Studies in Photography
Publishing, books, journals and photographic prints
View Rights PortalPhoto Travel Editions is an italian independent Publishing House founded in 2018 and directed by Giovanni Marino. Books and reading are necessary tools to communicate beauty and to transmit memory and identity. In this context, Photo Travel Editions, develops as a natural evolution of a complex reality with the aim of giving voice to the need to spread and share the cultural tool par excellence, the book. Photo Travel Editions combines aspects of traditional publishing with the new modern publishing of E-books and audiobooks. The publishing project offers nonfiction books, contemporary fiction, poetry, photographic books and the re-edition of rare books. Great attention is paid to emerging authors who will be offered the means to reach an increasingly important number of readers, giving them the opportunity to express themselves, communicate and excite through writing.
View Rights PortalThis remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today.
Maher realizes one day he is an only child with no siblings. He starts to feel a bit lonely, and wishes he had siblings - like his friends and cousins. Luckily, his toys are here and now it’s time to show Maher what it means to be surrounded with brothers and sisters.It’s a heartwarming story that shows how rich and powerful the imagination of an only child can be.
Half of the Quilt(Picture Book Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
Ten-year-old Emma has cancer and is undergoing her first days in hospital. There are many feelings connected with this: she is worried about the treatment and misses home. Because she can’t go to a friend’s birthday party, she feels increasingly lonely. A conflict occurs with her roommate, but this resolves into a friendship. The two of them talk about their problems and are able to help each other. They start to make life on the children’s cancer ward as pleasant as possible. This book aims to help children affected by cancer to cope with their worries and feelings. It shows the children that they are not alone and that others are having a similar experience to theirs. For:• children of elementary school age(between 6 and 12 years) who havecancer• parents and relatives• therapists
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
Sid is a lonely boy who detests idle, lonely trees. He has good reasons though. At least he likes to think so. He does not notice the friendship between the dangling leaves, dancing to the song of the wind. He ignores countless birds returning to the safety of their comfy homes, nestled in the soft spots of rough branches, after a long day of collecting worms. So when he is called a brainless tree for missing a save in soccer at school, it is easy for him to decide he never wants to be a tree, until one morning he wakes up to have transformed into one. Srividhya Venkat spins a delectable fantasy around thinking twice about what you wish for, or not and depicts the transformation of Sid’s lonely life after he embraces the excitable voices of kids twisted in his vines and the ecosystem hovering above him. Nayantara Surendranath’s eccentric combination of art collage and digital creation expresses the refreshing quirks that breathe life into the tale.
When Rollie Birch returns home from the Great War in 1919 with a cluster of medals, he feels as if he’s landed in the wrong country. His wife has died, leaving behind an infant daughter born while he was overseas. His small logging town of Lumberton, Washington, has grown but still runs on gossip. Almost overnight, Rollie the hero becomes a pariah for his scandalous decision to raise his daughter by himself - a child rumored not to be his - and for refusing to talk about his wartime exploits. The past two years have changed Kay Sorensen as well. Daughter of the Lumberton timber baron, Kay spent the war working for her father, organizing patriotic and charitable efforts, and discovering her love for politics and business. But when her husband—Rollie’s former platoon commander—returns, Kay expects, correctly, that he’ll make her quit her job. She’s dreamed of marriage as an equal partnership; now, she chafes under her husband’s cold tyranny. Did the war change him? Rollie might know, and Kay steels herself to beg information from a man her husband has publicly insulted. But neither Kay nor Rollie can anticipate how secrets, lies, and horrifying revelations may destroy them. Do two lonely, passionate rebels have the moral courage to stand up to gossip, defy cultural boundaries, and dare reinvent themselves in a world forever changed?
The Picture Book of Philosophical Stories for Children inspired by four Chinese and foreign literary classics (Tales from a Carefree Studio, Moby Dick, Don Quixote, and A Midsummer Night's Dream), this book carefully retells the works of four famous writers - Pu Songling, Herman Melville, Cervantes, and Shakespeare - all set in the context of modern children's lives, containing profound philosophical ideas, and skillfully incorporating the true meaning of wisdom and discernment. The form of this book is children's favorite picture books style, so that children can talk to literary classics and understand the philosophy in the stories. According to Pu Songling's "Liao Zhai Zhiyi", the persona of Pu Songling is preserved and taken from the autobiography of "Liao Zhai Zhiyi" as well as part of the storyline. A lonely child with a world of his own. Showing a journey of waves, a history of retrospection and reflection, a future that should be even better. A lonely child, in need of friendship, a friend in trouble, in need of help. When the individual fights against power, the whole of nature comes to help, and the plant grows wildly, both in anger and in ecstasy.
This title chooses 40 winners of Cannes Film Festival to introduce and analyze to the readers. The author not only gives thorough representation of these classical works, but also express his own ideas about good films, the standard and core spirit of Cannes Film Festival.
When Tamta’s parents decide to have friends over at their house, Tamta decides to take their picture. Little Tamta has a little friend who lives in her camera and who pulls pranks on people. It annoys adults but Tamta has no care- she loves her little friend for his pranks. Old Camera describes the adult world through a child’s lens and fills it with fun, joy and insight.
The "Oracle Bone Picture Book" series introduces children aged 5-10 to Chinese characters. It explains the connection between character shapes and meanings of the ancient oracle bone script and showcases their real-life applications, helping children understand Chinese characters from their roots and fostering an appreciation for the script, making learning fun and engaging. It contains 10 books: "A Big Deal", "Amazing Mom", "Lessons from Animals", "The Heart of Plants", "Their Family", "Feast and Song", "Under the Sky, Between Mountains and Seas", "At Your Home, At Mine", "Off to the Hunt", "Face Stories".
“Do you think there are any good friendslike us anywhere in the world?” asksthe duck. Hare and Bear are certain:“Friends like us only exist once in theworld!”What would life be without friends?They accompany us through life, offersupport and make our best sides shine.Hare, duck and bear show children howto be a real friend in loving and impressivepictures.A picture book about how friendshipcan grow when we play together, laugh,share, comfort and encourage eachother, keep secrets and stick together.
'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.
THE INDEPENDENT is a unique collection of modern Ukrainian photography reflecting on political, cultural, and sport events, the tragedies, hopes, pride and joy of Ukraine. The photographs are taken by professional artists and documentalists. The book includes the previously unpublished images of the known Ukrainian photographers and some of those images are published exclusively for The Independent project. The book draws attention to the high professional level of the modern Ukrainian documentary makers and photographers. Despite risks and obstacles, they tirelessly continue to record history every day. This edition will be of interest to wide audiences both in Ukraine and abroad.