Caramel specializes in the creation and packaging of children’s books destined for the mass-market. We are based in Brussels and have been serving as an international book packager since 1993. Caramel continues to innovate with new concepts, while also expanding its editorial program. We possess a wide range of eductional products from board books to activity books, that can easily be translated into more than 60 languages!
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Cartageo.com - Online bookshop and wholesale supplier of geographical maps and globes, wall maps, reproduction of antique maps. Touristic, topographic, geographical and antique maps. Vendita online di carte geografiche, carte murali, mappamondi e riproduzioni di carte antiche. Vendita al dettaglio via web e fornitura all'ingrosso per librerie, agenzie turistiche ed esercizi specializzati in genere.
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Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;
Drawing on the recent ontological turn in critical theory, Spectral Dickens explores an aspect of literary character that is neither real nor fictional, but spectral. This work thus provides an in-depth study of the inimitable characters populating Dickens' illustrated novels using three hauntological concepts: the Freudian uncanny, Derridean spectrality, and the Lacanian real. Thus, while the current discourse on character studies, which revolves around values like realism, depth, and lifelikeness, tends to see characters as mimetic of persons, this book invents new critical concepts to account for non-mimetic forms of characterization. These spectral forms bring to light the important influence of developments in nineteenth-century visual culture, such as the lithography and caricature of Daumier and J.J. Grandville. The spectrality of novelistic characters developed here paves the way for a new understanding of fictional characters in general.
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This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;
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Comic empires is a unique collection of new research exploring the relationship between imperialism and political cartoons, caricature, and satirical art. Edited by leading scholars across both fields (and with contributions from contexts as diverse as Egypt, Australia, the United States, and China, as well as Europe) the volume provides new perspectives on well-known events, and illuminates little-known players in the 'great game' of empire in modern times. Some of the finest comic art of the period is deployed as evidence, and examined seriously, in its own right, for the first time. Accessible to students of history at all levels, Comic empires is a major addition to the world-leading 'Studies in Imperialism' series, as well as standing alone as an innovative and significant contribution to the ever-growing international field of comics studies.
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The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature.
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The years between 1830 and 1852 were turbulent ones in French politics - but were also a golden age for French political caricature. Caricature was wielded as a political weapon, so much so that in 1835 the French politician Adolphe Thiers claimed that 'nothing was more dangerous' than graphic satire. This book is the first full study of French political caricature during the critical years of the July Monarchy (1830-48) and the Second Republic (1848-52). Focusing on the crucial question of republicanism, it shows how caricature was used - by both republicans and anti-republicans - to discuss, define and articulate notions of republican identity during this highly significant period in modern French and European history. ;
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Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Fake Dating vom Feinsten! Sie ist die Erbin einer der größten Hoteldynastien Amerikas, er ist ein Kleinkrimineller. Noelle will ihrem Vater ihren neuen Freund vorstellen, Memphis will die Reichen um ihren Schmuck erleichtern. In einer schicksalhaften Nacht auf einer Wohltätigkeitsveranstaltung prallen ihre Welten aufeinander. Alles, was schiefgehen kann, geht schief – und auf der Tanzfläche landet Noelle in den Armen von Memphis. Schon wenige Stunden später kursieren Fotos der beiden in der Boulevardpresse. Unter dem Druck ihres strengen Vaters behauptet Noelle, Memphis sei ihr neuer Partner. Wie soll sie ihrem Vater erklären, dass sie ihren echten Freund auf der Gala beim Fremdgehen erwischt hat, nur um kurz darauf mit einem Gangster zu tanzen? Doch ihre Notlüge schlägt höhere Wellen als gedacht: Ihr Vater besteht darauf, dass ihr vermeintlicher Freund mit auf den Familiensitz nach Colorado kommt, um ihn auf Herz und Nieren zu prüfen. Noelle bleibt nichts anderes übrig, als Memphis einen Deal vorzuschlagen … The Truth In Your Lies: Gegensätze ziehen sich an New Adult at it's best: Die aufregende Liebesgeschichte zwischen der reichen Hotelerbin Noelle und dem charmanten Gauner Memphis. Große Emotionen: Ein mitreißender Roman über Liebe, Selbstfindung und die Kraft, den eigenen Weg zu gehen – für Mädchen ab 16 Jahren. Voll im Trend: Mit den angesagten Tropes Fake Dating und Opposites attract. New Adult mit feministischem Twist: Eine starke Protagonistin auf der Reise zu sich selbst. Genial ausgestattet: Softcover mit Klappen, einem trendig illustrierten Farbschnitt in der Erstauflage und einem abtrennbaren Lesezeichen. The Truth In Your Lies entführt seine Leser*innen ab 16 Jahren in eine Welt der ganz großen Gefühle. Neben den beliebten Tropes „Fake Dating“ und „Opposites attract“ sorgt ein feministischer Twist für Tiefgang: Die Hotelerbin Noelle entwickelt sich von einer Frau, die ihre eigenen Bedürfnisse zurückstellt, zu einer selbstbewussten Persönlichkeit. Das perfekte Buch für Fans von New-Adult-Romanen!
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Man brings apocalyptic plagues to the world and his fellow primates – from global warming to the destruction of forests. While millions of monkeys and apes lived on Earth only a few decades ago, today many species are strongly endangered. In this book the anthropologist and monkey researcher Volker Sommer calls on us to finally protect the fundamental rights such as the right to life, freedom and physical integrity of the great apes. For all his seriousness, Sommer is also a great storyteller who deals with his own profession with humour, sympathy and in a highly instructive way.
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False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.
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The novel, Dust between Earth and Heaven, is a literary work created by Pan Feng, an author born in Hunan, based on his family history, which spans a century.
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This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In rethinking the figure of the flâneur, the contributors apply the most current thinking in literature and urban studies to an examination of visual culture of the period, including painting, caricature, illustrated magazines, and posters. Using a variety of approaches, the collection re-examines the long-held belief that life in Paris was divided according to strict gender norms, with men free to roam in public space while women were restricted to the privacy of the domestic sphere. Framed by essays by Janet Wolff and Linda Nochlin - two scholars whose work has been central to the investigation of gender and representation in the nineteenth century - this collection brings together new methods of looking at visual culture with a more nuanced way of picturing city life.
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During the corona crisis, Robert Koch‘s name has been on everyone‘s lips: Robert Koch is regarded as one of the shining lights in German medical history. However, the expedition that he undertakes in 1906 to the “protected area” of German East Africa even the institute named after him describes as the darkest chapter in Koch‘s history. Lichtwarck-Aschoff‘s oppressive book tells how the Nobel laureate conducted medical tests on people suffering from the sleeping sickness transmitted by the tsetse fly, and recommended the internment of sick people in camps. The aim was to preserve the labour power of the healthy colonised – even if that were at the cost of the infected suffering damage to their body and soul or even dying.
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