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NATIONAL AUTONOMOUS UNIVERSITY OF MEXICO
UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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Promoted Content
Humanities & Social SciencesOctober 2024Egypt and the rise of fluid authoritarianism
Political ecology, power and the crisis of legitimacy
by Maria Gloria Polimeno
Egypt and the rise of fluid authoritarianism focuses on the struggle of the post-2013 political authorities for internal political legitimacy after the crisis following the 2013 coup d'état. It explores the microstructural and macro-systemic dynamics of leadership, power, protests and the authority-making process in political systems. These cannot simply be defined as structural, political, social and economic projections of the authoritarianism of the past, but rather as a rupture with that past. The book offers a complex, ground-breaking socio-political and economic analysis into how the forging of an internal political legitimacy claim has eventually modified the regime in Egypt along the authoritarian spectrum, turning into a fluid autocracy closer to a non-exclusivist personalist regime. This shift had implications that resonated both politically and economically.
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Humanities & Social SciencesApril 2020Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America
The Invention of Donald Trump and the Erosion of America
by Sarah Kendzior
Instant New York Times BestsellerWashington Post BestsellerUSA Today BestsellerIndie Bound BestsellerAuthors Round the South BestsellerMidwest Indie BestsellerNew York Times bestselling author Sarah Kendzior documents the truth about the calculated rise to power of Donald Trump since the 1980s and how the erosion of our liberties made an American demagogue possible.The story of Donald Trump’s rise to power is the story of a buried American history – buried because people in power liked it that way. It was visible without being seen, influential without being named, ubiquitous without being overt.Sarah Kendzior’s Hiding in Plain Sight pulls back the veil on a history spanning decades, a history of an American autocrat in the making. In doing so, she reveals the inherent fragility of American democracy – how our continual loss of freedom, the rise of consolidated corruption, and the secrets behind a burgeoning autocratic United States have been hiding in plain sight for decades.In Kendzior’s signature and celebrated style, she expertly outlines Trump’s meteoric rise from the 1980s until today, interlinking key moments of his life with the degradation of the American political system and the continual erosion of our civil liberties by foreign powers. Kendzior also offers a never-before-seen look at her lifelong tendency to be in the wrong place at the wrong time – living in New York through 9/11 and in St. Louis during the Ferguson uprising, and researching media and authoritarianism when Trump emerged using the same tactics as the post-Soviet dictatorships she had long studied.It is a terrible feeling to sense a threat coming, but it is worse when we let apathy, doubt, and fear prevent us from preparing ourselves. Hiding in Plain Sight confronts the injustice we have too long ignored because the truth is the only way forward
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FictionJanuary 2015The Blade Warrior
by P.M. Thomas
An epic fantasy full of adventure, thrills and action in the style of the old school 80s sword and sorcery movies like "Conan the Barbarian" An immortal tyrant, an iron ruler, with an insatiable quest for conquering the world of Rygar destroys the glorious city of Trogar. Only two survive, a Princess and a nameless loyal warrior known only by his title, The Blade Warrior, driven by revenge at the loss of everything they hold dear and sacred, the two embark on a dangerous and perilous journey across a land full of the aggressor's forces and indigenous species that inherit the world of Rygar to The Iron Ruler's expanding kingdom with the hope of ending his cold, heartless reign and restoring peace and balance to the realm. It is engraved in stone, carved in steel, documented in ink, preached by elders: good always prevails and triumphs over the forces of evil. A champion will emerge from the ashes of decay, stand up and oppose the iron ruler in the name of virtue. It is just a matter of time. The target audience for the book are fans of the sword & sorcery genre, teens, young adults and even adults who admire the craftsmanship that goes into creating a living, breathing fantasy world, and those who enjoy the old 80s fantasy movies full of great peril and heroism with the muscular hero, the fair princess and the tyrannical villain.
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Colonialism & imperialismDecember 2019Violence and Emancipation in Colonial Ideology
by Rohan B. E. PRICE
Are there ethics justifying anti-colonial violence? How and why did the violence and visions of nationalist movements become incorporated by colonial and neo-colonial rule? Using the insurrection by the Malayan Communist Party (1948–1960) as an example, this book argues that resorting to violence sped up the decolonisation of British Malaya by forcing its colonial administration to invent Malay nationalism and pursue ameliorative social policy among the Chinese diaspora community in a manner clearly derived from the Party’s platform. Yet this was not the same as giving the country economic emancipation from the expectations of neo-colonial rule. Violence and Emancipation in Colonial Ideology entertains no warm colonial memories of the cold war years. Confirming Price’s reputation as a plain speaking critic of Empire apologia, this book asks how colonial ideology was considered to be beneath Europe yet desperately needed by it. He faces down nostalgic communities defending an outdated view that “might was right” in South East Asia and that communism failed to contribute to the world that came to be. Using an Althusserian assumption, the book begs the question: if a late colonial state was subjective, then how did it claim a sufficiently objective mantle to rule and how did ideological techniques enable this? “… A major contribution to the literature.” – Prof Kerry Brown, Professor of Chinese Studies and Director of the Lau China Institute at King’s College London “… [an] unparalleled command of both scholarly literature and primary sources…” – Prof Björn Ahl, Professor and Chair of Chinese Legal Culture at the University of Cologne
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Military life & institutionsApril 2014The Art of Military Coercion
Why the West's Military Superiority Scarcely Matters
by Rob de Wijk
The United States spends more on its military than the rest of the world combined. And Western nations in general spend far more than developing nations around the globe. Yet when Western nations have found themselves in conflicts in recent decades, their performance has been mixed at best. In his fully updated new edition of The Art of Military Coercion, Rob de Wijk presents a theory on the use of force. He argues that the key is a failure to use force decisively, to properly understand the dynamics of conflict and balance means and ends. Without that ability, superiority of dollars, numbers, and weaponry won't necessarily translate to victory.
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Biography & True StoriesApril 2019Unseen Worlds
Adventures at the Crossroads of Vodou Spirits and Latter-day Saints
by Marilène Phipps
All rights available for her second book House of Fossils. The extraordinary life of Marilène Phipps begain in Haiti—the magical island of African Vodou gods who followed their devotees on the slave ships, and the world's first black republic—the singular cultural context and exotic milieu of the Caribbean, where hell and paradise can transfix us daily. In this powerful memoir, we enter the lives of a family who are both descendants of European aristocrats and African slaves. We meet Phipps's godfather, the rebel leader Guslé Villedrouin, and we relive her experiences with Vodou priests and spirits, a cold-eyed pope, a charismatic Muslim astrologer, Catholic monks and exorcists, American Mormon bishops, scholars and missionaries. Through it all, we are stirred by the antithetical feel of entitlement and destitution, barbarism and lyricism, infinity and insanity. The 2010 earthquake in Haiti brings a collapse to Phipps's world, but is also the start for her to find modern answers to the ancient questions, "Who are we? Where do we come from? Where are we going?"
