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      • Kogan Page

        Kogan Page is the leading independent global publisher of specialist professional books and content with over 700 titles in print. Founded in 1967, our award-winning work offers solutions for professional practice and academic achievement in both print and digital form. Our author base, which is part of some of the most prestigious academic institutions, international commercial organisations or professional associations, delivers high level, accessible, professional content to our readers in our key subject areas: Leadership, Management, Marketing, Branding, Human Resources, Coaching, Logistics, Supply Chain, Entrepreneurship and Careers.

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      • Trusted Partner
        Religion in history
        Humanities & Social Sciences
        November 2004

        Religion in history

        Conflict, conversion and coexistence

        by John Wolffe

        This is an integrated collection of essays by leading scholars that looks at issues of conflict, conversion and coexistence in the religious context since the third century. The range of topics explored include paganism and Christianity in the later Roman world, the Crusades, the impact of the Reformation in Britain and Ireland, subsequent Protestant-Catholic conflict, the Hindu Renaissance in nineteenth-century India, the Palestinian-Israeli conflict, Britain in the 1960s, women and the ministry, and Christianity, Judaism and the Holocaust. The book concludes by offering an historical perspective on religion, conflict and coexistence in the world today. Published in association with The Open University, this is a student-friendly and accessible volume on popular subjects within religious history, and it will be of value to students on a range of courses, as well as to a wider readership interested in the historical background to the role of religion in the contemporary world. ;

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      • Trusted Partner
        Wie entsteht Religion?
        May 1985

        Wie entsteht Religion?

        by Alfred North Whitehead, Hans Günter Holl

        Religion in the Making – so der englische Originaltitel – besteht aus vier Vorlesungen, die Whitehead 1926 gehalten hat. In der gleichen Perspektive, wie er in den ein Jahr früher gehaltenen Lowell Lectures, die unter dem Titel Wissenschaft und moderne Welt erschienen sind, Entwicklung und Wirkung der modernen Wissenschaft analysiert hatte, verfolgt er in Wie entsteht Religion? die Ziele, »eine gedrängte Analyse der vielfältigen Faktoren in der menschlichen Natur vorzulegen, die in ihrem Zusammenwirken eine neue Religion entstehen lassen, den unausweichlichen Wandel der Religion im Zusammenhang mit dem Wandel des Wissens darzustellen und insbesondere die Aufmerksamkeit darauf zu richten, wie die Religion von unserer Auffassung jener beständigen Elemente abhängt, vermöge derer es in der Welt eine feste Ordnung gibt – beständige Elemente, ohne die es keine sich verändernde Welt geben könnte«.

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        Beginning ethnic American literatures
        Literature & Literary Studies
        March 2001

        Beginning ethnic American literatures

        by Helena Grice, Peter Barry, Candida Hepworth, John McLeod, Maria Lauret, Martin Padget, Annete Musker

        Since the late 1960s, American literature has been revitalised by the work of writers such as Toni Morrison, Sherman Alexie, Sandra Cisneros and Maxine Hong Kingston. An introduction to the study of ethnic American fictions organised into four sections, each written by a specialist in the fields of African American, Asian American, Chicano/a and native American literature. Writers are discussed in their cultural/political contexts and literary traditions (rather than as exceptions or as individuals, or on a generic basis). The book highlights common themes in ethnic writing as well as specificities, and has extensive suggestions for further reading as well as a critical introduction regarding the concept of 'ethnic writing'. No competing titles - there are no textbooks, no beginners' books nor any systematised combination of ethnic fictions such as this - only edited collections on each area. ;

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      • Trusted Partner
        Die Religion der Gesellschaft
        May 2002

        Die Religion der Gesellschaft

        by Niklas Luhmann, André Kieserling

        Die Klassiker der Soziologie hatten die Religionssoziologie als einen zentralen Teil der Gesellschaftstheorie angesehen, und zwar auch und gerade dort, wo ihnen die moderne, angeblich so religionsfern gebaute Gesellschaft vor Augen stand. Der vorliegende Band, an dem Niklas Luhmann bis kurz vor seinem Tod gearbeitet hat, erneuert diesen Anspruch, indem er die Religion als autonomes Kommunikationssystem innerhalb der modernen Gesellschaft beschreibt.

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        Chinese religion in contemporary Singapore, Malaysia and Taiwan
        Humanities & Social Sciences
        April 2022

        Chinese religion in contemporary Singapore, Malaysia and Taiwan

        The cult of the Two Grand Elders

        by Fabian Graham

        In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.

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        Festivals of Chinese Ethnic Groups·Nu: The Flower Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Nu: The Flower Festival

        by Yan Xiangjun, Zuo Hanzhong

        This book mainly introduces the origin of the Nu ethnic group's Flower Festival. A beautiful Nu girl used her ingenuity to help the Nu people solve the problem of crossing the river. Later, the wealthy bully wanted to marry her because of her beauty and intelligence. She fled to the cave but was killed by the bully on March 15th of the lunar calendar. Later, when people went to worship her on March 15th, they found that the cave was full of flowers. Thus, people called that day the “Flower Festival”.

