EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalAny reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
Invasions is an ambitious, new and authoritative study of one of the defining cultural products of the Victorian and Edwardian eras. By the outbreak of war in 1914 invasion-scare fiction had profoundly changed British society, becoming not just a vibrant part of popular culture, but a reference point among military planners, advertisers, and politicians. This intersection between politics and culture, between entertainment and war planning, sets invasion-scare stories apart as one of the most versatile and interesting fictional products in modern British history. Building on recent work in both history and literature studies, Invasions is the first study of invasion-scare fiction to examine both the form (that is, fiction) and the function (the political argument) of the genre.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
More than a coloring book; this album in French and English allows children to discover birds and the alphabet.
The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;
Sold over 1,600,000 copies!Under the guidance of 7th Lord Silver Dust, Qi Ling gradually gets to know this fantastic, magnificent world of sorcery. However, he accidentally breaks into the soul graveyard alone and the Utul Ruins, Aslan's forbidden area. Qi Ling gets acquainted with the 6th disciple A-D-F and the 5th disciple B-D-E (Ghost Mountain Lotus Spring), and together they embark on a more fantastic adventure. In the darkness, however, an unknown secret is breeding little by little, and a bloody hunting net has been spread over their head..
Marcus Hammerschmitt schreibt Science-fiction-Erzählungen, die technologische Phantasie, psychologische Einsicht, Lust am gedanklichen Experiment und poetische Erfindungskraft vereinen. Wie Herbert W. Franke oder Peter Schattschneider basiert er seine Geschichten auf einer soliden Grundlage, entwickelt seine Szenarios und Fabeln spielerisch, verknüpft sie aber dramatisch mit den größeren Problemen von Ökologie einerseits und den Zweifeln und inneren Konflikten des einzelnen andererseits.
Fantastic Histories explores the political and cultural contexts of the entry of fairies to the historical record in twelfth century England, and the subsequent uses of fairy narratives in both insular and continental history and romance. It traces the uses of the fairy as a contested marker of historicity and fictionality in the histories of Gerald of Wales and Walter Map, the continental mirabilia of Gervase of Tilbury, and the fourteenth- and fifteenth-century French Mélusine romances and their early English reception. Working across insular and continental source material, Fantastic Histories explores the practices of history-writing, fiction-making, and the culturally determined boundaries of wonder that defined the limits of medieval history.
This book investigates how people have thought about and experienced time, and how their ideas about time have shaped their political views and actions. Using French thinkers and activists of the radical left and right between the Dreyfus Affair and the First World War as a case study, it argues that time provides an important means of exploring how concepts such as nationalism, revolution and social change were understood at the turn of the century. Attending to different experiences of time - the speed at which it was perceived to move, the extent to which the future was near and graspable, the ways in which the past was seen to impinge on the present - opens up exciting new possibilities for analysing politics, ideologies and worldviews.
Magical World of the Wild is a theme-based book which introduces children to miniature, folk, modern and contemporary Indian art. It encourages them to observe and explore the world of animals through compelling artworks by well-known artists. Games such as Spot the Difference, Let’s Count, Join the Dots have been imaginatively adapted to make children seek alternative creative avenues. The book takes an interdisciplinary approach to enhance visual literacy and cognitive skills in young readers.
How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.
A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.