We are a Japanese publisher of Light Novels, Comics, Literary Fiction, and Picture Books for children. Our titles are translated and distributed by our licensee in 8 countries in Asia, China, Europe and the US.Our publication consist of two companies: 1) MICRO MAGAZINE(MM), and 2) Kill Time Communication (KTC).
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We are a one-stop platform to read, write, self-publish and sell ebooks in any of the Indian languages. Our mission is to empower the author's community with the digital tools and techniques, and we take care of the online presence of professionals in the publishing landscape, be they authors, publishers, editors, designers, publicists, etc.
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This anthology makes available to students and general readers the rich variety of Victorian magazines for women. The extracts range from fashion magazines to feminist journals, from serious works for Christian mothers to tales of romance and passion for 'sweethearts'. Focusing on the historical development of the British women's magazine, this extensively illustrated work gives access to texts which few readers ever see. The first main section describes and illustrates eight kinds of magazine for women. Though they have common features, the differences between the drawing room journal of the 1830s and 1840s and the cheap domestic magazines of the 1890s are clearly demonstrated. The second section focuses on those elements which made up the magazine's typical mix of ingredients, including fiction, the fashion plate, poetry, political journalism, advice columns and reader's letters. The last section is the most comprehensive listing of British Victorian women's magazines which currently exists. This is a work of scholarship but one which will appeal to students of Cultural, Historical, Literary and Women's Studies, as well as to the general interested reader. Like the magazines it represents, it offers its readers both entertainment and instruction. ;
What am I doing in New York City? fragt der jüngste und vielversprechendste Songwriter New Yorks, ein Aufnahmegerät in der Hand, ein Notizbuch griffbereit in der Hosentasche. Und was ihm einfällt, landet entweder als Song im Recorder und später auf CD oder im Heft und wird zum pulsierenden Text: Eine Zeitlang sammelte Adam Green seine Textproduktion jenseits der Musik in Fanzines, den sogenannten magazines. Jetzt sind diese, zusammen mit dem Langgedicht "Flowers of Capitalism" und anderen zwischen 2001 und 2004 entstandenen Texten, erstmals in Buchform erhältlich.
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Design and the Modern Magazine provides a thematically arranged set of essays that examine the changing character of the magazine as an important aspect of cultural life from the late nineteenth century until today. In doing so it offers some of the first detailed case-studies of individual titles and analyses how design decisions are made alongside editorial, commercial and technical considerations. The book suggests ways to understand the magazine as a designed object. Among the more significant titles considered are Woman's Home Companion, Design, Woman and Vogue. While largely drawing from British and American sources, the book also covers the impact of modern design ideas from Europe on such publications. The essays present new and original scholarship on the subject and will be of use to students and teachers working on a wide range of art and design history, and literature studies courses. ;
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An anthology of writings in the Indian Ladies Magazine, the first-ever English periodical edited and written by women in India
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Pulp brings together in one volume chapters on the best seller, detective fiction, popular romance, science fiction and horror. It combines a lucid and accessible account of the cultural theories that have informed the study of popular fiction with detailed readings of Jackie Collins, Jilly Cooper, Colin Dexter, William Gibson, Stephen King, Iain Banks, Terry McMillan and Walter Mosley. Scott Mc Cracken argues that popular fiction serves a vital function: it provides us with the means to construct a workable sense of self in the face of the disorientating pressures of modernity. ;
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»Ich behaupte, daß mir meine Flops im Lauf der Zeit geradezu ans Herz gewachsen sind.« (Hans Magnus Enzensberger) In diesem Schwarzbuch nimmt Enzensberger ein Thema ins Visier, das viele Künstlerkollegen scheuen, den Mißerfolg: »Wenigen Erfahrungen verdanke ich so viel; ich behaupte sogar, daß mir meine Flops im Lauf der Zeit geradezu ans Herz gewachsen sind. Sie gewähren Einblick in die Produktionsbedingungen, Manieren und Usancen des Kulturbetriebs und helfen dem Ahnungslosen, die Fallstricke, Minenfelder und Selbstschußanlagen einzuschätzen, mit denen er auf diesem Terrain zu rechnen hat.« Das demonstriert der Autor anhand von Geschichten und Einfällen, Exposés, Treatments, Szenen und Projekten aus fünfzig Jahren. Vieles von dem, was auf dem Weg zur Kinoleinwand, zur Theater-, Opern- und Operettenbühne, zum Magazin oder zur verlegerischen Unternehmung verworfen wurde oder versandet ist, sei’s zu Recht oder zu Unrecht, passiert in diesem schwarzen Buch Revue. Wer oder was war schuld an den kleinen und großen Niederlagen? Lag es am Geld, an der Justiz oder am eigenen Übermut? Aber das ist für Enzensberger nicht der springende Punkt. Jammern, sagt er, sei ungesund. Er amüsiert sich lieber und überläßt dem Publikum zu guter Letzt noch Ideen, aus denen sich jeder gratis und portofrei bedienen kann.