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        Festivals of Chinese Ethnic Groups·Shui: The Duan Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Shui: The Duan Festival

        by Yan Xiangjun, Chen Anmin

        This book mainly describes the origin and changes of the Shui ethnic group's Duan Festival. Through the evolution of folklore of this unique festival of Shui ethnic group, this book tells that Shui people have the courage to move away from the barren old homeland and open up new places of residence by hard work. In the beautiful and fertile new hometown, people were united to defend the fruits of their labor and finally built a peaceful new life. The Shui people leveraged the customs of festivals to pass on the good wishes and construction experience of their ancestors from generation to generation.

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        Festivals of Chinese Ethnic Groups·Yi: The Torch Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Yi: The Torch Festival

        by Yan Xiangjun, Chen Anmin

        This book mainly introduces the origin of the Yi ethnic group's Torch Festival. It tells the story of a Yi youth Heitilaba fighting a decisive battle with the son of a god for his sweetheart. In the duel, the son of the god Sireabi was defeated and died. In order to punish the world, the god threw locusts on the world to eat crops. In order to save the crops, Heitilaba led the people to burn the locusts with torches, and finally fell to the ground and turned into a big mountain. In order to commemorate him, June 24th, when he turned into a mountain, was designated as the Torch Festival.

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      • Trusted Partner
        Festivals of Chinese Ethnic Groups·Qiang: The Waerezu Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Qiang: The Waerezu Festival

        by Yan Xiangjun, Chen Xunru

        This book mainly introduces the origin of Qiang ethnic group's Waerezu Festival. Long long ago, a young girl came to Mao County, Sichuan Province, where the Qiang people lived. She was Sister Shalang and loved to sing. In order to seize Sister Shalang, the local chieftain burned up the azaleas where village women danced and sang. While azaleas were burned, Sister Shalang was dying. The people in the village then got to know that Sister Shalang was the goddess of azaleas! To commemorate her, the Qiang people started to gather dew, sing and dance, and worship the mountain gods every year on May fifth of the lunar calendar when azaleas bloom. Over time, this event has evolved into a festival for Qiang women -- that was how the Waerezu Festival has initiated.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(volume 1)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(volume 1)

        by Chief Editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the first volume of the series.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(volume 2)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(volume 2)

        by Chief Editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the second volume of the series.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(volume 7)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(volume 7)

        by Chief editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the seventh volume of the series.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(ninth volume)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(ninth volume)

        by Chief editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the ninth volume of the series.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(tenth volume)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(tenth volume)

        by Chief editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the tenth volume of the series.

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      • Trusted Partner
        Festivals of Chinese Ethnic Groups·Lisu: The Knife-Pole Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Lisu: The Knife-Pole Festival

        by Yan Xiangjun, He Xu

        This book mainly describes the origin of the Lisu Knife-Pole Festival. February 8th of the lunar calendar is an important day for the Lisu people to celebrate the Knife-Pole Festival. Regarding the origin of the Knife-Pole Festival, there is a legendary story of a hero Wang Ji circulating in the Lisu tribe. According to legend, Wang Ji was a rare talent at the time who was proficient in the art of war, was courageous and strategic, and cared about the people. At that time, other ethnic groups often invaded the border of Yunnan, and the Lisu people living there were unable to resist. Wang Ji led the defence and defeated intruders with the assistance of the Lisu people. In order to commemorate the hero Wang Ji, the Lisu people named the day when Wang Ji was dead — February 8th as the “Knife-Pole Festival”.

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      • Trusted Partner
        Festivals of Chinese Ethnic Groups·Dong; The King Lin Festival
        December 2020

        Festivals of Chinese Ethnic Groups·Dong; The King Lin Festival

        by Yan Xiangjun, Xuan Sen

        This book mainly describes the origin of the Dong ethnic group's King Lin Festival to commemorate the Dong's hero Lin Kuan. According to the legend, Lin Kuan was born with supernatural power. In order to resist the tyranny at that time, Lin Kuan called the poor and young people in the Dong village to revolt, but eventually died when he tried to protect his people. Lin Kuan became a hero of the Dong people. His story has been handed down by generations of the Dong people. Every year on the first day of June of the lunar calendar, the Dong people gather together to spend the “King Lin Festival”. This book also describes the various activities of the Dong’s King Lin Festival and introduces an overview of the Dong people in China.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(volume 3)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(volume 3)

        by Chief Editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the third volume of the series.

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      • Trusted Partner
        101 Traditional Operas of China's Ethnic Minorities(volume 4)
        July 2021

        101 Traditional Operas of China's Ethnic Minorities(volume 4)

        by Chief editor: Wang Kui

        This opera collection incorporates and researches on a variety of traditional operas of Chinese ethnic minorities, which are widely dispersed in 14 provinces and autonomous regions, including Yunan, Guangxi, Tibet, Xinjiang, Chongqing, etc. The selected 101 operas present the highest level of China’s achievement in this form of art. By reading it, you will find the history, characteristic and artistic value of each opera. This is the fourth volume of the series.

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