Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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Poetry Book of Flor Loynaz, sister of Dulce María Loynaz and a very important figure of the literature of the beginning of the 20th century.
Dami Ajayi journeys into emotional borders that reveal the burdens of transitions, offering us lyrical poetry that reinvents perspectives. Here is the poetry of the quotidian, a philosophic and profound interrogation, and relationships, of words, of bodies and their burdens, of times and time. There is poetry here, and it breathes.
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Vasyl Stus was not only a poet of rare talent, publicist, translator and literary critic, but he is also a personification of "the voice of conscience in the world of shaky and blurred concepts of honour, truth, decency." He spent nearly half of his life in Soviet detention centres, solitary confinement cells, Mordovian and Kolyma camps and toiling at mines. The Soviet penal system deprived him of family visits, seized his poems, letters and manuscripts, physically abused him and tried to destroy him morally but it never managed to break his spirit.The poems in this collection are the best examples of Vasyl Stus's lyrics. In these lines, civic motives and the artist's pain for the fate of Ukraine are intertwined with a delicate lace of love lyrics and philosophical reflections on life and the purpose of man. Poems are full of hope and unyielding resolve.
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"Changsha Poetry Map" is a collection of poems composed by Hunan poet Chen Huifang who visited the streets and alleys of Changsha for 7 years. This collection of poems is China’s first personal collection of poems "using poems as a city". It contains 200 poems and records the humanities in Changsha such as Orange Island, Du Fujiang Pavilion, Aiwan Pavilion, Fire Palace, etc. , Historical imprint or natural scenery. The promotion of "New Changsha" will play a positive and beneficial role in showing the appearance of Changsha, a famous historical and cultural city.
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"Book of Poetry" is the beginning of ancient Chinese poetry and the earliest collection of poems. A collection of 305 ancient poems from the 11th century BC to the 6th century BC were originally called "Poems" or "Three Hundred Poems". In the Western Han Dynasty, they were revered as Confucian classics and they were called "Book of Poetry". "The Book of Poetry" is divided into three parts: "Wind", "Ya" and "Ode". It is rich in content, reflecting labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and banquet, and even astronomical phenomena, landforms, animals, Plants and other aspects are a mirror of social life in the Zhou Dynasty.
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The lyric poetry describes and praises Yongzhou, a city of Hunan province that is noted for its profound history and breathtaking landscape. The book combines poems composed by the author and various pictures to lead readers to appreciate the beauty of Yongzhou.
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Poetry Book of Carilda Oliver Labra National Literary Prize in Cuba.
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Poetry Book of Dulce María Loynaz written as a love letter to the Egiptian King Tut Ank Amon.
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starting point. David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery's writing. Presenting the poet in all his forms -avant-garde, nostalgic, sublime and camp - the book argues that the perpetual inventiveness of Ashbery's work has always been underpinned by the poets desire to write the poem fit to cope with its occasion. Tracing Ashbery's development in the light of this idea, and from its origins in the dazzling artistic environment of 1950's New York, the book evaluates his poetry against the aesthetic, literary and historical backgrounds that have informed it. The story of a brilliant career, and a history of the period in which that career has taken shape, John Ashbery and American Poetry provides a compelling account of Ashbery's importance to Twentieth Century Literature. ;
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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In the Zoo: poem-game is a beautiful folding book about animals with educational poems for little children. From 3 to 5 years, 113 words Rightsholders: Diana Semak, bohdanbooksco@gmail.com
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These poetic tales for children address things around us such as the wall, the stone, the ear, the river, and others, humanize them, and present them as free verse poetry. It also includes an audio CD containing song versions of the tales, all of which are loaded with pedagogical, aesthetic, and humanitarian messages. The importance of “A Laughing Sun” stems from its adoption of the poetic tale in most poems. It carries implications for reverence of science, arts, freedom, and human diversity, and highlights the beauty of nature and the protection of the environment. The poems are replete with a sense of cheerfulness and humor, and the collection focuses on the imagination and stimulates both scientific and creative thinking.