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
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The first volume of memoirs of the outstanding Ukrainian scholar Yuriy Shevelyov (Sherekh) is an invaluable source for understanding Ukrainian history of the first half of the twentieth century. The publication is first illustrated and contains 248 photographs; part of them - from the Shevelyov family album - is published for the first time. The text is complemented by 1626 notes and a name index. The preface is written by the compiler of the publication, Mr. Serhiy Vakulenko.
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Case studies examine competing definitions of feminism, contoured by The Second World War, circulating in cinema, women's magazines, social policies, government pamphlets, fashion, and broadcasting ;
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The amazing story of the home studio that helped launch some of Britain's most beloved bands. The Sheffield space age began in 1961, when local mechanic Ken Patten won a tape-recording competition by recreating the sound of a rocket launch using a pencil and a bicycle pump. In the decades that followed, the makeshift home studio he constructed became the launch pad for a group of young musicians who would shape the futuristic sound of 1980s pop. The Human League, Heaven 17, Pulp, ABC and others made their early recordings with Ken, whose DIY ethic was the perfect fit for a city facing industrial decline but teeming with ideas. Studio Electrophonique tells the story of a generation seeking new frontiers in music, using everything they could lay their hands on - from science fiction novels to glam rock, Dada art and cheap electronics - to get there. Drawing on original interviews with Jarvis Cocker, Martyn Ware, Mark White and others, it brings to light a world of humour, charm, creativity and unfounded yet undaunted self-belief.
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Gac fruit, Momordica cochinchinensis Spreng, is rich in nutrients such as carotenoids (particularly beta-carotene and lycopene), fatty acids, vitamin E, polyphenol compounds and flavonoids. This book provides the latest research on this fruit, from cultivation through to processing technologies for health products. It addresses several techniques on propagation and cultivation in order to increase the production and quality of Gac fruit, including traditionally used parts of the fruit (aril) and those whose value has not yet been maximized (peel, pulp and seed). This plant has the potential to be a high value crop, particularly as parts of the fruit can be processed into nutrient supplements and/or natural colorants. It has an exceptional potential in the world carotenoids market of about US$ 1.4 billion (2017), which will be growing steadily, up to US$ 6.9 billion by 2026. As such, this book contains special emphasis on: · Improving production of Gac fruit · Novel extraction of Gac oil rich in beta-carotene and lycopene from aril and peel. · Encapsulation of Gac oil rich in beta-carotene and lycopene. Practical applied technologies such as microwave drying, heat pump drying, freeze drying, ultrasound assisted extraction, supercritical CO2 extraction, encapsulation techniquesare all presented. This is an essential reference text for academics, researchers and graduate students in cultivation, food processing, science and nutrition. Product developers in health food areas in the food industry will also find it valuable.
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The book is symbolically dedicated to the memory of Yaroslav Isayevych and Dmitiy Furman and contains essays written in 2002-2013 and published in the famous magazine "Critics" and in the range of other national magazines as well as in foreign press, such as the Russian-American "Ab Imperio", the French "Anatoli. Dossier Reprsentations du monde dans l’espace postsovitique" and "Le Dbat," the Polish "Arcana," etc. Divided into five sections with eloquent titles - "Waiting for the Russian Gedroyets", "Ukrainian-Polish Adventures", "History of the Second World War", "Enslaved Academy" and "Inter Librorum" - and accompanied by the foreword "Third (not) redundant", two and a half dozens of essays are not so much a collection of diverse articles about various aspects of Polish-Ukrainian, Ukrainian-Russian and of Russian-Polish relations, but a monograph, a unified text, strongly connected by thorough intellectual plot, as the author himself underlines the impossibility to divide historiography and politics.
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Xie Yufei is the illustrator of Sanlian Life Weekly and several other books and magazines. The author shows his works from different periods, which give the traditional folk painting a modern style by combining the cartoon of living, line drawing, as well as scrawling and tinging. The book mainly expresses the fear of modern people towards the unknown factors in daily life, and their desire to fly as freely as a kite.
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Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;
