EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalCrimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.
View Rights PortalTattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.
Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
A mystery novel by Zijin Chen, a web celebrity famous for serial detective stories. The Untouched Crime tells a story about hunting the serial killer who tends to leave a fingerprint and a note saying “Catch Me!” at each crime scene. Except for these, there isn’t any other clues. Who is the murderer? Why the murder claimed that he kills for saving lives?
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
Tabi Po tells the story of Elias, a neophyte aswang (flesh-eating humanoid creature). Born from a tree during the country’s Spanish era, Elias embarks on a journey with two older aswangs in the quest to understand their true nature. Along the way, Elias meets Salome, a sex slave of the friars, and falls for her. In the middle of a rising revolution, Elias is forced to face his own battles– his love for Salome and her pursuit of vengeance versus his hunger for flesh, the growing rift between himself and his two aswang mentors, the society’s stigma with their kind, and the battle with his own inner demons.
Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen's Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state's model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government. ;
Neste terceiro volume da Colectânea de Contos Traduzidos pelos vencedores do Concurso de Tradução Literária, apresentamos seis contos publicados entre 2017 e 2019 no âmbito do Caine Prize for African Writing e da colectânea New Short Fiction from Africa: ‘Involução’ da autoria da sul-africana Stacy Hardy que aborda abertamente a sexualidade da mulher, também preocupações sociais e políticas, faz alusão a questões como a degradação ambiental, o colonialismo e direitos da mulher, ancorados numa teatralidade conceptual necessária para que o conto não se torne efémero e engaje o sentido de humor do leitor para o aproximar da mente aberta de Hardy. ‘A heroína misteriosa’ ou ‘Mavbanelo na mayi’ em Bitonga, é da autoria da Tanzaniana Lydia Kasese. Ela escreve sobre as expectativas e pressões sociais que levam as mulheres a desejarem concertar tudo. Neste conto Kasese traz destramente à luz questões sobre o abuso de menores e o seu impacto sobre as famílias na Tanzânia e, não só. Alinafe Malonje estreou-se nesta colectânea da Short Story Day com o conto ‘Manutenção de Rotina’, um registo metafísico de um hotel: parte alegoria, parte meditação com um subtil comentário sobre o que significa ser mulher no Malawi. Natasha Omokhodion-Kalulu Banda cria um fabuloso hotel de fantasia que contém realidades sinistras, construindo um persuasivo mundo alternativo. Tariro Ndoro em ‘A lenda das duas irmãs’, ou ‘Xihitana xa vamakwavu na makwavu’ em Changana, traz uma abordagem arrepiante dos perigos da saudade, onde a busca por uma irmã num hotel de luxo em Victoria Falls tem um fim fantasmagórico. Mampianina Randria nos apresenta em ‘O Gatilho’, ou ‘Niyódeké sê xidúvúlá’ em Changana, um conto com um ritmo cerrado e um desfecho totalmente inesperado onde uma mulher que lida com as frustrações de quem entra na vida adulta.
Between 1803 and 1853, some 80,000 convicts were transported to Van Diemen's Land. Revising established models of the colonies, which tend to depict convict women as a peculiarly oppressed group, Gender, crime and empire argues that convict men and women in fact shared much in common. Placing men and women, ideas about masculinity, femininity, sexuality and the body, in comparative perspective, this book argues that historians must take fuller account of class to understand the relationships between gender and power. The book explores the ways in which ideas about fatherhood and household order initially informed the state's model of order, and the reasons why this foundered. It considers the shifting nature of state policies towards courtship, relationships and attempts at family formation which subsequently became matters of class conflict. It goes on to explore the ways in which ideas about gender and family informed liberal and humanitarian critiques of the colonies from the 1830s and 1840s and colonial demands for abolition and self-government.
This graphic novel tells a story of a Lithuanian boy Algiukas, who in 1941 together with his family was deported to Siberia. His aunt Petronella brings along a book of the Japanese haiku poems. In exile, she inspires the deportees not to succumb to the despair and to see the beautiful side of life. AWARDS Main Prize in Book Art Contest 2017 Best Book of the Year by IBBY Lithuania 2017 Best Illustrations for a Children’s Book by IBBY Lithuania 2017 White Raven 2017 The Aloysius Petrikas Literary Prize for Children’s Book of the Year 2018 Children’s Book of the Year 2018 (Lithuania) IBBY Honor List 2020 Nomination at the Angoulême International Comics Festival 2020 Selection for Children’s Book Jury in Latvia 2020 International Jānis Baltvilks Award in Latvia 2020 Nomination for Bologna Ragazzi Award 2020 in Italia Latvian edition of “Sibīrijas haiku” was included in the Latvian PEN list of the most important books published in Latvia in 2020 Nomination at the International Book Contest “Reading St. Petersburg,” 2021 (Russia) Nomination for Latvian Literature Prize 2020 Nomination for the Deutscher Jugendliteraturpreis 2021 in the young adult book category
The author spent 15 years in prison. She interviewed most of her inmates about the crimes for which they were imprisoned for, selected the best stories, and narrated them as brilliant true crime stories told during their everyday life of imprisonment. At the same time, she shows how commiting a crime was the only way to escape from an oppresing living conditions. Every story dives into the human condition and its social restrains, in magnificent story-telling techniques not exent of a sour sense of humour.
Risk, anxiety and moral panic are endemic to contemporary societies and media forms. How do these phenomena manifest in a place like South Africa, which features heightened insecurity, deep inequality and accelerated social change? What happens when cultures of fear intersect with pervasive systems of gender, race and class? Worrier state investigates four case studies in which fear and anxiety appear in radically different ways: the far right myth of 'white genocide'; so-called 'Satanist' murders of young women; an urban legend about township crime; and social theories about safety and goodness in the suburbs. Falkof foregrounds the significance of emotion as a socio-political force, emphasising South Africa's imbrication within globalised conditions of anxiety and thus its fundamental and often-ignored hypermodernity. The book offers a bold and creative perspective on the social roles of fear and emotion in South Africa and thus on everyday life in this complex place.
On a nice fall day of 1988, Zakiya Zaghwani was found lying dead at the edge of the desert, giving way to a quest to discover the circumstances surrounding her death. While looking for whoever was involved in the death of the young singer, nearby residents discover bit by bit their involvement in many things other than the crime itself. ///The story takes place in a town near the desert. And as with Khatibi’s previous novels, this one is also marked by a tight plot, revolving around the murder of a singer who works in a hotel. This sets off a series of complex investigations that defy easy conclusions and invite doubt about the involvement of more than one character. /// Through the narrators of the novel, who also happen to be its protagonists, the author delves into the history of colonialism and the Algerian War of Independence and its successors, describing the circumstances of the story whose events unfold throughout the month. As such, the characters suspected of killing the singer are not only accused of a criminal offense, but are also concerned, as it appears, with the great legacy that the War of Independence left, from different aspects.///The novel looks back at a critical period in the modern history of Algeria that witnessed the largest socio-political crisis following its independence in 1988. While the story avoids the immediate circumstances of the war, it rather invokes the events leading up to it and tracks its impact on the social life, while capturing the daily life of vulnerable and marginalized groups. /// Nonetheless, those residents’ vulnerability does not necessarily mean they are innocent. As it appears, they are all involved in a crime that is laden with symbolism and hints at the status of women in a society shackled by a heavy legacy of a violent, wounded masculinity. This approach to addressing social issues reflects a longing to break loose from the stereotypical discourse that sets heroism in a pre-defined mold and reduces the truth to only one of its dimensions.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.