Phileas Fogg Agency
Agency representing picture books projects, Foreign rights for publishers of picture books, representation of portfolios, contract consultancies.
View Rights PortalAgency representing picture books projects, Foreign rights for publishers of picture books, representation of portfolios, contract consultancies.
View Rights PortalThe University of the Philippines Press (or the U.P. Press) is the official publishing house for all constituent units of the U.P. system, and is the first university press in the country. It is mandated to encourage, publish, and disseminate scholarly, creative, and scientific works that represent distinct contributions to knowledge in various academic disciplines, which commercial publishers would not ordinarily undertake to publish.
View Rights PortalThis book is available as an open access ebook under a CC-BY-NC-ND licence. At a time when payment is claiming a greater place than ever before within the NHS, this book provides the first in-depth investigation of the workings, scale and meaning of payment in British hospitals before the NHS. There were only three decades in British history when it was the norm for patients to pay the hospital; those between the end of the First World War and the establishment of the National Health Service in 1948. Payment played an important part in redefining rather than abandoning medical philanthropy, based on class divisions and the notion of financial contribution as a civic duty. With new insights on the scope of private medicine and the workings of the means test in the hospital, as well as the civic, consumer and charitable meanings associated with paying the hospital, Gosling offers a fresh perspective on healthcare before the NHS and welfare before the welfare state.
Whether for reasons of family, food, shopping or religion, it's hard to imagine a British winter without Christmas, or to think of a more traditional national festival. But how and when did Christmas cards, pantomimes and advertising become part of that tradition? This book looks at how people in the nineteenth and early twentieth centuries experienced Christmas and how today's priorities and rituals began and endured. It explores the origins of our deeply held notions around Christmas traditions and demonstrates how those ideas were in fact shaped by the fast-paced modernisation of English life. A fascinating account of the development of many things we now take for granted, the book touches on the history of childhood and the family, philanthropy and work, and the beginnings of consumerism that shaped the Christmas we know today.
Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.
Moving between Britain and Jamaica The bonds of family reconstructs the world of commerce, consumption and cultivation sustained through an extended engagement with the business of slavery. Transatlantic slavery was both shaping of and shaped by the dynamic networks of family that established Britain's Caribbean empire. Tracing the activities of a single extended family - the Hibberts - this book explores how slavery impacted on the social, cultural, economic and political landscape of Britain. It is a history of trade, colonisation, enrichment and the tangled web of relations that gave meaning to the transatlantic world. The Hibberts's trans-generational story imbricates the personal and the political, the private and the public, the local and the global. It is both the intimate narrative of a family and an analytical frame through which to explore Britain's history and legacies of slavery.
This book looks at a number of charities in London between 1918 and 1979, and the ways in which they negotiated the growth of the welfare state and changes in the communities around them.These charities - the 'university settlements'- were founded in the 1880's and 1890's and brought young graduates such as William Beveridge & Clement Attlee to deprived areas of cities to undertake social work. It is of interest to those who wish to know more about the complexities of the relationships between charities, the welfare state and individuals in the course of the twentieth century. Bradley argues that whilst the settlements often had difficulties in sustaining their work with the vulnerable, they remained an important factor between the individual and the impacts of poverty. Aimed at scholars in the fields of history, social policy, sociology and criminology this book will also be of interest to practitioners in the voluntary sector and government. ;
This book looks at a number of charities in London between 1918 and 1979, and the ways in which they negotiated the growth of the welfare state and changes in the communities around them.These charities - the 'university settlements'- were founded in the 1880's and 1890's and brought young graduates such as William Beveridge & Clement Attlee to deprived areas of cities to undertake social work. It is of interest to those who wish to know more about the complexities of the relationships between charities, the welfare state and individuals in the course of the twentieth century. Bradley argues that whilst the settlements often had difficulties in sustaining their work with the vulnerable, they remained an important factor between the individual and the impacts of poverty. Aimed at scholars in the fields of history, social policy, sociology and criminology this book will also be of interest to practitioners in the voluntary sector and government.
The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.
China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The School Day Gifts tells the story of the growth of a young umbrella maker. After graduating from high school, the protagonist became an umbrella maker, but he had no courage to go back to the school celebration day. Daddy saw what was on his mind and secretly helped him prepare gifts for my teachers and classmates, which were dozens of old-fashioned oilpaper umbrellas made of golden bamboo bones and oilpaper. Eventually he proudly participated in the school day and recited the poet Ai Qing's The Umbrella.
This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring.
Professional care and social work care for older people require thorough knowledge of gerontology, social work and nursing science. This book explains basic concepts of ageing, care and social work, describes the fundamentals of philanthropy and ethical decision-making as well as describing care policy stakeholders and fields of action.
