether called pressure groups, NGOs, social movement organisations or organised civil society, the value of 'groups' to the policy process, to economic growth, to governance, to political representation and to democracy has always been contested. However, there seems to be a contemporary resurgence in this debate largely centred on their democratising potential: can groups effectively link citizens to political institutions and policy processes? Are groups an antidote to emerging democratic deficits? Or do groups themselves face challenges in demonstrating their legitimacy and representativeness? This book debates the democratic potential and practice of groups; focussing on the vibrancy of internal democracies, and modes of accountability with those who join such groups and to the constituencies they advocate for. It draws on literatures covering national, European and global levels, and presents new empirical material from the UK and Australia ;
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This is the first book to consider the difference women MPs make for women constituents in Britain by comparing women parliamentarians' activities, priorities and perceptions to those of their male colleagues. It uncovers complicated gender dynamics that have been neglected in other works because of an exclusive focus on the activities of women MPs, and mounts a systematic challenge to the idea that a critical mass of women is necessary for women's presence to matter. By comparing the representation received by women from a parliament with few women to that received from a parliament with many women, Anna Dionne leads the reader to understand why numbers are not magic. Her empirical research includes interviews with over eighty parliamentarians in London, Scotland, Wales and Northern Ireland, and the amassing of an unprecedented and comprehensive database of representatives' legislative activities. She compares how men and women and different political parties introduce and support bills and motions, ask parliamentary questions, participate in committee and floor debates, and work behind the scenes for cross-party consensus and on constituency casework. The analysis considers gender similarities and differences throughout the policy process and explains the gender dynamics with a new sensitivity to their fluctuation. ;
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This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War. ;
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Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture. Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France. ;
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Representations of British motoring provides important new insights into the established discourses of British motoring. Based on the patterns of representation that have mediated between the trade, owners and society, particularly the myths and realities generated by the advertising campaigns and motoring journals, it identifies the landmarks of change and innovation. It is not about great images as such, although some are, but particular attention has been directed towards the creative intervention of the artist-illustrators. Part One emphasises the critical significance of the emerging concerns and aspirations of the first decade of motoring, while the two subsequent parts provide a clear understanding of how the continuity of the public debate has shaped the concepts of modern and popular motoring. The new models, motorists and motoring landscape are the central themes through which it has been possible to track the preoccupation with questions regarding speed and safety, the idea of being British, the aesthetics of the car and motoring, and the family, women and the car. As such it is a design history that redefines and extends the parameters of the history of motoring, providing an overview of the place of the motor-car and motoring in British society that is relevant to undergraduate and postgraduate studies and the motoring enthusiast. ;
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Der Begriff des Symbols steht seit dem 18. Jahrhundert im Zentrum von Ästhetik und Poetik. In der gegenwärtigen Theoriediskussion bildet er einen wichtigen Schnittpunkt von Text-, Bild- und Kulturwissenschaften. Darüber hinaus sind Symbole als sinnliche Zeichen für die kulturelle Aktivität des Menschen in modernen Gesellschaften allgegenwärtig. Unter den vier Schlagworten »Seele«, »Sinn«, »Körper« und »Kultur« versammelt der Band klassische Texte zum Thema Symbol von der Antike bis zur Gegenwart, von Platon bis Kant, von Goethe bis Eco. Jeder der vier Teile ist mit einer systematischen Einführung der Herausgeber versehen. So bietet der Band eine Sammlung von Basistexten, die sich vorzüglich als Studienbuch zum Thema Symbol eignet.
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The Theatrical Orchestra analyses experimental performances by British music ensembles in the twenty-first century. Orchestras are reconceiving how concerts are programmed and presented, how musicians perform, where performance can occur, and the role of the audience in the co-creation of the live event. They are embracing theatricality, thereby realising music more fully as a multi-sensory performance art. This book explains how and why orchestras are thinking theatrically about performance, and uses the work of British music ensembles as exemplars. It analyses performances by Aurora Orchestra, London Contemporary Orchestra, London Sinfonietta, Manchester Collective, Multi-Story Orchestra, Paraorchestra, Scottish Ensemble, and Southbank Sinfonia. The book bridges musicology and theatre studies to analyse the theatrical orchestra on the concert stage and beyond, addressing such topics as visuality, storytelling, physical performance, site-engaged performance, and immersive performance.
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This book examines the transformation of untouchability into a political idea in India during the first half of the twentieth century. At its heart is Ambedkar's role and the concepts he used to champion untouchability as a political problem. Ambedkar's main objective was to comprehend the numerous avatars of untouchability in order to eradicate this practice. Ambedkar understood untouchability beyond aspects of ritual purity and pollution by stressing its complex nature and uncovering the political, historical, racial, spatial and emotional characteristics contained in this concept. Ambedkar believed the abolition of untouchability depended on a widespread alteration of India's political, economic and cultural systems. Ambedkar reframed the problem of untouchability by linking it to larger concepts floating in the political environment of late colonial India such as representation, slavery, race, the Indian village, internationalism and even the creation of Pakistan.
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This volume offers a comprehensive analysis of the agency phenomenon in the European Union. It takes stock of the emergence and development of EU agencies, providing insight into the characteristics as well as the consequences of the ongoing EU agencification process. The volume traces the varied roots of and routes to agency emergence and institutionalisation. It also analyses everyday decision-making processes within EU-level agencies, notably the management of such agencies, their role in the creation of network structures in European executive governance and in the implementation of EU legislation at the member state level, and the varied sources of agency accountability. The ambition of this volume is to offer an even-handed assessment and explanation of agency creation, design, and evolution at the EU level. The volume is targeted to academics, post-graduate students and practitioners. Chapter authors include Deirdre Curtin, Renaud Dehousse, Morten Egeberg and Thomas Gehring. ;
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This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society. ;
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Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