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A statement on otherness, a song of love and sincerity, Poème pour une petite fille à l’autre bout du monde is an invitation into the intimate sphere of the poet. It is the figuration of the paternal real brought to its highest point. A father and a little girl meet somewhere, at the other end of a street or a railway station, to talk about friendship, life and their regrets, to take stock of all their failed acts and to give each other reasons to love each other, despite the distance, the disarray and the madness that can arise from absence.
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In 1660 Charles II was restored to the thrones of England, Scotland and Ireland, but his hold on power was precarious. In particular, Ireland was fundamentally unstable - Catholics formed the majority of the population in a country where Protestantism was the established religion, a state of affairs unique in Europe. It was through the law that the restored Stuart monarchy governed its subjects and its colonial dependencies, and this book examines how Catholics engaged with and experienced English common law primarily through the eyes of Catholic clerics and Gaelic poets. It also examines how Catholics engaged with the Courts and the particular challenges they faced as lawyers. The book draws on an extensive body of primary source materials, including Irish-language poetry and little-used archival material relating to elite Catholic families.
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An Apology for Poetry (or The Defence of Poesy), by the celebrated soldier-poet Sir Philip Sidney, is the most important work of literary theory published in the Renaissance. The new introduction and notes include a wealth of new information and new readings drawing on recent developments in Renassance Studies. Unfamiliar words and phrases are glossed, classical and other references explained, and difficult passages analysed in detail. The first separate edition of Sidney's seminal text to be published for more than a decade. Since 1965 Geoffrey Shepherd's edition of the Apology has been the standard, and this revision of Shepherd's edition, with a new introduction and extensive notes, is designed to introduce Sidney's best-known work to a new generation of readers at the beginning. ;
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This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
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The twentieth century was a time for the brightest and daring ways of expressing themselves in creativity. It was a time to experiment with form and content, and the historical revolution was reflected in the texts of writers and poets. How Ukrainian poets saw this time and how they felt will be clearly shown by the Anthology of Ukrainian Poetry of the Twentieth Century. From Tychyna to Zhadan. Thanks to this book, the reader will find the already known works by Dmytro Pavlychko, Vasyl‘ Stus, Lina Kostenko, and get acquainted with the work of those who became famous at the end of the century — Yuriy Izdryk, Oleksiy Zhupanskiy, Serhiy Zhadan, Galyna Kruk. You may also meet and come to love other talented names. Ivan Malkovych gathered everyone under one cover and became the compiler of this collection himself, a poet, publisher and owner of the publishing house "A-ba-ba-ha-la-ma-ha".
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A poem and two lyrical voices intertwine in this book that invites the reader to get closer to the secret life of a girl who, with her voice, tells us about the complexity and richness of her inner world. A world that although it is not visible to the adult, has grown within her. On the other hand, there is the voice of the adult, who approaches and distances the girl, recognizing that inner world and its uniqueness. This poem written by Adolfo Córdova is extremely delicate and finds its counterpart in the work of Amanda Mijangos, who with pencil, oil monotype on paper, watercolour, and digital work, shows us that inner world with visual metaphors. The book contains a wonderful surprise: it is an accordion book (with a hardback spine) that allows the two voices and images of nature to be traversed. A book that talks about the intimate life of childhood and the relationship between this and adulthood.
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Though poets have always written about cities, the commonest critical categories (pastoral poetry, nature poetry, Romantic poetry, Georgian poetry, etc.) have usually stressed the rural, so that poetry can seem irrelevant to a predominantly urban populati. Explores a range of contemporary poets who visit the 'mean streets' of the contemporary urban scene, seeking the often cacophonous music of what happens here. Poets discussed include: Ken Smith, Iain Sinclair, Roy Fisher, Edwin Morgan, Sean O'Brien, Ciaran Carson, Peter Reading, Matt Simpson, Douglas Houston, Deryn Rees-Jones, Denise Riley, Ken Edwards, Levi Tafari, Aidan Hun, and Robert Hampson. Approaches contemporary poetry within a broad spectrum of personal, social, literary, and cultural concerns. Includes 'loco-specific' chapters, on cities including Hull, Liverpool, London, and Birmingham, with an additional chapter on 'post-industrial' cities such as Belfast, Glasgow and Dundee. ;
