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      • Trusted Partner
        The Arts
        June 2017

        Popular television drama

        Critical perspectives

        by Jonathan Bignell, Stephen Lacey

        Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.

      • Trusted Partner
        The Arts
        June 2017

        Gothic television

        by Helen Wheatley

        Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.

      • Trusted Partner
        The Arts
        June 2021

        Genre and performance: film and television

        by Christine Cornea

        Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.

      • Trusted Partner
        Humanities & Social Sciences
        June 2020

        Fictional television and American politics

        by Jack Holland

      • Trusted Partner
        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

      • Trusted Partner
        The Arts
        September 2023

        Mothers on American television

        by Kim Akass

      • Trusted Partner
        Children's & YA
        2009

        Old Camera

        by Alexander Asatiani

        When Tamta’s parents decide to have friends over at their house, Tamta decides to take their picture. Little Tamta has a little friend who lives in her camera and who pulls pranks on people. It annoys adults but Tamta has no care- she loves her little friend for his pranks. Old Camera describes the adult world through a child’s lens and fills it with fun, joy and insight.

      • Trusted Partner
      • Trusted Partner
        April 2005

        Video

        Das reflexive Medium

        by Yvonne Spielmann

        Vom Aufkommen der Videotechnik Mitte der sechziger Jahre bis heute hat sich ein breitgefächertes Feld der Videopraxis etabliert. Es nimmt seinen Ausgang in der Auseinandersetzung mit den Parallelmedien Fernsehen und Performance und entwickelt im Rahmen der Formatvorgaben von Videoband, Videoinstallation und Videoperformance ein eigenes ästhetisches Vokabular. Dieses zeichnet sich durch Übergänge zur Installation, zum Happening und zu multimedialen, hypermedialen und interaktiven Präsentationsformen aus. Yvonne Spielmann fragt in ihrer detaillierten Studie nach dem Stellenwert von Video in technologischer, ästhetischer und medienkultureller Perspektive und vertritt die These, daß Video ein eigenständiges Medium darstellt und nicht etwa ein Zwischenstadium, das mit der Einführung digitaler Technologien obsolet würde. Der vorliegende Band bietet einen Überblick über die Theorie und Geschichte der Videokunst und stellt daher ein Kompendium dieser für die Kunst der Gegenwart maßgeblichen Medienform dar.

      • Trusted Partner
        The Arts
        September 2008

        Entertaining television

        The BBC and popular television culture in the 1950s

        by Su Holmes

        Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies - such as the soap opera, the quiz/ game show, the 'problem' show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity. The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history. ;

      • Trusted Partner
        Popular culture
        July 2015

        Experimental British television

        by Martin Hargreaves

        Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium. Avaible for the first time in paperback, Experimental British television uncovers the history of experimental television, bringing back forgotten programmes in addition to looking at relatively more privileged artists or programme strands from fresh perspectives. The book therefore goes against the grain of dominant television studies, which tends to place the medium within the flow of the 'everyday', in order to scrutinise those productions that attempted to make more serious interventions within the medium.

      • Trusted Partner
        Humanities & Social Sciences
        May 2015

        Experimental British television

        by Laura Mulvey, Martin Hargreaves, Jamie Sexton

        Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium. Avaible for the first time in paperback, Experimental British television uncovers the history of experimental television, bringing back forgotten programmes in addition to looking at relatively more privileged artists or programme strands from fresh perspectives. The book therefore goes against the grain of dominant television studies, which tends to place the medium within the flow of the 'everyday', in order to scrutinise those productions that attempted to make more serious interventions within the medium. ;

      • Trusted Partner
        The Arts
        August 2005

        Popular television drama

        Critical perspectives

        by Jonathan Bignell, Stephen Lacey, Susan Williams

        'Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves. ;

      • Trusted Partner
        The Arts
        November 2013

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;

      • Trusted Partner
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      • Trusted Partner

        Oracle Bone Picture Book

        by Central Academy of Fine Arts Picture Book Creation Studio

        The "Oracle Bone Picture Book" series introduces children aged 5-10 to Chinese characters. It explains the connection between character shapes and meanings of the ancient oracle bone script and showcases their real-life applications, helping children understand Chinese characters from their roots and fostering an appreciation for the script, making learning fun and engaging. It contains 10 books: "A Big Deal", "Amazing Mom", "Lessons from Animals", "The Heart of Plants", "Their Family", "Feast and Song", "Under the Sky, Between Mountains and Seas", "At Your Home, At Mine", "Off to the Hunt", "Face Stories".

      • Children's & YA
        September 2024

        Picture book "Bibbi"

        by Meggie Berns

        Feodora + Gino present: Bibbi Feodora goes to the market with her mom. That's when she meets Gino. A grumpy honeybee attracts the attention of the two dino children. She seems to have a problem that is really putting her in a bad mood. But now Feodora + Gino are curious to find out what they can do for the little bee. Eucational approach: What does the book Bibbi aim to express? Even if you sometimes get the impression that something seems too difficult or too strenuous and you would rather throw it all away, you should take time to reflect on things carefully. Sometimes something you have to do might not be so bad after all! Each of the picture books has a basic theme that is dealt with. There is always a conclusion with which the story ends. This can then serve as a basis for further discussions on the topic. Picture book cinema This book by Meggie Berns has also been published as a movie in our picture book cinema. This means that it is 100% identical to “Bibbi - the movie”. Children who want to learn or practise reading can therefore read along word for word in the corresponding book.

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