Despite its enduring popularity as a national festival, Christmas has been largely neglected by English historians. Neil Armstrong offers the first study to examine both the experience and representation of Christmas during the formative period of the nineteenth and early twentieth centuries. This book explores the origins of our deeply held notions of the traditional nature of Christmas and demonstrates how they were shaped by English modernity. A study of both continuity and change, Christmas in nineteenth-Ccntury England makes an important contribution to cultural and social history, and is essential reading for anyone interested in the history of childhood, the family, philanthropy, work and consumerism. Scholarly yet accessible, it will be enjoyed by academics, students and the general public alike. ;
The Simons of Manchester revives the history of one of Manchester's most influential families, the Simons. The book investigates the lives and public work of Henry and Emily Simon, and Ernest and Shena Simon. Through philanthropy and work in social reform, the two generations of the Simons greatly enriched Manchester's cultural and civic institutions, worked to improve the lives of its citizens, and helped to spearhead profound national reforms in health, housing, planning and education. While many people in Manchester are familiar with the Simon name through Shena Simon College, Simonsway, and the Simon Building at the University of Manchester, there is scant public knowledge of who the Simons were and their legacy. As such, this edited volume of collected essays aims to illuminate their fascinating lives and public service to rehabilitate the Simons and examine their local and national significance.
Focusing on the structure, the book adopts different types of paper and an almost perfect printing technique. While reading, surprises occur from time to time so as to make readers delighted as if they have received a long-expected present.
Ukraine: from Ancient Times to the Present is an express guide to the past of our country from historians Maria Takhtaulova and Sergiy Zhukov. The book can be divided into two parts. The first part contains brief information on significant historic events (settlement of the first people, the formation of Kyivan Rus, the Cossacks, etc.); the second gives a general idea of the cultural achievements of Ukrainians (language, architecture, traditions, and much more). A simple presentation of information and many illustrations make the book ideal for familiarizing children with the history and culture of Ukraine, as well as contribute to the interest in this science.
In "Das Gift des Oktopus", dem zweiten Band der spannenden Nachfolge-Reihe "Die Erben der Animox", setzt sich das Abenteuer des mutigen Simon Thorn und seiner Freunde fort. Ein Jahr nach den ereignisreichen Kämpfen, die die Welt der Animox erschüttert haben, führt eine rätselhafte Nachricht Simon und seine Gefährten nach Australien, dem Land der gefährlichsten Tiere. Dort müssen sie einen verlorenen Raubstein finden, der eine entscheidende Rolle im Schicksal aller Animox spielt, indem er den Erben ihre Kräfte raubt. Doch die Mission ist alles andere als einfach. Australien empfängt die Gruppe mit einer Fülle von bisher ungekannten Herausforderungen und Gefahren, die nicht nur ihre physischen, sondern auch ihre emotionalen Grenzen auf die Probe stellen. Währenddessen findet sich Simons Bruder Nolan auf der anderen Seite des Konflikts wieder. Er hat sich dem finsteren Imperium angeschlossen, das die Macht über die Tierreiche an sich reißen will. Zwischen den Brüdern entbrennt ein erbitterter Kampf, der nicht nur ihre Beziehung, sondern das Schicksal der gesamten Animox-Welt bedroht. Während Simon und seine Freunde um das Überleben kämpfen und versuchen, den Raubstein zu sichern, müssen sie gleichzeitig einen Weg finden, Nolan von seinem gefährlichen Pfad abzubringen und ihm zu zeigen, dass es noch Hoffnung auf Versöhnung und einen gemeinsamen Kampf für das Gute gibt. "Das Gift des Oktopus" entführt die Leser in ein atemberaubendes Abenteuer voller Spannung, Magie und der tiefen Bande der Freundschaft, die selbst in der dunkelsten Stunde zu leuchten vermag. Spannendes Fantasy-Abenteuer im beliebten Animox-Universum: Tauche ein in die faszinierende Welt der Tierwandler! Atemberaubende Abenteuer in Australien: Entdecke das Land der giftigsten Tiere durch die Augen der Erben der Animox. Begleite Simon Thorn und seine Freunde auf ihrem Weg, während sie sich neuen Herausforderungen stellen und über sich hinauswachsen. Ein Kampf zwischen Gut und Böse: Erlebe den spannenden Konflikt zwischen Simon und seinem Bruder Nolan, der sich dem dunklen Imperium angeschlossen hat. Action und Emotion in perfekter Balance: Freue dich auf eine Geschichte, die nicht nur mit spannenden Kämpfen, sondern auch mit emotionalen Momenten überzeugt. Lerne die einzigartige Tierwelt Australiens kennen: Nicht nur für junge Leser eine spannende und lehrreiche Reise. Ideal für Fans der Animox-Reihe und neue Leser: Auch ohne Vorkenntnisse der ersten Bücher ein packendes Leseerlebnis. Fortsetzung der erfolgreichen Animox-Reihe: Die Geschichte geht weiter und hält neue, aufregende Wendungen bereit. Für Leser ab 10 Jahren: Ein Buch, das Kinder, Jugendliche und auch erwachsene Fantasy-Fans begeistert. Der Dein SPIEGEL-Bestseller, gelistet bei Antolin. Die Reihe umfasst insgesamt fünf Bände Band 1: Die Beute des FuchsesBand 2: Das Gift des OktopusBand 3: Der Kampf des ElefantenBand 4: Der Verrat des KaimansBand 5: Die Rache des Tigers Entdecke auch das Prequel, "Animox" Band 1: Das Heulen der Wölfe Band 2: Das Auge der Schlange Band 3: Die Stadt der Haie Band 4: Der Biss der Schwarzen Witwe Band 5: Der Flug des Adlers
Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.