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Reading Luxembourg
Reading Luxembourg is Luxembourg's export programme. Beyond the annual national stand at Frankfurt Book Fair, Reading Luxembourg is in charge of various missions, such as the presence at other fairs, festivals and literary events, a training offer for professionals of the book and publishing sector and strategic support to foreign rights sales. Reading Luxembourg is linking up publishers and authors from Luxembourg with stakeholders on an international level and providing information on available translation and publication grants.
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Literary studies: fiction, novelists & prose writersJanuary 2015Imagining women readers, 1789–1820
by Richard Ritter
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Children's & young adult fiction & true stories201536 and 6 Cats
by Halyna Vdovychenko
36 and 6 cats — that’s exactly how many fluffy tailed creatures appeared in front of Mrs. Krepova’s apartment on one rainy evening. The stubborn woman was reluctant to welcome the strangers in her house, but everything changed when the feline, sphinx-like Baroness appeared and completely won her heart. Neither Mrs. Krepova nor her nephew Stas could have ever imagined the outcome of the invasion of their small apartment by 36 adult cats and 6 small kittens.
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March 2007Die Sowjetunion und die deutsche Frage
Studien zur sowjetischen Deutschlandpolitik von Stalin bis Chruschtschow
by Loth, Wilfried
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January 1987Vom Schlangenkult zur Christuskirche
Religion und Messianismus in Afrika
by Loth, Heinrich
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2023Bestiary of the Bibliophile
And other literaty beasts
by Ricardo E. Tatto
Amusing and bright revision and classification of the different types of book lovers (the bibliophile, the bibliopath, the biblio-rat, the bibiiovoyeur) and readers (the faithful, the monogamous, the promiscuous ones), as well as of their habits (reading in bed, in the bathroom, in the public transport, underlining, marking, bending pages), lending and borrowing, etc.
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Literature & Literary StudiesJanuary 2019Texts and readers in the Age of Marvell
by Christopher D'Addario, Matthew C. Augustine, Christopher D'Addario, Michael Scoenfeldt, Randy Robertston, Derek Hirst, Kathleen Lynch, Nigel Smith, Timothy Raylor, Anne Cotterill, Joad Raymond, Matthew C. Augustine, Michael McKeon, Steven Zwicker
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Humanities & Social SciencesOctober 2010The Effectiveness of the European Court of Justice
Why reluctant states comply
by Diana Panke
The effectiveness of international law depends upon the willingness of states to comply with its provisions. Despite the current move towards binding international law, every international organisation grapples with serious instances of non-compliance. As a reaction, numerous international courts and arbitration bodies have been strengthened in the last two decades. Unlike their domestic counterparts, international courts cannot rely on the monopoly of legitimate force as a last resort for restoring compliance. This raises the question under which conditions international courts are nevertheless able to promote compliance with international norms - even against the initial will of the affected states. This book looks at the European Court of Justice (ECJ) as an example of a court, which can apply judicial discourses, judgments and sanction-threats to cases in which states are reluctant to comply. Overall, the ECJ is very successful in ending norm violations through its compliance-instruments. However, some cases require up to 17 years or even a threat with sanctions until the effectiveness of European law is restored, while others are settled somewhat faster via judgments, or very quickly through judicial discourses. The book shows that issue-specific variables, such as the nature of the issue, its interpretational scope, its fit to domestic ideas, influence whether one of the three compliance instruments successfully induces compliance - even against the strong initial will of member states. ;
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LIKE, WHAT?Graphical Teasers for Young Readers
by Gideon Bar Sinai
Like many adults, children are naturally inquisitive. They easily grasp principles, find challenges, and enjoy dealing with them; but how do you encourage their curiosity? When they come upon such an original book, it is like a treasure chest of surprises: colorful, intelligent, and fascinating. This is a unique concept, primarily intended to entertain young and adult readers alike. The utilization and encouragement of their natural curiosity enhance the book's enjoyment. The entire series contains 81 multicolor graphical teasers that cover a rich and diverse world of events. Each teaser conceals a riddle, where its discovery is a challenge within itself. While attempting to decipher the mystery, the reader develops an expertise in creative and investigative thinking, as well as abstraction, spatial perception, and imagination. Author Gideon Bar-Sinai explains: “The book goes beyond stimulating the readers' curiosity and desire to investigate, confronting them with the complexity of our world. It clarifies that the world is not as simple and structured as suggest most psychometric books, which are the dogmatic, one-dimensional antithesis of Like, What?” This brilliant series expands the reader’s imagination with the colorfulness and humor invested in it; although containing but a few words, it provides the young readers – and their parents who have not yet lost their natural curiosity – with entertainment, learning, insight, and enjoyment. As a universal book without words, it transcends the barriers of age, language, and culture, and makes for an ideal gift. A sequel with 27 additional graphic teasers will be published soon. Gideon Bar-Sinai, 49, married and father of three, former pilot with a B.Sc. in computer sciences, worked for many years in software development and held senior management positions in several Hi-tech companies. Like, What? is the first volume in this original series of graphic-teaser books.
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The ArtsJanuary 2019Robert Bresson
by Keith Reader
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
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Poetry (Children's/YA)August 2018Animal
Poemas breves salvajes
by María José Ferrada, Ana Palmero
"Hidden in his horn he guards the secret of the jungle”. This might be as well the beginning of a novel, but it's an inspired riddle about wild animals. The illustrations in high varnish of this edition highlight the different skin textures of each animal and invites the reader to discover a new way of reading in a tactile and playful way.
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Literature & Literary StudiesOctober 2024Readers and mistresses
Kept women in Victorian literature
by Katie R. Peel
Readers and Mistresses: Kept Women in Victorian Literature identifies kept mistresses in British Victorian narrative and offers ways to understand their experiences. The author discusses kept women characters in Charles Dickens' Oliver Twist, Elizabeth Gaskell's Mary Barton and Ruth, Anne Brontë's The Tenant of Wildfell Hall, and George Eliot's Daniel Deronda, and examines the methods their authors use to encourage reader empathy. This book also usefully demonstrates how to identify kept women when they are less visible in texts. I look at primary women characters in Charlotte Brontë's Jane Eyre, Dickens' Hard Times and Dombey and Son, and George Gissing's The Odd Women.
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Children's & YADecember 2019The Middle
by Richa Jha and Eva Sanchez Gomez
The Middle is a story of a journey within a journey. A voracious reader, Azma, whose mind is full of questions as she reads, finds that the more books she consumes, the more the whys and hows in them consume her. One night, a torn scrap of paper floats into her room, carrying an incomplete line within its crinkles. She desperately searches for any missing words to complete the lonely phrase but failing at each attempt, she finally turns to writing her own beginning and end. The pages of The Middle are filled with surreal creatures - formidable, terrifying, looming – and these represent the fears and doubts of a mind struggling to make sense of the worlds captured within those books that only partially satisfy her as a reader. Azma embarks on an incomplete journey, ready to create its origin and end, finally realising the answers to all her impossible questions can only come to her when she writes her own version of the story. It is only then that the haunting creatures begin to soften and harmlessly melt away into themselves. Richa Jha’s lyrical prose and Eva Sanchez Gomez’s breathtaking visual poetry come together to narrate a tale that is both stunning and thought-provoking. For all the restless creative souls out there, The Middle presents an all-familiar trajectory of creating something new.
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