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        Chang Yu figure painting

        by Chang Yu

        In the modern Chinese painting circle, Chang Yu is a leader, once alternately refreshing the Chinese oil painting auction record. Painter Chang Yu has had ups and downs throughout her life, and insists on going her own way in art. He is recognized in the West as a world-class painter, a Chinese Modigliani, a painter who creates freely for his artistic beliefs and makes remarkable achievements. Chang Yu turned from the most familiar Chinese art to another brand new western art field, and constantly explored and pursued on the basis of Chinese painting, finally achieving Chang Yu's special painting style of simplicity and fluency. Chang Yu is an indelible Oriental pearl. Few books of Chang Yu are published in China. We popularize such art and publicize Chang Yu's achievements in the history of Chinese art in the 20th century.The series consists of 3 books. This book is a collection of Chang Yu's figure painting works, which contains more than 60 of his important and iconic figure works. Chang Yu's female body works are different from the expression Angle of nude paintings, and he uses the whole body outline of a naked woman to express the scenery in his mind. There are not many slim naked women in Chang Yu's works, but mostly plump and fat women. Quite the author "do not talk to people, alone in the dark" self-pity mode.

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        A Sugar Figure for Grandpa

        by Pi Kou, Duzi Dudu

        "Rat-a-tat, a little drum turns like a windmill faster and faster. Puff-a-puff, an old man blows a sugar figure harder and harder." As soon as Little Douzi’s grandpa shouts out, the lane is alive with kids coming out. With the passage of time, Litte Douzi grows up, while Grandpa gets old and sick. Little Douzi and Dad carries Grandpa's sugar load, and blows, kneads, pulls and cuts the sugar syrup. Then a sweet sugar figure warms the bleak autumn, cold winter and the sick Grandpa. Love will finally overcome all difficulties.

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        Literature & Literary Studies
        November 2017

        Liang Comments Historical Figures of China

        by Liang Heng

        This book selects 32 pieces of prose written by Liang Heng from 1996 to 2011, and the main content is the comment and reflection on historical figures including Mao Zedong, Zhou Enlai, Peng Dehuai, Zhang Wentian, Qu Qiubai, Fang Zhimin, Deng Xiaoping, Zhuge Liang, Tao Yuanming, Han Yu, Fan Zhongyan, Wen Tianxiang, Liu Yong, Li Qingzhao , Lin Zexu, Wang Luobin, Ji Xianlin, Zhao Puchu, Wu Wenji and other celebrities.

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        Humanities & Social Sciences
        June 2023

        Border images, border narratives

        The political aesthetics of boundaries and crossings

        by Johan Schimanski, Jopi Nyman

        This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.

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        Humanities & Social Sciences
        July 2022

        Bodies complexioned

        by Mark Dawson

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        The Arts
        February 2025

        Passage works

        Ruth Beckermann’s art

        by Patricia Allmer, John Sears

        Passage Works is the first book-length English language critical analysis of the transdisciplinary work of the Austrian film-maker, writer, and artist Ruth Beckermann (b. 1952, Vienna). Beckermann's works interrogate identity and geography as formations of the intersections between the past and the contemporary. Taking as her central topics Austria and its history and politics, her own identity as a Jewish woman, and the contemporary global geopolitics of migration and displacement, Beckermann develops wider meditations in film, art, and writing on the persistence of European memory, and the meanings of Europe itself; on borders, migrations, and identities; on memories, traumas, and traditions; on the image as marker of presence and absence, repository of the traces of historical violence; and on the passage as metaphor for a range of physical, psychological, and ideological movements defining the complexities of contemporary cosmopolitan identities.

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        Humanities & Social Sciences
        March 2017

        The language of empire

        Myths and metaphors of popular imperialism, 1880-1918

        by Robert Macdonald

        The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.

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        Humanities & Social Sciences
        May 2024

        Off white

        Central and Eastern Europe and the global history of race

        by Catherine Baker, Bogdan C. Iacob, Anikó Imre, James Mark

        This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identities, and of the region's current status as a global stronghold of unapologetic white, Christian nationalisms. Contributions address the pivotal role of whiteness in international diplomacy, geographical exploration, media cultures, music, intellectual discourses, academic theories, everyday language and banal nationalism's many avenues of expressions. The book offers new paradigms for understanding the relationships among racial capitalism, populism, economic peripherality and race.

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        The Arts
        January 2019

        Cinema - Italy

        by Stefania Parigi, Des O'Rawe

        A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini's Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell'Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.

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        Literature & Literary Studies
        June 2023

        Sound effects

        by Laura Jayne Wright

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        Humanities & Social Sciences
        November 2020

        The free speech wars

        by Charlotte Lydia Riley

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        Humanities & Social Sciences
        February 2017

        Images of Africa

        by Julia Gallagher

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        The Arts
        January 2019

        Spanish cinema 1973–2010

        Auteurism, politics, landscape and memory

        by Maria M. Delgado, Robin Fiddian

        This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.

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        Literature & Literary Studies
        June 2017

        Over her dead body

        by Elisabeth Bronfen

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        The Arts
        January 2019

        Patrice Leconte

        by Lisa Downing

        Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial. Pursuing a close reading of the recurrent themes, styles, intertexts and techniques which structure Leconte's filmmaking, Downing re-evaluates Leconte's status as an enigmatic artist offering complex and paradoxical commentary on contemporary questions of sexuality, ethics and identity. This book is the first full-length critical work in English on Leconte's cinema. It provides essential reading for both enthusiasts of French cinema and for those fascinated by the relationship between popular culture and theory.

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